Odyssey, Book 22: The Reckoning
Homer · Greek original · new English translation and commentary by Text Atlas
Overview
Book 22 turns the bow trial into a closed-house slaughter and then into a contested restoration of household order. Odysseus reveals himself after killing Antinous; Eurymachus bargains, transfers blame, and organizes resistance; Telemachus, Eumaeus, and Philoetius fight beside the returning master; Melanthius supplies the trapped suitors with arms; and Athena alternately tests, protects, and routs. After the fighting, Leodes is killed while Phemius and Medon are spared, Eurycleia classifies the enslaved women, twelve women are forced to remove bodies and clean before Telemachus hangs them, Melanthius is mutilated, and sulfur fumigation precedes bodily greetings performed by the surviving women, while Odysseus experiences longing and inwardly recognizes them. Prior abuse, divine intervention, human agency, pleas, judgments, coerced labor, executions, purification, and recognition remain ethically and grammatically distinct.
Narrative arc
- The completed bow trial becomes deliberate killing, disclosure, bargaining, and an attempted collective charge.
- Bow dominance yields to armor, a contested side access, Melanthius' weapon supply, his capture, and four defenders against the remaining suitors.
- Athena appears in disguise, rebukes and tests Odysseus, deflects volleys, and finally displays the aegis as mortal combat continues.
- The rout gives way to three unequal supplication scenes: Leodes dies, while Phemius and Medon survive through claims of coercion or care and Telemachus' intervention.
- Household judgment produces coerced corpse removal and cleaning, the hanging of twelve enslaved women, Melanthius' mutilation, washing, fumigation, and a final sequence in which the surviving women perform bodily greetings, while Odysseus experiences longing and inwardly recognizes them.
Central themes
- household restoration entangled with enclosure, coercion, punitive authority, and forced labor
- divine assistance and mortal responsibility kept in an unstable but explicit relation
- knowledge separated among narrator fact, disguise, inference, combat speech, plea, accusation, and judgment
- xenia, oikos, nostos, requital, property, supplication, and ritual language under lethal pressure
- enslavement, loyalty, abuse, differentiated labor, punishment, mutilation, purification, and recognition
Odysseus kills Antinous and reveals himself 22.1–41
1αὐτὰρ ὁ γυμνώθη ῥακέων πολύμητις Ὀδυσσεύς,
ἆλτο δʼ ἐπὶ μέγαν οὐδόν, ἔχων βιὸν ἠδὲ φαρέτρην
ἰῶν ἐμπλείην, ταχέας δʼ ἐκχεύατʼ ὀϊστοὺς
αὐτοῦ πρόσθε ποδῶν, μετὰ δὲ μνηστῆρσιν ἔειπεν·
5οὗτος μὲν δὴ ἄεθλος ἀάατος ἐκτετέλεσται·
νῦν αὖτε σκοπὸν ἄλλον, ὃν οὔ πώ τις βάλεν ἀνήρ,
εἴσομαι, αἴ κε τύχωμι, πόρῃ δέ μοι εὖχος Ἀπόλλων.
ἦ καὶ ἐπʼ Ἀντινόῳ ἰθύνετο πικρὸν ὀϊστόν.
ἦ τοι ὁ καλὸν ἄλεισον ἀναιρήσεσθαι ἔμελλε,
10χρύσεον ἄμφωτον, καὶ δὴ μετὰ χερσὶν ἐνώμα,
ὄφρα πίοι οἴνοιο· φόνος δέ οἱ οὐκ ἐνὶ θυμῷ
μέμβλετο· τίς κʼ οἴοιτο μετʼ ἀνδράσι δαιτυμόνεσσι
μοῦνον ἐνὶ πλεόνεσσι, καὶ εἰ μάλα καρτερὸς εἴη,
οἷ τεύξειν θάνατόν τε κακὸν καὶ κῆρα μέλαιναν;
15τὸν δʼ Ὀδυσεὺς κατὰ λαιμὸν ἐπισχόμενος βάλεν ἰῷ,
ἀντικρὺ δʼ ἁπαλοῖο διʼ αὐχένος ἤλυθʼ ἀκωκή.
ἐκλίνθη δʼ ἑτέρωσε, δέπας δέ οἱ ἔκπεσε χειρὸς
βλημένου, αὐτίκα δʼ αὐλὸς ἀνὰ ῥῖνας παχὺς ἦλθεν
αἵματος ἀνδρομέοιο· θοῶς δʼ ἀπὸ εἷο τράπεζαν
20ὦσε ποδὶ πλήξας, ἀπὸ δʼ εἴδατα χεῦεν ἔραζε·
σῖτός τε κρέα τʼ ὀπτὰ φορύνετο. τοὶ δʼ ὁμάδησαν
μνηστῆρες κατὰ δώμαθʼ, ὅπως ἴδον ἄνδρα πεσόντα,
ἐκ δὲ θρόνων ἀνόρουσαν ὀρινθέντες κατὰ δῶμα,
πάντοσε παπταίνοντες ἐϋδμήτους ποτὶ τοίχους·
25οὐδέ πη ἀσπὶς ἔην οὐδʼ ἄλκιμον ἔγχος ἑλέσθαι.
νείκειον δʼ Ὀδυσῆα χολωτοῖσιν ἐπέεσσι·
ξεῖνε, κακῶς ἀνδρῶν τοξάζεαι· οὐκέτʼ ἀέθλων
ἄλλων ἀντιάσεις· νῦν τοι σῶς αἰπὺς ὄλεθρος.
καὶ γὰρ δὴ νῦν φῶτα κατέκτανες ὃς μέγʼ ἄριστος
30κούρων εἰν Ἰθάκῃ· τῷ σʼ ἐνθάδε γῦπες ἔδονται.
ἴσκεν ἕκαστος ἀνήρ, ἐπεὶ ἦ φάσαν οὐκ ἐθέλοντα
ἄνδρα κατακτεῖναι· τὸ δὲ νήπιοι οὐκ ἐνόησαν,
ὡς δή σφιν καὶ πᾶσιν ὀλέθρου πείρατʼ ἐφῆπτο.
τοὺς δʼ ἄρʼ ὑπόδρα ἰδὼν προσέφη πολύμητις Ὀδυσσεύς·
35ὦ κύνες, οὔ μʼ ἔτʼ ἐφάσκεθʼ ὑπότροπον οἴκαδʼ ἱκέσθαι
δήμου ἄπο Τρώων, ὅτι μοι κατεκείρετε οἶκον,
δμῳῇσιν δὲ γυναιξὶ παρευνάζεσθε βιαίως,
αὐτοῦ τε ζώοντος ὑπεμνάασθε γυναῖκα,
οὔτε θεοὺς δείσαντες, οἳ οὐρανὸν εὐρὺν ἔχουσιν,
40οὔτε τινʼ ἀνθρώπων νέμεσιν κατόπισθεν ἔσεσθαι·
νῦν ὑμῖν καὶ πᾶσιν ὀλέθρου πείρατʼ ἐφῆπται.
1Then the master of many plans, Odysseus, stripped off his rags,
sprang onto the great threshold, holding his bow and quiver
packed with arrows, and poured the swift shafts out
there before his feet. Then he addressed the suitors:
5“That harmless contest has now been completed.
Now I will see whether I can hit another target, one
no man has struck before, and whether Apollo grants me glory.”
He spoke and aimed the bitter arrow at Antinous.
Antinous was about to lift the fine goblet,
10the golden two-handled cup, and already was turning it in his hands
to drink the wine. Death held no place in his mind:
who, among men at a feast, could imagine that one man,
alone amid so many—even if he were immensely strong—
would deal him cruel death and black doom?
15Odysseus took aim and struck him in the throat with the arrow;
straight through the tender neck the point passed.
He slumped to one side; the cup dropped from his hand
when he was hit, and at once a thick jet of human blood
spurted from his nostrils. Quickly he shoved the table
20away with a kick, spilling the food onto the floor;
bread and roasted meat were fouled. The suitors raised an uproar
through the hall when they saw the man fall.
They sprang from their seats, alarmed throughout the house,
staring everywhere along the well-built walls;
25nowhere was there a shield or stout spear to take up.
They railed at Odysseus with angry words:
“Stranger, you shoot at men to your cost. You will face
no further contests; now sheer destruction awaits you.
For you have just killed the man who was by far the best
30of Ithaca’s young men. Vultures will eat you here.”
So each man supposed, because they thought he had not meant
to kill the man. Fools—they did not understand
that the cords of destruction had been fastened around them all.
Looking darkly at them, the master planner Odysseus said:
35“Dogs! You thought I would never return home
from the Trojan land, while you wasted my house,
lay by force with the enslaved women,
and courted my wife while I was still alive,
with no fear of the gods who hold broad heaven
40and no dread of human indignation to come.
Now the cords of destruction have been fastened around you all.”
Commentary
Odysseus sheds the beggar's rags, recasts the completed trial as prelude to another target, kills Antinous while he handles a cup, and watches the suitors, with no shields or spears available, mistake deliberation for accident before naming himself and charging them with waste, sexual coercion, courtship during his life, and contempt for divine and human sanction.
22.1–7 The difficult adjective attached to the completed contest keeps the opening turn semantically unstable as Odysseus redirects skill toward an unprecedented human target. Aaatos has drawn competing understandings, and the ironic 'harmless' rendering remains defensible precisely because the next target exposes how violently the situation has changed. Odysseus speaks of testing success and Apollo-given glory before the narrator identifies Antinous as the actual aim, so divine aspiration, concealed intention, and completed killing should not be collapsed.
22.8–14 Antinous' ignorance is staged through a near-future cup movement and a feast-based inference that one man cannot attack many. The narrator holds aim, intended drinking, and absent thought of murder together before generalizing the impossibility imagined by a diner among many. This is not simple lack of intelligence: the hall's social script and numerical imbalance make the attack unthinkable to its first victim even though the audience has heard the coded transition.
22.15–21 The first killing carries aim, penetration, collapse, bodily flow, kicked table, and fouled food through an accelerating sequence that dismantles the feast. The point's path through throat and neck is followed immediately by the cup's fall and the body's own kick against the table. Bread and roasted meat become mixed with the aftermath, so the scene's sound and syntactic momentum turn a social meal into a bloodied combat space without requiring a claim of complete scansion.
22.22–33 The suitors first seek absent weapons and threaten the disguised stranger because they mistake deliberate killing for an accidental shot. Their movement from chairs to walls shows tactical awareness but also the effect of the prior disarmament. The narrator explicitly labels their non-understanding and enlarges the consequence from one fallen man to destruction fastened around all of them, distinguishing collective fate from their current belief.
22.34–41 Odysseus' self-revelation is inseparable from his own compressed indictment of household depletion, sexual force, courtship, and contempt for sanction. Return language and oikos loss frame the accusation, while the enslaved women are explicitly described as subjected to force rather than folded into generic sexual misconduct. The final appeal to gods and future human indignation presents Odysseus' moral rationale in combat speech; the narrator has not separately tried every addressee at this point.
Eurymachus bargains and calls the suitors to charge 22.42–78
42ὣς φάτο, τοὺς δʼ ἄρα πάντας ὑπὸ χλωρὸν δέος εἷλεν·
πάπτηνεν δὲ ἕκαστος ὅπη φύγοι αἰπὺν ὄλεθρον.
Εὐρύμαχος δέ μιν οἶος ἀμειβόμενος προσέειπεν·
45εἰ μὲν δὴ Ὀδυσεὺς Ἰθακήσιος εἰλήλουθας,
ταῦτα μὲν αἴσιμα εἶπας, ὅσα ῥέζεσκον Ἀχαιοί,
πολλὰ μὲν ἐν μεγάροισιν ἀτάσθαλα, πολλὰ δʼ ἐπʼ ἀγροῦ.
ἀλλʼ ὁ μὲν ἤδη κεῖται ὃς αἴτιος ἔπλετο πάντων,
Ἀντίνοος· οὗτος γὰρ ἐπίηλεν τάδε ἔργα,
50οὔ τι γάμου τόσσον κεχρημένος οὐδὲ χατίζων,
ἀλλʼ ἄλλα φρονέων, τά οἱ οὐκ ἐτέλεσσε Κρονίων,
ὄφρʼ Ἰθάκης κατὰ δῆμον ἐϋκτιμένης βασιλεύοι
αὐτός, ἀτὰρ σὸν παῖδα κατακτείνειε λοχήσας.
νῦν δʼ ὁ μὲν ἐν μοίρῃ πέφαται, σὺ δὲ φείδεο λαῶν
55σῶν· ἀτὰρ ἄμμες ὄπισθεν ἀρεσσάμενοι κατὰ δῆμον,
ὅσσα τοι ἐκπέποται καὶ ἐδήδοται ἐν μεγάροισι,
τιμὴν ἀμφὶς ἄγοντες ἐεικοσάβοιον ἕκαστος,
χαλκόν τε χρυσόν τʼ ἀποδώσομεν, εἰς ὅ κε σὸν κῆρ
ἰανθῇ· πρὶν δʼ οὔ τι νεμεσσητὸν κεχολῶσθαι.
60τὸν δʼ ἄρʼ ὑπόδρα ἰδὼν προσέφη πολύμητις Ὀδυσσεύς·
Εὐρύμαχʼ, οὐδʼ εἴ μοι πατρώϊα πάντʼ ἀποδοῖτε,
ὅσσα τε νῦν ὔμμʼ ἐστὶ καὶ εἴ ποθεν ἄλλʼ ἐπιθεῖτε,
οὐδέ κεν ὣς ἔτι χεῖρας ἐμὰς λήξαιμι φόνοιο
πρὶν πᾶσαν μνηστῆρας ὑπερβασίην ἀποτῖσαι.
65νῦν ὑμῖν παράκειται ἐναντίον ἠὲ μάχεσθαι
ἢ φεύγειν, ὅς κεν θάνατον καὶ κῆρας ἀλύξῃ·
ἀλλά τινʼ οὐ φεύξεσθαι ὀΐομαι αἰπὺν ὄλεθρον.
ὣς φάτο, τῶν δʼ αὐτοῦ λύτο γούνατα καὶ φίλον ἦτορ.
τοῖσιν δʼ Εὐρύμαχος προσεφώνεε δεύτερον αὖτις·
70ὦ φίλοι, οὐ γὰρ σχήσει ἀνὴρ ὅδε χεῖρας ἀάπτους,
ἀλλʼ ἐπεὶ ἔλλαβε τόξον ἐΰξοον ἠδὲ φαρέτρην,
οὐδοῦ ἄπο ξεστοῦ τοξάσσεται, εἰς ὅ κε πάντας
ἄμμε κατακτείνῃ· ἀλλὰ μνησώμεθα χάρμης.
φάσγανά τε σπάσσασθε καὶ ἀντίσχεσθε τραπέζας
75ἰῶν ὠκυμόρων· ἐπὶ δʼ αὐτῷ πάντες ἔχωμεν
ἀθρόοι, εἴ κέ μιν οὐδοῦ ἀπώσομεν ἠδὲ θυράων,
ἔλθωμεν δʼ ἀνὰ ἄστυ, βοὴ δʼ ὤκιστα γένοιτο·
τῷ κε τάχʼ οὗτος ἀνὴρ νῦν ὕστατα τοξάσσαιτο.
42He spoke, and pale fear seized every man;
each looked about for a way to escape sheer destruction.
Eurymachus alone answered him:
45“If you truly are Odysseus of Ithaca, returned at last,
then what you have said of the Achaeans’ acts is just—
the many outrages in the halls and many out on the land.
But the one responsible for everything already lies dead:
Antinous. He drove these deeds,
50not because he so greatly needed or desired the marriage,
but planning something else which Cronus’ son did not fulfill:
to become king himself throughout well-settled Ithaca
after ambushing and killing your son.
Now he has been killed as he deserved. Spare your own people.
55Afterward we will repay you publicly
for all the food and drink consumed in your halls,
each bringing compensation worth twenty oxen;
we will repay bronze and gold until your heart
is soothed. Until then no one can blame your anger.”
60Looking darkly at him, the master planner Odysseus said:
“Eurymachus, even if you returned all the wealth your fathers gave you,
whatever is yours today, with further wealth brought from elsewhere,
my hands would still not cease their work of death
until the suitors have repaid all their transgression.
65The choice before you now is to fight me face to face
or flee—whoever can escape death and doom.
But I think not one of you will escape sheer destruction.”
He spoke; their knees and hearts went slack where they stood.
Then Eurymachus addressed them a second time:
70“Friends, this man will not restrain his invincible hands.
Now that he has seized the polished bow and quiver,
he will shoot from the smooth threshold until
he kills us all. Remember your fighting spirit!
Draw your swords and hold the tables up
75against the arrows that bring swift death. Let us rush him
all together, if we can drive him from the threshold and doors,
reach the city, and raise the alarm at once.
Then this man will soon have shot his last.”
Commentary
Fear replaces misrecognition. Eurymachus concedes collective outrage but assigns total causation to the dead Antinous, offers public compensation, and asks that Odysseus spare his people; Odysseus rejects every price, demands full requital, and leaves fight or flight as a choice he predicts cannot save them. Eurymachus then organizes tables, swords, a massed charge, and an alarm as proposed countermeasures.
22.42–44 The fear and solitary-response sequence converts a recurrent reply frame into the first attempt at negotiation after recognition, while 22.44 adapts the sub-line response formula attested at 8.235. Pale fear seizes all and each searches for escape, but Eurymachus alone answers. His reply position makes him spokesman without implying that the other men authorize every detail. The Eurymachus subject opening at 22.44 replaces the Alcinous subject opening at 8.235 while retaining the rest of the response frame: this is an adapted sub-line formula, not a byte-identical or NFC punctuation-and-symbol-normalized-only full-line ledger match.
22.45–59 Eurymachus concedes collective outrage while trying to concentrate causal blame in Antinous and convert threatened death into compensable loss. He calls the household and rural acts excessive, then claims Antinous drove them for kingship and a planned ambush of Telemachus. The offer of twenty-ox value from each man, plus bronze and gold until Odysseus' heart is soothed, treats consumption and anger as payable; the appeal also calls the suitors Odysseus' own people, adding a political claim to the bargain.
22.60–67 Hyperbasie and apotisai make Odysseus answer compensation with a wider language of transgression and requital that no quantity of property can close. The dark-looking response formula precedes a maximal counterfactual: inherited property, present possessions, and further wealth would not stop his hands. The wording at 22.64 is byte-identical with 13.193, where Poseidon's grievance is described through requital, but changed speakers and conflicts prevent a mechanical equation between divine offense and the suitors' punishment.
22.68–78 Bodily collapse gives way to Eurymachus' second speech, which moves from Odysseus' predicted conduct to a sequence of proposed collective actions. Slack knees and hearts mark immediate fear, but Eurymachus translates the threshold, bow, and quiver into a practical plan: swords, tables against arrows, a massed rush, displacement from the doors, movement to the city, and an alarm. Every step remains prospective; the narrative has not yet shown the plan attempted or successful.
Eurymachus and Amphinomus fall as Telemachus brings armor 22.79–115
79ὣς ἄρα φωνήσας εἰρύσσατο φάσγανον ὀξὺ
80χάλκεον, ἀμφοτέρωθεν ἀκαχμένον, ἆλτο δʼ ἐπʼ αὐτῷ
σμερδαλέα ἰάχων· ὁ δʼ ἁμαρτῆ δῖος Ὀδυσσεὺς
ἰὸν ἀποπροίει, βάλε δὲ στῆθος παρὰ μαζόν,
ἐν δέ οἱ ἥπατι πῆξε θοὸν βέλος· ἐκ δʼ ἄρα χειρὸς
φάσγανον ἧκε χαμᾶζε, περιρρηδὴς δὲ τραπέζῃ
85κάππεσεν ἰδνωθείς, ἀπὸ δʼ εἴδατα χεῦεν ἔραζε
καὶ δέπας ἀμφικύπελλον· ὁ δὲ χθόνα τύπτε μετώπῳ
θυμῷ ἀνιάζων, ποσὶ δὲ θρόνον ἀμφοτέροισι
λακτίζων ἐτίνασσε· κατʼ ὀφθαλμῶν δʼ ἔχυτʼ ἀχλύς.
Ἀμφίνομος δʼ Ὀδυσῆος ἐείσατο κυδαλίμοιο
90ἀντίος ἀΐξας, εἴρυτο δὲ φάσγανον ὀξύ,
εἴ πώς οἱ εἴξειε θυράων. ἀλλʼ ἄρα μιν φθῆ
Τηλέμαχος κατόπισθε βαλὼν χαλκήρεϊ δουρὶ
ὤμων μεσσηγύς, διὰ δὲ στήθεσφιν ἔλασσεν·
δούπησεν δὲ πεσών, χθόνα δʼ ἤλασε παντὶ μετώπῳ.
95Τηλέμαχος δʼ ἀπόρουσε, λιπὼν δολιχόσκιον ἔγχος
αὐτοῦ ἐν Ἀμφινόμῳ· περὶ γὰρ δίε μή τις Ἀχαιῶν
ἔγχος ἀνελκόμενον δολιχόσκιον ἢ ἐλάσειε
φασγάνῳ ἀΐξας ἠὲ προπρηνέα τύψας.
βῆ δὲ θέειν, μάλα δʼ ὦκα φίλον πατέρʼ εἰσαφίκανεν,
100ἀγχοῦ δʼ ἱστάμενος ἔπεα πτερόεντα προσηύδα·
ὦ πάτερ, ἤδη τοι σάκος οἴσω καὶ δύο δοῦρε
καὶ κυνέην πάγχαλκον, ἐπὶ κροτάφοις ἀραρυῖαν
αὐτός τʼ ἀμφιβαλεῦμαι ἰών, δώσω δὲ συβώτῃ
καὶ τῷ βουκόλῳ ἄλλα· τετευχῆσθαι γὰρ ἄμεινον.
105τὸν δʼ ἀπαμειβόμενος προσέφη πολύμητις Ὀδυσσεύς·
οἶσε θέων, ἧός μοι ἀμύνεσθαι πάρʼ ὀϊστοί,
μή μʼ ἀποκινήσωσι θυράων μοῦνον ἐόντα.
ὣς φάτο, Τηλέμαχος δὲ φίλῳ ἐπεπείθετο πατρί,
βῆ δʼ ἴμεναι θάλαμόνδʼ, ὅθι οἱ κλυτὰ τεύχεα κεῖτο.
110ἔνθεν τέσσαρα μὲν σάκεʼ ἔξελε, δούρατα δʼ ὀκτὼ
καὶ πίσυρας κυνέας χαλκήρεας ἱπποδασείας·
βῆ δὲ φέρων, μάλα δʼ ὦκα φίλον πατέρʼ εἰσαφίκανεν,
αὐτὸς δὲ πρώτιστα περὶ χροῒ δύσετο χαλκόν·
ὣς δʼ αὔτως τὼ δμῶε δυέσθην τεύχεα καλά,
115ἔσταν δʼ ἀμφʼ Ὀδυσῆα δαΐφρονα ποικιλομήτην.
79With that he drew his sharp sword,
80bronze, edged on both sides, and leapt at him
with a terrible shout. At the same instant noble Odysseus
let an arrow fly and struck his chest beside the nipple,
driving the swift shaft into his liver. The sword
fell from his hand. Doubled over across the table,
85he collapsed, spilling food on the ground
and the two-handled cup. He struck the floor with his brow,
writhing in anguish, and kicked the chair
with both feet until it shook; darkness veiled his eyes.
Amphinomus charged straight at glorious Odysseus,
90springing face-to-face and drawing his sharp sword,
hoping he might force him from the doors. But he was forestalled
when Telemachus struck him from behind with his bronze-shod spear
midway between the shoulders and drove the weapon through his chest.
He fell with a crash and struck the ground full on his forehead.
95Telemachus sprang away, leaving the long-shadowed spear
there in Amphinomus, for he feared some Achaean might
rush him while he pulled the long-shadowed spear free,
cut him with a sword, or strike while he bent forward.
He ran and quickly reached his dear father.
100Standing close, he spoke winged words:
“Father, now I will fetch a shield for you and two spears,
with a helmet of solid bronze fitted over the temples.
I will arm myself as I go, and give more armor to the swineherd
and the cattle herdsman. Better for us to be equipped.”
105The master planner Odysseus answered him:
“Fetch them at a run, while arrows remain for my defense,
before they force me from the doorway, standing alone.”
He spoke, and Telemachus obeyed his dear father.
He went to the storeroom where the splendid weapons lay.
110From there he took four shields and eight spears
and four bronze-fitted helmets with horsehair crests.
Bearing them, he quickly reached his dear father.
First he himself put bronze armor around his body;
the two enslaved household men likewise put on fine armor
115and took their stand around Odysseus, skilled in counsel, rich in stratagems.
Commentary
Eurymachus charges and dies across the feast furniture; Amphinomus advances face-to-face but Telemachus kills him from behind, leaves the spear to avoid exposure, and proposes an armor run. Odysseus authorizes it while arrows remain, and Telemachus equips himself together with Eumaeus and Philoetius, whom the narrator continues to name as enslaved household men.
22.79–88 Eurymachus' leap and Odysseus' simultaneous release meet in a compact sequence that turns the charging leader back across a feast table. Sword, terrible shout, leap, arrow, chest, liver, dropped weapon, doubled body, food, cup, brow, chair, and darkened eyes arrive as a chain of force and collapse. The repeated contamination of meal furniture binds this second death to Antinous' fall while the different wound and chosen charge preserve Eurymachus' agency.
22.89–100 Amphinomus' face-to-face charge is stopped by Telemachus from behind, and the son explains his next movement through immediate tactical exposure rather than heroic display. Telemachus drives the spear through from between the shoulders, then refuses the dangerous posture of pulling it free while armed opponents remain. His run to his father and close stance restore the pair's coordination, and the winged-speech line marks transition from independent kill to a proposed equipment plan.
22.101–108 A familiar father-son answer-and-obedience sequence now carries a time-bounded armor mission under continuing arrow cover. Telemachus names shield, paired spears, helmet, his own arming, and equipment for both herdsmen; Odysseus compresses permission into a run while arrows last and the doorway remains defensible. The response line at 22.105 has sixteen byte-identical and two normalized-only predecessors, while the obedience at 22.108 repeats 19.14 exactly, so inherited speech structure bears a uniquely urgent combat task.
22.109–115 Fourfold armor distribution makes household defense collective while the narrator retains the herdsmen's enslaved status. Telemachus removes four shields, eight spears, and four helmets, arms himself first, and then equips Eumaeus and Philoetius. Their ability to stand around Odysseus as armed defenders is real agency inside an unequal oikos; military importance, loyalty, and fine equipment do not amount to narrated emancipation.
The arrows run out and Melanthius arms the suitors 22.116–149
116αὐτὰρ ὅ γʼ, ὄφρα μὲν αὐτῷ ἀμύνεσθαι ἔσαν ἰοί.
τόφρα μνηστήρων ἕνα γʼ αἰεὶ ᾧ ἐνὶ οἴκῳ
βάλλε τιτυσκόμενος· τοὶ δʼ ἀγχιστῖνοι ἔπιπτον.
αὐτὰρ ἐπεὶ λίπον ἰοὶ ὀϊστεύοντα ἄνακτα,
120τόξον μὲν πρὸς σταθμὸν ἐϋσταθέος μεγάροιο
ἔκλινʼ ἑστάμεναι, πρὸς ἐνώπια παμφανόωντα,
αὐτὸς δʼ ἀμφʼ ὤμοισι σάκος θέτο τετραθέλυμνον,
κρατὶ δʼ ἐπʼ ἰφθίμῳ κυνέην εὔτυκτον ἔθηκεν,
ἵππουριν, δεινὸν δὲ λόφος καθύπερθεν ἔνευεν·
125εἵλετο δʼ ἄλκιμα δοῦρε δύω κεκορυθμένα χαλκῷ.
ὀρσοθύρη δέ τις ἔσκεν ἐϋδμήτῳ ἐνὶ τοίχῳ,
ἀκρότατον δὲ παρʼ οὐδὸν ἐϋσταθέος μεγάροιο
ἦν ὁδὸς ἐς λαύρην, σανίδες δʼ ἔχον εὖ ἀραρυῖαι.
τὴν δʼ Ὀδυσεὺς φράζεσθαι ἀνώγει δῖον ὑφορβὸν
130ἑσταότʼ ἄγχʼ αὐτῆς· μία δʼ οἴη γίγνετʼ ἐφορμή.
τοῖς δʼ Ἀγέλεως μετέειπεν, ἔπος πάντεσσι πιφαύσκων·
ὦ φίλοι, οὐκ ἂν δή τις ἀνʼ ὀρσοθύρην ἀναβαίη
καὶ εἴποι λαοῖσι, βοὴ δʼ ὤκιστα γένοιτο;
τῷ κε τάχʼ οὗτος ἀνὴρ νῦν ὕστατα τοξάσσαιτο.
135τὸν δʼ αὖτε προσέειπε Μελάνθιος, αἰπόλος αἰγῶν·
οὔ πως ἔστʼ, Ἀγέλαε διοτρεφές· ἄγχι γὰρ αἰνῶς
αὐλῆς καλὰ θύρετρα καὶ ἀργαλέον στόμα λαύρης·
καί χʼ εἷς πάντας ἐρύκοι ἀνήρ, ὅς τʼ ἄλκιμος εἴη.
ἀλλʼ ἄγεθʼ, ὑμῖν τεύχεʼ ἐνείκω θωρηχθῆναι
140ἐκ θαλάμου· ἔνδον γάρ, ὀΐομαι, οὐδέ πη ἄλλῃ
τεύχεα κατθέσθην Ὀδυσεὺς καὶ φαίδιμος υἱός.
ὣς εἰπὼν ἀνέβαινε Μελάνθιος, αἰπόλος αἰγῶν,
εἰς θαλάμους Ὀδυσῆος ἀνὰ ῥῶγας μεγάροιο.
ἔνθεν δώδεκα μὲν σάκεʼ ἔξελε, τόσσα δὲ δοῦρα
145καὶ τόσσας κυνέας χαλκήρεας ἱπποδασείας·
βῆ δʼ ἴμεναι, μάλα δʼ ὦκα φέρων μνηστῆρσιν ἔδωκεν.
καὶ τότʼ Ὀδυσσῆος λύτο γούνατα καὶ φίλον ἦτορ,
ὡς περιβαλλομένους ἴδε τεύχεα χερσί τε δοῦρα
μακρὰ τινάσσοντας· μέγα δʼ αὐτῷ φαίνετο ἔργον.
116So long as the lord had arrows to defend himself,
he aimed and struck one suitor after another inside his own house;
they fell crowded close together.
When at last the arrows failed the lord as he shot,
120he leaned the bow against a doorpost of the sturdy hall,
to stand against the shining face of the wall.
He set the four-layered shield around his shoulders,
placed the well-made helmet on his powerful head,
its horsehair crest nodding terribly above,
125and took two stout spears tipped with bronze.
There was a raised side-door in the well-built wall;
at the far end beside the threshold of the sturdy hall
a passage led to a narrow corridor, secured by close-fitting planks.
Odysseus ordered the noble swineherd to watch it
130from close beside it, for there was only one approach.
Then Agelaus addressed them all:
“Friends, could someone climb up through the side-door
and bring word to the people, raising the alarm at once?
Then this man will soon have shot his last.”
135Melanthius the goatherd answered him:
“That cannot be, Zeus-nurtured Agelaus. The fine courtyard gates
are far too close, and the corridor’s mouth is narrow.
One courageous man could hold off all of us.
But come, I will bring you weapons from the storeroom
140to arm yourselves. Inside, I think, and nowhere else,
Odysseus and his illustrious son laid the weapons down.”
Melanthius the goatherd spoke and climbed
up through the hall’s narrow ways to Odysseus’ storeroom.
From there he took twelve shields, as many spears,
145and as many bronze-fitted helmets with horsehair crests.
He went back quickly and gave them to the suitors.
Then Odysseus’ knees and heart went slack
when he saw them putting on armor and shaking
long spears in their hands. The task looked immense to him.
Commentary
After one-by-one bow killing, the supply of arrows ends and Odysseus takes shield, helmet, and spears. A raised side access and narrow corridor create a possible route to the city, but Melanthius rejects that plan and instead retrieves twelve sets of armor from the store; seeing the suitors armed makes Odysseus' own knees and heart slacken.
22.116–125 The exhaustion of arrows closes the archer's one-by-one phase and makes Odysseus reconfigure himself as an armored spear fighter. The narrator summarizes repeated hits without naming every victim, then marks the supply failure before bow placement and bodily arming. Shield, helmet, moving crest, and two spears shift the visible mode of combat while the bow remains inside the house as a completed instrument rather than disappearing from the scene.
22.126–130 Orsothyre, laurē, threshold, fitted planks, and one approach define tactical relations without yielding a complete plan of the hall. The raised side access lies in a built wall near the far threshold and leads toward a narrow passage whose mouth can be controlled. Odysseus therefore stations Eumaeus close to it, but the syntax supports relational movement and defensibility more securely than any single modern architectural diagram.
22.131–141 Agelaus repeats Eurymachus' city-alarm ending almost verbatim, but Melanthius redirects the tactical problem toward the known storeroom. The current alarm line at 22.134 exactly repeats 22.78, turning an earlier mass-charge plan into a proposal for one climber. Melanthius answers that the narrow mouth can be held by one strong man and offers a different resource based on where he thinks Odysseus and Telemachus stored the arms; recurrence records shared desperation, not successful escape.
22.142–149 Melanthius' successful retrieval changes the battle before a blow is struck by making Odysseus recognize the task as immense. Twelve shields, twelve spears, and twelve helmets move quickly from household storage to the suitors through the goatherd's agency. The narrative then returns to Odysseus' body: slack knees and heart answer the visible armor and shaken spears, preventing heroic competence from erasing fear or altered odds.
Telemachus owns his error and Melanthius is trapped 22.150–179
150αἶψα δὲ Τηλέμαχον ἔπεα πτερόεντα προσηύδα·
Τηλέμαχʼ, ἦ μάλα δή τις ἐνὶ μεγάροισι γυναικῶν
νῶϊν ἐποτρύνει πόλεμον κακὸν ἠὲ Μελανθεύς.
τὸν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
ὦ πάτερ, αὐτὸς ἐγὼ τόδε γʼ ἤμβροτον—οὐδέ τις ἄλλος
155αἴτιος—ὃς θαλάμοιο θύρην πυκινῶς ἀραρυῖαν
κάλλιπον ἀγκλίνας· τῶν δὲ σκοπὸς ἦεν ἀμείνων.
ἀλλʼ ἴθι, δῖʼ Εὔμαιε, θύρην ἐπίθες θαλάμοιο
καὶ φράσαι ἤ τις ἄρʼ ἐστὶ γυναικῶν ἣ τάδε ῥέζει,
ἢ υἱὸς Δολίοιο, Μελανθεύς, τόν περ ὀΐω.
160ὣς οἱ μὲν τοιαῦτα πρὸς ἀλλήλους ἀγόρευον,
βῆ δʼ αὖτις θάλαμόνδε Μελάνθιος, αἰπόλος αἰγῶν,
οἴσων τεύχεα καλά. νόησε δὲ δῖος ὑφορβός,
αἶψα δʼ Ὀδυσσῆα προσεφώνεεν ἐγγὺς ἐόντα·
διογενὲς Λαερτιάδη, πολυμήχανʼ Ὀδυσσεῦ,
165κεῖνος δʼ αὖτʼ ἀΐδηλος ἀνήρ, ὃν ὀϊόμεθʼ αὐτοί,
ἔρχεται ἐς θάλαμον· σὺ δέ μοι νημερτὲς ἐνίσπες,
ἤ μιν ἀποκτείνω, αἴ κε κρείσσων γε γένωμαι,
ἦε σοὶ ἐνθάδʼ ἄγω, ἵνʼ ὑπερβασίας ἀποτίσῃ
πολλάς, ὅσσας οὗτος ἐμήσατο σῷ ἐνὶ οἴκῳ.
170τὸν δʼ ἀπαμειβόμενος προσέφη πολύμητις Ὀδυσσεύς·
ἦ τοι ἐγὼ καὶ Τηλέμαχος μνηστῆρας ἀγαυοὺς
σχήσομεν ἔντοσθεν μεγάρων, μάλα περ μεμαῶτας.
σφῶϊ δʼ ἀποστρέψαντε πόδας καὶ χεῖρας ὕπερθεν
ἐς θάλαμον βαλέειν, σανίδας δʼ ἐκδῆσαι ὄπισθε,
175σειρὴν δὲ πλεκτὴν ἐξ αὐτοῦ πειρήναντε
κίονʼ ἀνʼ ὑψηλὴν ἐρύσαι πελάσαι τε δοκοῖσιν,
ὥς κεν δηθὰ ζωὸς ἐὼν χαλέπʼ ἄλγεα πάσχῃ·
ὣς ἔφαθʼ, οἱ δʼ ἄρα τοῦ μάλα μὲν κλύον ἠδʼ ἐπίθοντο,
βὰν δʼ ἴμεν ἐς θάλαμον, λαθέτην δέ μιν ἔνδον ἐόντα.
150Quickly he addressed winged words to Telemachus:
“Telemachus, one of the women in the hall
is stirring up a cruel battle against us—or Melanthius.”
Discerning Telemachus answered him:
“Father, I made this mistake myself—no one else
155is to blame. I left the storeroom’s close-fitting door
ajar, and their lookout was better.
Go, noble Eumaeus, shut the storeroom door
and find out whether one of the women is doing this
or Melanthius, Dolios’ son, as I suspect.”
160So they spoke with one another.
Melanthius the goatherd went back to the storeroom
to bring fine armor. The noble swineherd saw him
and at once called to Odysseus nearby:
“Zeus-born son of Laertes, Odysseus of many devices,
165there goes that murderous man we ourselves suspected,
heading to the storeroom. Tell me plainly:
should I kill him, if I prove stronger,
or bring him here to you, so he can pay
for all the violations he plotted in your house?”
170The master planner Odysseus answered him:
“Telemachus and I will hold the proud suitors
here inside the hall, however fiercely they fight.
You two twist his feet and hands behind him,
throw him into the storeroom, and fasten the door-planks behind you.
175Then loop a braided rope around him,
haul him high up a pillar close to the rafters,
so he may live long and suffer bitter pain.”
He spoke, and they listened carefully and obeyed.
They went into the storeroom without the man inside noticing.
Commentary
Odysseus initially proposes a woman or Melanthius as the source of the arms, but Telemachus immediately names himself as the one who left the store ajar and instructs Eumaeus to investigate. Eumaeus detects Melanthius and asks whether to kill or deliver him; Odysseus chooses capture, binding, suspension, and prolonged pain, and the two herdsmen enter unnoticed.
22.150–159 Telemachus interrupts Odysseus' suspicion by accepting sole responsibility for the unsecured store and then converts confession into corrective command. Odysseus proposes either one of the women or Melanthius as agent, but the son explicitly says no one else is to blame and explains that a better lookout exploited his ajar door. His order to Eumaeus retains an investigative alternative before naming Melanthius as his own belief, keeping fact, admission, and suspicion distinct.
22.160–169 Eumaeus' observation resolves the human-agent question and leaves the punishment choice explicitly to Odysseus. The goatherd returns for armor; Eumaeus sees him, reports proximity, applies a hostile judgment, and asks whether to kill if stronger or bring him for requital. The question preserves Eumaeus' initiative and physical risk, but neither alternative occurs until Odysseus answers.
22.170–179 Odysseus rejects immediate killing in favor of binding, elevated suspension, prolonged life, and suffering. His answer assigns the two herdsmen bodily manipulation, confinement, a braided rope, a high pillar, and proximity to the rafters. The purpose clause makes pain over time explicit, so calling the order merely capture would conceal its punitive torture; obedience by subordinated allies does not erase the commander's authorship.
Melanthius is bound and the two sides form again 22.180–204
180ἦ τοι ὁ μὲν θαλάμοιο μυχὸν κάτα τεύχεʼ ἐρεύνα,
τὼ δʼ ἔσταν ἑκάτερθε παρὰ σταθμοῖσι μένοντε.
εὖθʼ ὑπὲρ οὐδὸν ἔβαινε Μελάνθιος, αἰπόλος αἰγῶν,
τῇ ἑτέρῃ μὲν χειρὶ φέρων καλὴν τρυφάλειαν,
τῇ δʼ ἑτέρῃ σάκος εὐρὺ γέρον, πεπαλαγμένον ἄζῃ,
185Λαέρτεω ἥρωος, ὃ κουρίζων φορέεσκε·
δὴ τότε γʼ ἤδη κεῖτο, ῥαφαὶ δὲ λέλυντο ἱμάντων·
τὼ δʼ ἄρʼ ἐπαΐξανθʼ ἑλέτην ἔρυσάν τέ μιν εἴσω
κουρίξ, ἐν δαπέδῳ δὲ χαμαὶ βάλον ἀχνύμενον κῆρ,
σὺν δὲ πόδας χεῖράς τε δέον θυμαλγέϊ δεσμῷ
190εὖ μάλʼ ἀποστρέψαντε διαμπερές, ὡς ἐκέλευσεν
υἱὸς Λαέρταο, πολύτλας δῖος Ὀδυσσεύς·
σειρὴν δὲ πλεκτὴν ἐξ αὐτοῦ πειρήναντε
κίονʼ ἀνʼ ὑψηλὴν ἔρυσαν πέλασάν τε δοκοῖσι.
τὸν δʼ ἐπικερτομέων προσέφης, Εὔμαιε συβῶτα·
195νῦν μὲν δὴ μάλα πάγχυ, Μελάνθιε, νύκτα φυλάξεις,
εὐνῇ ἔνι μαλακῇ καταλέγμενος, ὥς σε ἔοικεν·
οὐδέ σέ γʼ ἠριγένεια παρʼ Ὠκεανοῖο ῥοάων
λήσει ἐπερχομένη χρυσόθρονος, ἡνίκʼ ἀγινεῖς
αἶγας μνηστήρεσσι δόμον κάτα δαῖτα πένεσθαι.
200ὣς ὁ μὲν αὖθι λέλειπτο, ταθεὶς ὀλοῷ ἐνὶ δεσμῷ·
τὼ δʼ ἐς τεύχεα δύντε, θύρην ἐπιθέντε φαεινήν,
βήτην εἰς Ὀδυσῆα δαΐφρονα, ποικιλομήτην.
ἔνθα μένος πνείοντες ἐφέστασαν, οἱ μὲν ἐπʼ οὐδοῦ
τέσσαρες, οἱ δʼ ἔντοσθε δόμων πολέες τε καὶ ἐσθλοί.
180He was searching for armor in the back of the room,
while the two waited on either side beside the doorposts.
As Melanthius the goatherd crossed the threshold,
holding a fine helmet in one hand
and in the other a broad old shield, grimed with dust,
185which the hero Laertes had worn in his youth—
now it lay there, its leather stitching loosened—
the two sprang upon him, seized him, and dragged him inside
by the hair, then flung him to the floor, sick at heart.
They bound his feet and hands behind him with a painful bond,
190twisting them hard and fastening them tight as
Laertes’ son, much-enduring noble Odysseus, had ordered.
They looped a braided rope around him,
hauled him high up the pillar, and brought him close to the rafters.
Mocking him, you spoke, Eumaeus the swineherd:
195“Now then, Melanthius, you will keep watch all night,
tucked into the soft bed you deserve.
Nor will golden-throned Dawn, early-born from Ocean’s streams,
escape your notice when she comes—the hour when you drive
the goats in for the suitors’ feast through the house.”
200So he was left there, stretched in the deadly bond.
The two put on armor, shut the gleaming door,
and returned to Odysseus, battle-skilled and rich in stratagems.
There they stood breathing fury: the four at the threshold,
the others inside the house, many and brave.
Commentary
Eumaeus and Philoetius wait at the store, seize Melanthius as he crosses with Laertes' old shield and another helmet, bind and hoist him according to Odysseus' instructions, and shut him in. The narrator apostrophizes Eumaeus before Eumaeus turns the suspension into a cruel night-watch taunt; the two men then rearm and rejoin the four defenders facing many surviving suitors.
22.180–191 The capture uses threshold timing and a deteriorated ancestral shield before reproducing Odysseus' binding command in action. Eumaeus and Philoetius wait on opposite sides while Melanthius searches, then seize him as he crosses with a helmet and Laertes' broad old shield. Dust-grime describes the shield's surface and loosened leather its construction; hair-dragging, the floor throw, and the painful reversed bond enact the ordered bodily sequence.
22.192–200 Repeated rope wording leads into the marked narrator apostrophe to Eumaeus, whose dawn formula turns routine goat-driving into a taunt from forced suspension. Line 192 exactly repeats the rope action at 175 before the narrator addresses Eumaeus in the second person. His mock-soft bed and night watch culminate in a dawn-and-feast schedule formerly performed for the suitors; the established apostrophe policy preserves closeness of address without confusing narration with Melanthius' or Eumaeus' dialogue.
22.201–204 A short sequence of armor, closure, return, breath, number, and threshold resets the spatial and audible battle line. The two herdsmen put on equipment, close the bright door, and move back to the strategist; fury becomes breath before the count divides four defenders at the threshold from many opponents within. The compressed symmetry supplies a poised pause after the extended capture without claiming a complete metrical scheme.
Athena appears as Mentor and tests Odysseus 22.205–240
205τοῖσι δʼ ἐπʼ ἀγχίμολον θυγάτηρ Διὸς ἦλθεν Ἀθήνη,
Μέντορι εἰδομένη ἠμὲν δέμας ἠδὲ καὶ αὐδήν.
τὴν δʼ Ὀδυσεὺς γήθησεν ἰδὼν καὶ μῦθον ἔειπε·
Μέντορ, ἄμυνον ἀρήν, μνῆσαι δʼ ἑτάροιο φίλοιο,
ὅς σʼ ἀγαθὰ ῥέζεσκον· ὁμηλικίην δέ μοί ἐσσι.
210ὣς φάτʼ, ὀϊόμενος λαοσσόον ἔμμεν Ἀθήνην.
μνηστῆρες δʼ ἑτέρωθεν ὁμόκλεον ἐν μεγάροισι·
πρῶτος τήν γʼ ἐνένιπε Δαμαστορίδης Ἀγέλαος·
Μέντορ, μή σʼ ἐπέεσσι παραιπεπίθῃσιν Ὀδυσσεὺς
μνηστήρεσσι μάχεσθαι, ἀμυνέμεναι δέ οἱ αὐτῷ.
215ὧδε γὰρ ἡμέτερόν γε νόον τελέεσθαι ὀΐω·
ὁππότε κεν τούτους κτέωμεν, πατέρʼ ἠδὲ καὶ υἱόν,
ἐν δὲ σὺ τοῖσιν ἔπειτα πεφήσεαι, οἷα μενοινᾷς
ἔρδειν ἐν μεγάροις· σῷ δʼ αὐτοῦ κράατι τίσεις.
αὐτὰρ ἐπὴν ὑμέων γε βίας ἀφελώμεθα χαλκῷ,
220κτήμαθʼ ὁπόσσα τοί ἐστι, τά τʼ ἔνδοθι καὶ τὰ θύρηφι,
τοῖσιν Ὀδυσσῆος μεταμίξομεν· οὐδέ τοι υἷας
ζώειν ἐν μεγάροισιν ἐάσομεν, οὐδέ θύγατρας
οὐδʼ ἄλοχον κεδνὴν Ἰθάκης κατὰ ἄστυ πολεύειν.
ὣς φάτʼ, Ἀθηναίη δὲ χολώσατο κηρόθι μᾶλλον,
225νείκεσσεν δʼ Ὀδυσῆα χολωτοῖσιν ἐπέεσσιν·
οὐκέτι σοί γʼ, Ὀδυσεῦ, μένος ἔμπεδον οὐδέ τις ἀλκή
οἵη ὅτʼ ἀμφʼ Ἑλένῃ λευκωλένῳ εὐπατερείῃ,
εἰνάετες Τρώεσσιν ἐμάρναο νωλεμὲς αἰεί,
πολλοὺς δʼ ἄνδρας ἔπεφνες ἐν αἰνῇ δηϊοτῆτι,
230σῇ δʼ ἥλω βουλῇ Πριάμου πόλις εὐρυάγυια.
πῶς δὴ νῦν, ὅτε σόν τε δόμον καὶ κτήμαθʼ ἱκάνεις,
ἄντα μνηστήρων ὀλοφύρεαι ἄλκιμος εἶναι;
ἀλλʼ ἄγε δεῦρο, πέπον, παρʼ ἔμʼ ἵστασο καὶ ἴδε ἔργον,
ὄφρʼ εἰδῇς οἷός τοι ἐν ἀνδράσι δυσμενέεσσιν
235Μέντωρ Ἀλκιμίδης εὐεργεσίας ἀποτίνειν.
ἦ ῥα, καὶ οὔ πω πάγχυ δίδου ἑτεραλκέα νίκην,
ἀλλʼ ἔτʼ ἄρα σθένεός τε καὶ ἀλκῆς πειρήτιζεν
ἠμὲν Ὀδυσσῆος ἠδʼ υἱοῦ κυδαλίμοιο.
αὐτὴ δʼ αἰθαλόεντος ἀνὰ μεγάροιο μέλαθρον
240ἕζετʼ ἀναΐξασα, χελιδόνι εἰκέλη ἄντην.
205Athena, daughter of Zeus, came near them,
resembling Mentor in body and voice.
Odysseus rejoiced to see her and said:
“Mentor, ward off disaster! Remember your dear companion,
who often treated you well; you are my own age.”
210So he spoke, believing her to be Athena, rouser of armies.
From the other side the suitors shouted threats in the hall.
Agelaus, son of Damastor, rebuked her first:
“Mentor, do not let Odysseus persuade you with words
to fight the suitors and defend him.
215This is how I think our plan will be fulfilled:
when we have killed them, father and son,
you will be slain with them for what you intend
to do in this hall; you will pay with your own head.
And when we strip away your strength with bronze,
220we will merge all the property you own inside and out
with Odysseus’ estate. We will not allow your sons
to live in your halls, nor your daughters
nor faithful wife to walk the city of Ithaca.”
He spoke, and Athena grew still more angry at heart
225and reproached Odysseus with furious words:
“Odysseus, no longer is your strength steady or your courage
what it was when, for white-armed Helen, born of a noble father,
you fought the Trojans relentlessly for nine years,
killing many men in grim combat;
230by your counsel the broad-streeted city of Priam fell.
How can you now, when you have reached your own house and property,
bemoan the need for courage before the suitors?
Come here beside me, friend, stand and see what I do,
so you may learn how Mentor, son of Alcimus, repays
235kindness among hostile men.”
She spoke, but did not yet grant victory that turned the tide;
she was still testing the strength and courage
both of Odysseus and his illustrious son.
She herself leapt up onto a roof-beam
240of the smoke-darkened hall, looking like a swallow.
Commentary
Athena approaches in Mentor's shape; Odysseus addresses the appearance while correctly believing the goddess present, and Agelaus threatens the disguised figure's life, family, and property. Athena answers not with immediate rescue but a rebuke grounded in Odysseus' Trojan endurance and counsel, then withholds tide-turning victory while testing father and son from a beam in swallow form.
22.205–210 Athena arrives as Mentor, and Odysseus addresses the disguise while correctly inferring the goddess behind it. The narrator first names Athena and specifies resemblance in body and voice. Odysseus rejoices, appeals to Mentor's reciprocal obligation, and believes the figure to be Athena; the scene therefore distinguishes the name in his speech from the divine recognition in his thought.
22.211–223 Agelaus threatens not only Mentor's body but the absorption of property and the destruction or displacement of his family. He imagines killing father, son, and ally, paying intended intervention with the head, merging inside and outside possessions with Odysseus' estate, denying life to sons, and excluding daughters and wife from Ithaca's city. The speech exposes the suitors' projected violence as dynastic and material as well as immediate combat, but it remains Agelaus' plan, not completed seizure.
22.224–235 Athena answers Agelaus by rebuking Odysseus, using Trojan endurance, killing, and counsel as standards for courage in his own house. Her anger turns toward her ally: nine years of relentless combat, many deaths, and the fall of Priam's city by his planning become the basis of a sharp question about present lament. The speech both spurs and judges him, while the promised demonstration remains framed through Mentor's repayment of kindness.
22.236–240 The narrator explicitly withholds full tide-turning victory while Athena tests father and son, then relocates her in swallow form above the hall. The goddess does not immediately perform the action her speech seemed to promise. Testing concerns strength and courage in both men; her leap to the smoke-dark beam preserves present oversight and concealed divinity, distinguishing delay from departure.
The first coordinated spear exchanges wound both sides 22.241–280
241μνηστῆρας δʼ ὤτρυνε Δαμαστορίδης Ἀγέλαος,
Εὐρύνομός τε καὶ Ἀμφιμέδων Δημοπτόλεμός τε,
Πείσανδρός τε Πολυκτορίδης Πόλυβός τε δαΐφρων·
οἱ γὰρ μνηστήρων ἀρετῇ ἔσαν ἔξοχʼ ἄριστοι,
245ὅσσοι ἔτʼ ἔζωον περί τε ψυχέων ἐμάχοντο·
τοὺς δʼ ἤδη ἐδάμασσε βιὸς καὶ ταρφέες ἰοί.
τοῖς δʼ Ἀγέλεως μετέειπεν, ἔπος πάντεσσι πιφαύσκων·
ὦ φίλοι, ἤδη σχήσει ἀνὴρ ὅδε χεῖρας ἀάπτους·
καὶ δή οἱ Μέντωρ μὲν ἔβη κενὰ εὔγματα εἰπών,
250οἱ δʼ οἶοι λείπονται ἐπὶ πρώτῃσι θύρῃσι.
τῷ νῦν μὴ ἅμα πάντες ἐφίετε δούρατα μακρά,
ἀλλʼ ἄγεθʼ οἱ ἓξ πρῶτον ἀκοντίσατʼ, αἴ κέ ποθι Ζεὺς
δώῃ Ὀδυσσῆα βλῆσθαι καὶ κῦδος ἀρέσθαι.
τῶν δʼ ἄλλων οὐ κῆδος, ἐπὴν οὗτός γε πέσῃσιν.
255ὣς ἔφαθʼ, οἱ δʼ ἄρα πάντες ἀκόντισαν ὡς ἐκέλευεν,
ἱέμενοι· τὰ δὲ πάντα ἐτώσια θῆκεν Ἀθήνη,
τῶν ἄλλος μὲν σταθμὸν ἐϋσταθέος μεγάροιο
βεβλήκει, ἄλλος δὲ θύρην πυκινῶς ἀραρυῖαν·
ἄλλου δʼ ἐν τοίχῳ μελίη πέσε χαλκοβάρεια.
260αὐτὰρ ἐπεὶ δὴ δούρατʼ ἀλεύαντο μνηστήρων,
τοῖς δʼ ἄρα μύθων ἦρχε πολύτλας δῖος Ὀδυσσεύς·
ὦ φίλοι, ἤδη μέν κεν ἐγὼν εἴποιμι καὶ ἄμμι
μνηστήρων ἐς ὅμιλον ἀκοντίσαι, οἳ μεμάασιν
ἡμέας ἐξεναρίξαι ἐπὶ προτέροισι κακοῖσιν.
265ὣς ἔφαθʼ, οἱ δʼ ἄρα πάντες ἀκόντισαν ὀξέα δοῦρα
ἄντα τιτυσκόμενοι· Δημοπτόλεμον μὲν Ὀδυσσεύς,
Εὐρυάδην δʼ ἄρα Τηλέμαχος, Ἔλατον δὲ συβώτης,
Πείσανδρον δʼ ἄρʼ ἔπεφνε βοῶν ἐπιβουκόλος ἀνήρ.
οἱ μὲν ἔπειθʼ ἅμα πάντες ὀδὰξ ἕλον ἄσπετον οὖδας,
270μνηστῆρες δʼ ἀνεχώρησαν μεγάροιο μυχόνδε·
τοὶ δʼ ἄρʼ ἐπήϊξαν, νεκύων δʼ ἐξ ἔγχεʼ ἕλοντο.
αὖτις δὲ μνηστῆρες ἀκόντισαν ὀξέα δοῦρα
ἱέμενοι· τὰ δὲ πολλὰ ἐτώσια θῆκεν Ἀθήνη.
τῶν ἄλλος μὲν σταθμὸν ἐϋσταθέος μεγάροιο
275βεβλήκειν, ἄλλος δὲ θύρην πυκινῶς ἀραρυῖαν·
ἄλλου δʼ ἐν τοίχῳ μελίη πέσε χαλκοβάρεια.
Ἀμφιμέδων δʼ ἄρα Τηλέμαχον βάλε χεῖρʼ ἐπὶ καρπῷ
λίγδην, ἄκρον δὲ ῥινὸν δηλήσατο χαλκός.
Κτήσιππος δʼ Εὔμαιον ὑπὲρ σάκος ἔγχεϊ μακρῷ
280ὦμον ἐπέγραψεν· τὸ δʼ ὑπέρπτατο, πῖπτε δʼ ἔραζε.
241Agelaus, son of Damastor, urged the suitors on,
Eurynomus, Amphimedon and Demoptolemus,
Peisander, son of Polyctor, and prudent Polybus.
These were the strongest and best in prowess among
245the suitors still alive and fighting for their lives;
the bow and swarming arrows had already subdued the rest.
Agelaus addressed them all:
“Friends, now this man will check his irresistible hands.
Mentor has left after speaking empty boasts,
250and they are alone at the front doors.
So do not all throw your long spears together.
Come, let the six of us cast first, in case Zeus
grants us a hit on Odysseus and the glory.
We need not care about the others once he falls.”
255He spoke, and all six threw as he ordered,
taking aim, but Athena made every cast useless.
One struck a doorpost of the sturdy hall,
another the close-fitting door,
and another’s bronze-weighted ash spear fell into the wall.
260When they had avoided the suitors’ spears,
much-enduring noble Odysseus began to speak:
“Friends, now I would say it is our turn
to cast into the suitors’ mass, since they are bent
on killing us besides all their former crimes.”
265He spoke, and all four cast their sharp spears
straight at their marks. Odysseus killed Demoptolemus,
Telemachus Euryades, the swineherd Elatus,
and the cattle herdsman killed Peisander.
Together they bit the boundless floor with their teeth.
270The suitors drew back to the hall’s recess;
the four rushed forward and pulled their spears from the corpses.
Again the suitors cast their sharp spears
at them, but Athena made most of the throws useless.
One struck a doorpost of the sturdy hall,
275another the close-fitting door,
and another’s bronze-weighted ash spear fell into the wall.
Amphimedon grazed Telemachus on the wrist,
and the bronze only scraped the surface of the skin.
Ctesippus’ long spear scored Eumaeus’
280shoulder above the shield, then flew past and fell to the ground.
Commentary
Six named suitors organize a first volley under Agelaus, invoking Zeus as a possible grantor of success. Athena makes every throw useless; the four defenders answer with four named kills and recover their spears. In a second suitor volley she spoils most rather than all throws, and Telemachus and Eumaeus receive surface wounds.
22.241–254 Agelaus identifies six surviving leaders, misreads Mentor's absence, and invokes Zeus as a possible grantor of the glory attached to hitting Odysseus. The narrator ranks the named men among those still fighting for life and notes how many arrows have already subdued the rest. Agelaus interprets Athena's change of position as withdrawal and proposes a limited first volley; his Zeus condition expresses hope rather than knowledge of divine support.
22.255–259 The first six-spear volley is narratively total in aim and totally nullified by Athena, then distributed into harmless impacts on the built hall. All six obey and cast, and the goddess makes every throw empty of result; doorpost, door, and wall absorb the weapons. The precise formulaic impact sequence will recur in the next volley, but here no defender is touched, making the first intervention stronger than the later repetition.
22.260–271 Odysseus turns successful evasion into a four-man countercommand whose kills and weapon recovery remain individually assigned. He addresses friends, cites the suitors' intention to add murder to earlier wrongs, and all four cast at direct marks. Odysseus, Telemachus, Eumaeus, and Philoetius each receive a named victim; after the suitors retreat, the same four advance and pull spears from corpses, keeping divine protection distinct from mortal killing and resupply.
22.272–280 The second suitor volley repeats the hall-impact formula but changes divine scope from every throw to most, allowing two nonfatal wounds. Doorpost, door, and wall lines reproduce the first exchange, with 22.274 exactly matching 257 and 22.276 exactly matching 259. Yet Amphimedon grazes Telemachus' wrist and Ctesippus scores Eumaeus' shoulder, so the repeated structure makes partial exposure visible rather than implying invulnerability.
The counterstroke and Athena’s aegis break the suitors 22.281–309
281τοὶ δʼ αὖτʼ ἀμφʼ Ὀδυσῆα δαΐφρονα ποικιλομήτην,
μνηστήρων ἐς ὅμιλον ἀκόντισαν ὀξέα δοῦρα.
ἔνθʼ αὖτʼ Εὐρυδάμαντα βάλε πτολίπορθος Ὀδυσσεύς,
Ἀμφιμέδοντα δὲ Τηλέμαχος, Πόλυβον δὲ συβώτης·
285Κτήσιππον δʼ ἄρʼ ἔπειτα βοῶν ἐπιβουκόλος ἀνὴρ
βεβλήκει πρὸς στῆθος, ἐπευχόμενος δὲ προσηύδα·
ὦ Πολυθερσεΐδη φιλοκέρτομε, μή ποτε πάμπαν
εἴκων ἀφραδίῃς μέγα εἰπεῖν, ἀλλὰ θεοῖσιν
μῦθον ἐπιτρέψαι, ἐπεὶ ἦ πολὺ φέρτεροί εἰσι.
290τοῦτό τοι ἀντὶ ποδὸς ξεινήϊον, ὅν ποτʼ ἔδωκας
ἀντιθέῳ Ὀδυσῆϊ δόμον κάτʼ ἀλητεύοντι.
ἦ ῥα βοῶν ἑλίκων ἐπιβουκόλος· αὐτὰρ Ὀδυσσεὺς
οὖτα Δαμαστορίδην αὐτοσχεδὸν ἔγχεϊ μακρῷ.
Τηλέμαχος δʼ Εὐηνορίδην Λειώκριτον οὖτα
295δουρὶ μέσον κενεῶνα, διαπρὸ δὲ χαλκὸν ἔλασσεν·
ἤριπε δὲ πρηνής, χθόνα δʼ ἤλασε παντὶ μετώπῳ.
δὴ τότʼ Ἀθηναίη φθισίμβροτον αἰγίδʼ ἀνέσχεν
ὑψόθεν ἐξ ὀροφῆς· τῶν δὲ φρένες ἐπτοίηθεν.
οἱ δʼ ἐφέβοντο κατὰ μέγαρον βόες ὣς ἀγελαῖαι·
300τὰς μέν τʼ αἰόλος οἶστρος ἐφορμηθεὶς ἐδόνησεν
ὥρῃ ἐν εἰαρινῇ, ὅτε τʼ ἤματα μακρὰ πέλονται.
οἱ δʼ ὥς τʼ αἰγυπιοὶ γαμψώνυχες ἀγκυλοχεῖλαι,
ἐξ ὀρέων ἐλθόντες ἐπʼ ὀρνίθεσσι θόρωσι·
ταὶ μέν τʼ ἐν πεδίῳ νέφεα πτώσσουσαι ἵενται,
305οἱ δέ τε τὰς ὀλέκουσιν ἐπάλμενοι, οὐδέ τις ἀλκὴ
γίγνεται οὐδὲ φυγή· χαίρουσι δέ τʼ ἀνέρες ἄγρῃ·
ὣς ἄρα τοὶ μνηστῆρας ἐπεσσύμενοι κατὰ δῶμα
τύπτον ἐπιστροφάδην· τῶν δὲ στόνος ὤρνυτʼ ἀεικὴς
κράτων τυπτομένων, δάπεδον δʼ ἅπαν αἵματι θῦε.
281Again the men around Odysseus, skilled in counsel, rich in stratagems,
cast sharp spears into the suitors’ mass.
Odysseus, sacker of cities, struck Eurydamas,
Telemachus Amphimedon, and the swineherd Polybus;
285then the cattle herdsman struck Ctesippus
in the chest and exulted over him:
“Son of Polytherses, lover of taunts, never again
give in to folly and speak so grandly; leave such speech
to the gods, who are far stronger.
290Here is the guest-gift in return for the hoof you once gave
godlike Odysseus when he wandered through his own house.”
So spoke the herdsman of the spiral-horned cattle. Odysseus
wounded Damastor’s son at close quarters with his long spear.
Telemachus wounded Leocritus, son of Euenor,
295with a spear through the middle of his flank, driving the bronze right through.
He fell face forward and struck the ground full on his forehead.
Then Athena held up the man-destroying aegis
from the roof above, and the suitors’ minds were terrified.
They scattered through the hall like cattle in a herd
300when a darting gadfly attacks and drives them wild
in the spring season, when the days grow long.
And as hook-taloned, crook-beaked vultures
swoop from the mountains upon birds below—
the birds scud low beneath the clouds across the plain,
305while the vultures pounce and kill; there is no defense,
no escape, and men delight in the hunt—
so Odysseus and his men rushed the suitors through the hall
and struck them on every side. Ugly groans rose
as heads were battered; the whole floor seethed with blood.
Commentary
The defenders' counterstroke assigns further targets, including Philoetius' explicitly reciprocal guest-gift for Ctesippus' earlier hoof. Close-quarter wounds follow; then Athena raises the aegis, terrifies the suitors' faculties, and converts battle into rout. Herd and raptor comparisons make the fleeing men defenseless prey while the mortal group batters them amid rising groans and blood.
22.281–291 Philoetius answers Ctesippus' earlier hoof with a lethal guest-gift and an exultant rebuke, making reciprocity explicit without making it neutral. The four defenders cast again and receive named victims; Philoetius then claims the chest wound as repayment for Ctesippus' abusive gift to the disguised master. His warning against boastful folly and appeal to stronger gods remain victory speech by the killer, while the xeinēion vocabulary deliberately recalls the prior assault.
22.292–296 Close-quarter combat follows the spear exchange with terse, separately attributed wounds and a face-first fall. Odysseus wounds Agelaus at close range, and Telemachus drives bronze through Leocritus' flank. The final bodily collapse reuses forehead-to-ground action from Amphinomus' fall, but distinct attacker, victim, weapon path, and combat moment remain recoverable.
22.297–301 Athena's displayed aegis is the decisive divine act that terrifies the suitors' faculties and changes organized resistance into herd-like scattering. Unlike disguised arrival, verbal rebuke, withheld victory, or deflected throws, the aegis appears openly from above and produces immediate fear. The gadfly comparison presents a herd driven wild in spring, making divine pressure causal while leaving the preceding and following mortal blows separately narrated.
22.302–309 The raptor simile accelerates the rout into a hunt with no defense or escape, then returns to battered heads, groans, and blood inside the hall. Hooked vultures descend, smaller birds flee low, and human hunters delight; the comparison gives the victors predatory shape before the narrative names their circling blows. Cadence and comparison intensify the violence, but the pleasure assigned to men in the simile is not automatically a direct report of each combatant's inner state.
Leodes supplicates Odysseus and is killed 22.310–330
310Λειώδης δʼ Ὀδυσῆος ἐπεσσύμενος λάβε γούνων,
καί μιν λισσόμενος ἔπεα πτερόεντα προσηύδα·
γουνοῦμαί σʼ, Ὀδυσεῦ· σὺ δέ μʼ αἴδεο καί μʼ ἐλέησον·
οὐ γάρ πώ τινά φημι γυναικῶν ἐν μεγάροισιν
εἰπεῖν οὐδέ τι ῥέξαι ἀτάσθαλον· ἀλλὰ καὶ ἄλλους
315παύεσκον μνηστῆρας, ὅτις τοιαῦτά γε ῥέζοι.
ἀλλά μοι οὐ πείθοντο κακῶν ἄπο χεῖρας ἔχεσθαι·
τῷ καὶ ἀτασθαλίῃσιν ἀεικέα πότμον ἐπέσπον.
αὐτὰρ ἐγὼ μετὰ τοῖσι θυοσκόος οὐδὲν ἐοργὼς
κείσομαι, ὡς οὐκ ἔστι χάρις μετόπισθʼ εὐεργέων·
320τὸν δʼ ἄρʼ ὑπόδρα ἰδὼν προσέφη πολύμητις Ὀδυσσεύς·
εἰ μὲν δὴ μετὰ τοῖσι θυοσκόος εὔχεαι εἶναι,
πολλάκι που μέλλεις ἀρήμεναι ἐν μεγάροισι
τηλοῦ ἐμοὶ νόστοιο τέλος γλυκεροῖο γενέσθαι,
σοὶ δʼ ἄλοχόν τε φίλην σπέσθαι καὶ τέκνα τεκέσθαι·
325τῷ οὐκ ἂν θάνατόν γε δυσηλεγέα προφύγοισθα.
ὣς ἄρα φωνήσας ξίφος εἵλετο χειρὶ παχείῃ
κείμενον, ὅ ῥʼ Ἀγέλαος ἀποπροέηκε χαμᾶζε
κτεινόμενος· τῷ τόν γε κατʼ αὐχένα μέσσον ἔλασσε.
φθεγγομένου δʼ ἄρα τοῦ γε κάρη κονίῃσιν ἐμίχθη.
330Τερπιάδης δʼ ἔτʼ ἀοιδὸς ἀλύσκανε κῆρα μέλαιναν,
310Leodes rushed to Odysseus and grasped his knees,
begging him in winged words:
“I clasp your knees, Odysseus. Respect me and show mercy.
I swear I never said or did anything reckless
to any woman in this hall; instead I tried to stop
315any other suitor who acted that way.
But they would not heed me or keep their hands from evil,
and by their recklessness they met a shameful fate.
Yet I, their ritual diviner, who did nothing,
will lie among them—as if good deeds win no gratitude.”
320Looking darkly at him, the master planner Odysseus said:
“If you claim to have been their ritual diviner,
then often in these halls you must have prayed
that the fulfillment of my sweet homecoming would remain far away,
and that my dear wife would follow you and bear your children.
325Therefore you will not escape a death of bitter pain.”
With that he took in his heavy hand the sword
lying where Agelaus had thrown it to the ground
as he was killed, and struck Leodes across the neck with it.
While he was still speaking, his head mingled with the dust.
330The son of Terpes, the bard, was still escaping black doom—
Commentary
Leodes physically grasps Odysseus' knees and claims that he neither abused the household women nor approved suitor misconduct, but tried unsuccessfully to restrain it; he names his ritual office and argues that unrecognized good action would die with him. Odysseus infers hostile prayers from that same office and beheads him while he is still speaking.
22.310–319 Leodes makes physical knee supplication and grounds his plea in restraint, failed intervention, ritual office, and the expected gratitude due good acts. He claims neither speech nor deed against the women, says he tried to stop other suitors, attributes their fate to their refusal and recklessness, and distinguishes his role as thuoskoos from their conduct. The bodily act and argument are explicit, but each exculpatory claim remains his speech after the rout rather than independent narrator certification.
22.320–325 Odysseus turns Leodes' ritual title into a hostile inference about repeated prayers against homecoming and for marriage to Penelope. The conditional opening matters: if Leodes boasts of being their diviner, Odysseus reasons that he must often have prayed for delayed nostos and personal succession. The answer does not engage the claimed restraint directly; it supplies a different imagined intention and makes bitter death its consequence.
22.326–330 Leodes is executed with a discarded suitor sword while he is still speaking, making refusal of the plea bodily and final. Odysseus takes Agelaus' fallen weapon and strikes across the neck; the head reaches dust before the voice has finished. The sequence assigns agent, borrowed weapon, wound, and interrupted speech precisely, so summary should neither euphemize the beheading nor treat the hostile prayer inference as narrator-proven fact.
Phemius pleads and Telemachus intervenes 22.331–360
331Φήμιος, ὅς ῥʼ ἤειδε μετὰ μνηστῆρσιν ἀνάγκῃ.
ἔστη δʼ ἐν χείρεσσίν ἔχων φόρμιγγα λίγειαν
ἄγχι παρʼ ὀρσοθύρην· δίχα δὲ φρεσὶ μερμήριζεν,
ἢ ἐκδὺς μεγάροιο Διὸς μεγάλου ποτὶ βωμὸν
335ἑρκείου ἵζοιτο τετυγμένον, ἔνθʼ ἄρα πολλὰ
Λαέρτης Ὀδυσεύς τε βοῶν ἐπὶ μηρίʼ ἔκηαν,
ἦ γούνων λίσσοιτο προσαΐξας Ὀδυσῆα.
ὧδε δέ οἱ φρονέοντι δοάσσατο κέρδιον εἶναι,
γούνων ἅψασθαι Λαερτιάδεω Ὀδυσῆος.
340ἦ τοι ὁ φόρμιγγα γλαφυρὴν κατέθηκε χαμᾶζε
μεσσηγὺς κρητῆρος ἰδὲ θρόνου ἀργυροήλου,
αὐτὸς δʼ αὖτʼ Ὀδυσῆα προσαΐξας λάβε γούνων,
καί μιν λισσόμενος ἔπεα πτερόεντα προσηύδα·
γουνοῦμαί σʼ, Ὀδυσεῦ· σὺ δέ μʼ αἴδεο καί μʼ ἐλέησον·
345αὐτῷ τοι μετόπισθʼ ἄχος ἔσσεται, εἴ κεν ἀοιδὸν
πέφνῃς, ὅς τε θεοῖσι καὶ ἀνθρώποισιν ἀείδω.
αὐτοδίδακτος δʼ εἰμί, θεὸς δέ μοι ἐν φρεσὶν οἴμας
παντοίας ἐνέφυσεν· ἔοικα δέ τοι παραείδειν
ὥς τε θεῷ· τῷ μή με λιλαίεο δειροτομῆσαι.
350καί κεν Τηλέμαχος τάδε γʼ εἴποι, σὸς φίλος υἱός,
ὡς ἐγὼ οὔ τι ἑκὼν ἐς σὸν δόμον οὐδὲ χατίζων
πωλεύμην μνηστῆρσιν ἀεισόμενος μετὰ δαῖτας,
ἀλλὰ πολὺ πλέονες καὶ κρείσσονες ἦγον ἀνάγκῃ.
ὣς φάτο, τοῦ δʼ ἤκουσʼ ἱερὴ ἲς Τηλεμάχοιο,
355αἶψα δʼ ἑὸν πατέρα προσεφώνεεν ἐγγὺς ἐόντα·
ἴσχεο μηδέ τι τοῦτον ἀναίτιον οὔταε χαλκῷ·
καὶ κήρυκα Μέδοντα σαώσομεν, ὅς τέ μευ αἰεὶ
οἴκῳ ἐν ἡμετέρῳ κηδέσκετο παιδὸς ἐόντος,
εἰ δὴ μή μιν ἔπεφνε Φιλοίτιος ἠὲ συβώτης,
360ἠὲ σοὶ ἀντεβόλησεν ὀρινομένῳ κατὰ δῶμα.
331Phemius, who had sung among the suitors under compulsion.
The clear-voiced lyre in his hands, he stood
beside the raised side-door, divided in his thoughts:
whether to slip from the hall and sit at the altar
335of great Zeus of the courtyard, the well-built altar where
Laertes and Odysseus had burned many cattle thighs,
or rush to Odysseus and plead at his knees.
As he considered, it seemed better to him
to take hold of the knees of Laertes’ son Odysseus.
340He set his hollow lyre down on the floor
between the mixing bowl and the chair studded with silver;
then sprang toward Odysseus and caught him by the knees,
begging him in winged words:
“I clasp your knees, Odysseus. Respect me and show mercy.
345You yourself will grieve afterward if you kill
a singer who sings for gods and mortals.
I am self-taught; a god has planted in my mind
paths of every kind of song. I am fit to sing beside you
as before a god; do not be eager to cut my throat.
350Telemachus himself, your dear son, can tell you
that I did not willingly or from desire come to your house
to sing for the suitors at their feasts.
They were far more numerous and stronger and brought me by force.”
He spoke; Telemachus in his sacred strength heard him
355and quickly called to his father nearby:
“Hold! Do not strike this guiltless man with bronze.
We will also save the herald Medon, who always
watched over me in our halls when I was little—
unless the cattle herdsman or swineherd has killed him already,
360or he met you as you raged through the hall.”
Commentary
The narrator first states that Phemius sang under compulsion. Holding his lyre, the singer deliberates between Zeus' courtyard altar and Odysseus' knees, chooses bodily supplication, describes his divinely planted and self-taught paths of song, repeats his coercion claim, and invokes Telemachus as witness. Telemachus names him guiltless, orders Odysseus to stop, and extends protection toward Medon.
22.331–340 Before Phemius speaks, the narrator establishes compulsion and then stages his divided choice between altar asylum and bodily supplication. The singer still avoids death with lyre in hand beside the side access, and his phrenes weigh Zeus' courtyard altar against Odysseus' knees. He chooses the knees and first lays down the instrument between feast furniture, so plea, ritual space, professional object, and physical approach are sequential rather than interchangeable signs of innocence.
22.341–349 Phemius joins autodidaktos with divine planting of varied song-paths, claiming both cultivated capacity and divine endowment without resolving their relation. After bodily supplication, he identifies his audience as gods and humans and imagines future singing beside Odysseus in godlike terms. Oimas preserves paths or courses of performance rather than a mere list of topics, while the throat-cutting prohibition makes professional and sacred self-description answer immediate bodily danger.
22.350–360 Phemius appeals to Telemachus as a living witness, and Telemachus immediately converts that testimony into a command that restrains his father. The singer denies willingness and desire and says the stronger, more numerous suitors brought him by force. Telemachus names him guiltless, orders Odysseus not to strike, and extends the intended rescue to Medon while admitting uncertainty about whether one of the fighters has already killed the herald.
Medon emerges and the two guiltless men are spared 22.361–380
361ὣς φάτο, τοῦ δʼ ἤκουσε Μέδων πεπνυμένα εἰδώς·
πεπτηὼς γὰρ ἔκειτο ὑπὸ θρόνον, ἀμφὶ δὲ δέρμα
ἕστο βοὸς νεόδαρτον, ἀλύσκων κῆρα μέλαιναν.
αἶψα δʼ ἀπὸ θρόνου ὦρτο, θοῶς δʼ ἀπέδυνε βοείην
365Τηλέμαχον δʼ ἄρʼ ἔπειτα προσαΐξας λάβε γούνων,
καί μιν λισσόμενος ἔπεα πτερόεντα προσηύδα·
ὦ φίλʼ, ἐγὼ μὲν ὅδʼ εἰμί, σὺ δʼ ἴσχεο εἰπὲ δὲ πατρὶ
μή με περισθενέων δηλήσεται ὀξέϊ χαλκῷ,
ἀνδρῶν μνηστήρων κεχολωμένος, οἵ οἱ ἔκειρον
370κτήματʼ ἐνὶ μεγάροις, σὲ δὲ νήπιοι οὐδὲν ἔτιον.
τὸν δʼ ἐπιμειδήσας προσέφη πολύμητις Ὀδυσσεύς·
θάρσει, ἐπεὶ δή σʼ οὗτος ἐρύσσατο καὶ ἐσάωσεν,
ὄφρα γνῷς κατὰ θυμόν, ἀτὰρ εἴπῃσθα καὶ ἄλλῳ,
ὡς κακοεργίης εὐεργεσίη μέγʼ ἀμείνων.
375ἀλλʼ ἐξελθόντες μεγάρων ἕζεσθε θύραζε
ἐκ φόνου εἰς αὐλήν, σύ τε καὶ πολύφημος ἀοιδός,
ὄφρʼ ἂν ἐγὼ κατὰ δῶμα πονήσομαι ὅττεό με χρή.
ὣς φάτο, τὼ δʼ ἔξω βήτην μεγάροιο κιόντε,
ἑζέσθην δʼ ἄρα τώ γε Διὸς μεγάλου ποτὶ βωμόν,
380πάντοσε παπταίνοντε, φόνον ποτιδεγμένω αἰεί.
361He spoke, and thoughtful Medon heard him,
for he lay crouched under a chair, wrapped
in the fresh-flayed hide of an ox to escape black doom.
At once he rose from under the chair and quickly stripped off the oxhide,
365then rushed to Telemachus and clasped his knees,
begging him in winged words:
“Dear one, here I am. Hold back, and tell your father
not to overpower and cut me down with sharp bronze
in anger at the suitors, who wasted
370his property in the hall and foolishly gave you no honor.”
The master planner Odysseus smiled at him and said:
“Take heart: Telemachus has rescued and saved you,
so that you may know in your heart and tell another
how much better good dealing is than wrongdoing.
375But go out from the hall and sit outside
in the courtyard, away from the killing—you and the far-famed singer—
while I labor in the house at what remains to be done.”
He spoke; the two went out from the hall
and sat at the altar of great Zeus,
380looking around on every side, always expecting death.
Commentary
Medon hears Telemachus while hidden beneath a chair in a fresh oxhide, emerges, grasps Telemachus' knees, and asks him to restrain Odysseus. Odysseus smiles, credits Telemachus with rescue, states his own moral contrast between good and bad action, and sends Medon and Phemius outside the killing to Zeus' altar, where they continue to expect death.
22.361–370 Medon's concealment under fresh oxhide ends when Telemachus' protection becomes audible, and he directs his bodily plea to the son rather than the father. He emerges, removes the hide, grasps Telemachus' knees, and asks him to hold Odysseus back. His account links danger to the father's anger over wasted property and withheld honor for the child, preserving Medon's long household perspective while the narrator confirms only concealment, hearing, and action.
22.371–377 Odysseus credits Telemachus with rescue, states that good action is better than wrongdoing, and removes both spared men from the killing before unfinished work continues. His smile and reassurance acknowledge survival as the son's act, then turn Medon into a future witness who can tell others. The moral maxim is Odysseus' speech after differentiated pleas, while the order to sit outside shows that mercy does not yet mean participation in restored household authority.
22.378–380 Phemius and Medon reach Zeus' altar alive but remain watchful for killing, so sanctuary and felt safety do not coincide. The pair exits and sits at the altar Phemius had earlier considered, looking in every direction and still expecting death. Their fear prevents the ritual location from being treated as an automatic legal guarantee; narrated sparing rests on Telemachus' intervention and Odysseus' order.
Odysseus surveys the dead and checks Eurycleia’s cry 22.381–416
381πάπτηνεν δʼ Ὀδυσεὺς καθʼ ἑὸν δόμον, εἴ τις ἔτʼ ἀνδρῶν
ζωὸς ὑποκλοπέοιτο, ἀλύσκων κῆρα μέλαιναν.
τοὺς δὲ ἴδεν μάλα πάντας ἐν αἵματι καὶ κονίῃσι
πεπτεῶτας πολλούς, ὥστʼ ἰχθύας, οὕς θʼ ἁλιῆες
385κοῖλον ἐς αἰγιαλὸν πολιῆς ἔκτοσθε θαλάσσης
δικτύῳ ἐξέρυσαν πολυωπῷ· οἱ δέ τε πάντες
κύμαθʼ ἁλὸς ποθέοντες ἐπὶ ψαμάθοισι κέχυνται·
τῶν μέν τʼ Ἠέλιος φαέθων ἐξείλετο θυμόν·
ὣς τότʼ ἄρα μνηστῆρες ἐπʼ ἀλλήλοισι κέχυντο.
390δὴ τότε Τηλέμαχον προσέφη πολύμητις Ὀδυσσεύς·
Τηλέμαχʼ, εἰ δʼ ἄγε μοι κάλεσον τροφὸν Εὐρύκλειαν,
ὄφρα ἔπος εἴπωμι τό μοι καταθύμιόν ἐστιν.
ὣς φάτο, Τηλέμαχος δὲ φίλῳ ἐπεπείθετο πατρί,
κινήσας δὲ θύρην προσέφη τροφὸν Εὐρύκλειαν·
395δεῦρο δὴ ὄρσο, γρηῢ παλαιγενές, ἥ τε γυναικῶν
δμῳάων σκοπός ἐσσι κατὰ μέγαρʼ ἡμετεράων·
ἔρχεο· κικλήσκει σε πατὴρ ἐμός, ὄφρα τι εἴπῃ.
ὣς ἄρʼ ἐφώνησεν, τῇ δʼ ἄπτερος ἔπλετο μῦθος,
ὤϊξεν δὲ θύρας μεγάρων εὖ ναιεταόντων,
400βῆ δʼ ἴμεν· αὐτὰρ Τηλέμαχος πρόσθʼ ἡγεμόνευεν.
εὗρεν ἔπειτʼ Ὀδυσῆα μετὰ κταμένοισι νέκυσσιν,
αἵματι καὶ λύθρῳ πεπαλαγμένον ὥστε λέοντα,
ὅς ῥά τε βεβρωκὼς βοὸς ἔρχεται ἀγραύλοιο·
πᾶν δʼ ἄρα οἱ στῆθός τε παρήϊά τʼ ἀμφοτέρωθεν
405αἱματόεντα πέλει, δεινὸς δʼ εἰς ὦπα ἰδέσθαι·
ὣς Ὀδυσεὺς πεπάλακτο πόδας καὶ χεῖρας ὕπερθεν.
ἡ δʼ ὡς οὖν νέκυάς τε καὶ ἄσπετον εἴσιδεν αἷμα,
ἴθυσέν ῥʼ ὀλολύξαι, ἐπεὶ μέγα εἴσιδεν ἔργον·
ἀλλʼ Ὀδυσεὺς κατέρυκε καὶ ἔσχεθεν ἱεμένην περ,
410καί μιν φωνήσας ἔπεα πτερόεντα προσηύδα·
ἐν θυμῷ, γρηῦ, χαῖρε καὶ ἴσχεο μηδʼ ὀλόλυζε·
οὐχ ὁσίη κταμένοισιν ἐπʼ ἀνδράσιν εὐχετάασθαι.
τούσδε δὲ μοῖρʼ ἐδάμασσε θεῶν καὶ σχέτλια ἔργα·
οὔ τινα γὰρ τίεσκον ἐπιχθονίων ἀνθρώπων,
415οὐ κακὸν οὐδὲ μὲν ἐσθλόν, ὅτις σφέας εἰσαφίκοιτο·
τῷ καὶ ἀτασθαλίῃσιν ἀεικέα πότμον ἐπέσπον.
381Odysseus looked through his house in case any man
was still hiding alive, escaping black doom.
But he saw them all there in blood and dust,
the many fallen like fish that fishermen haul
385from the gray sea onto a hollow beach
in a many-meshed net. All of them,
longing for the sea’s waves, lie heaped on the sand,
and the blazing sun takes the life from them.
So the suitors lay heaped upon one another.
390Then the master planner Odysseus said to Telemachus:
“Telemachus, come, call the nurse Eurycleia,
so I can tell her what is in my mind.”
He spoke, and Telemachus obeyed his dear father.
He rattled the door and called to the nurse Eurycleia:
395“Come, rise, ancient woman, you who oversee
our enslaved household women throughout the house.
Come. My father calls you so he may speak with you.”
So he spoke, and no answering word took wing from her.
She opened the doors of the well-inhabited hall
400and came, with Telemachus leading the way.
She found Odysseus among the slain corpses,
spattered with blood and gore like a lion
returning after devouring a bull in the open;
its whole breast and both cheeks
405are bloodied, and it is terrible to meet its gaze.
So Odysseus was spattered over hands and feet.
When she saw the corpses and the measureless blood,
she moved to raise the ritual cry at the great deed before her.
But Odysseus held her back and checked her, eager though she was,
410and spoke winged words to her:
“Rejoice within your heart, old woman, but restrain yourself; do not cry out.
It is not holy to exult over men who have been killed.
The gods’ allotment and their own cruel deeds subdued them.
For they honored no human being on earth,
415neither bad nor good, whoever came among them.
Thus by their recklessness they met a shameful fate.
Commentary
Odysseus searches for survivors and sees bodies heaped in blood and dust; a fishing simile compares their heaping to netted fish cast on shore, where the fish long for the sea and die exposed beneath the sun. Eurycleia enters silently, sees Odysseus spattered like a fed lion, and moves toward a ritual cry, but he restrains her and declares exultation over the dead impious even while attributing their end to divine allotment and their own acts.
22.381–389 Odysseus' survivor search slows into a fish-net simile that presents the bodies heaped like netted fish; within the simile vehicle, the fish long for the sea and die exposed under the sun. The search question yields a total visual answer in blood and dust, then fishermen, hollow beach, many-meshed net, sand, and sun extend the aftermath. On the vehicle side of the comparison, the fish long for the sea as the shining sun takes their life; the suitors correspond in the heaped arrangement, not through a narrator-ascribed longing. The cadence and imagery do not erase their human histories or settle the ethics of their deaths.
22.390–400 A father-son obedience formula leads to Eurycleia's marked wingless non-answer, where immediate door-opening replaces speech. Telemachus obeys exactly as at 19.14 and rattles the door before calling the nurse. Line 22.398 is byte-identical with 21.386 and normalized-only with 17.57 and 19.29; here the absence of winged reply does not mark paralysis, because she opens and follows with Telemachus leading.
22.401–409 Eurycleia encounters Odysseus through corpses, gore, and a lion comparison before her impulse toward a ritual cry is physically checked. The fed lion's bloodied breast and cheeks make Odysseus terrible to see, then the narrative relocates gore to his hands and feet. Eurycleia's intended ololyge responds to the scale of the deed, but Odysseus stops both movement and utterance, separating her reaction from completed celebration.
22.410–416 Odysseus prohibits exultation over the slain while explaining their fate through both divine allotment and their own cruel deeds. He permits inward joy but not the cry, calls boasting over killed men unholy, and then joins moira theōn with human action and lack of regard for anyone who came among them. The final recklessness-and-fate line exactly repeats Leodes' 22.317, but transferred into Odysseus' speech it no longer supports the suppliant's defense.
Eurycleia identifies twelve enslaved women 22.417–434
417ἀλλʼ ἄγε μοι σὺ γυναῖκας ἐνὶ μεγάροις κατάλεξον,
αἵ τέ μʼ ἀτιμάζουσι καὶ αἳ νηλείτιδές εἰσιν.
τὸν δʼ αὖτε προσέειπε φίλη τροφὸς Εὐρύκλεια·
420τοιγὰρ ἐγώ τοι, τέκνον, ἀληθείην καταλέξω.
πεντήκοντά τοί εἰσιν ἐνὶ μεγάροισι γυναῖκες
δμῳαί, τὰς μέν τʼ ἔργα διδάξαμεν ἐργάζεσθαι,
εἴριά τε ξαίνειν καὶ δουλοσύνην ἀνέχεσθαι·
τάων δώδεκα πᾶσαι ἀναιδείης ἐπέβησαν,
425οὔτʼ ἐμὲ τίουσαι οὔτʼ αὐτὴν Πηνελόπειαν.
Τηλέμαχος δὲ νέον μὲν ἀέξετο, οὐδέ ἑ μήτηρ
σημαίνειν εἴασκεν ἐπὶ δμῳῇσι γυναιξίν.
ἀλλʼ ἄγʼ ἐγὼν ἀναβᾶσʼ ὑπερώϊα σιγαλόεντα
εἴπω σῇ ἀλόχῳ, τῇ τις θεὸς ὕπνον ἐπῶρσε.
430τὴν δʼ ἀπαμειβόμενος προσέφη πολύμητις Ὀδυσσεύς
μή πω τήνδʼ ἐπέγειρε· σὺ δʼ ἐνθάδε εἰπὲ γυναιξὶν
ἐλθέμεν, αἵ περ πρόσθεν ἀεικέα μηχανόωντο.
ὣς ἄρʼ ἔφη, γρηῢς δὲ διὲκ μεγάροιο βεβήκει
ἀγγελέουσα γυναιξὶ καὶ ὀτρυνέουσα νέεσθαι.
417Come now, list the women in the hall for me:
those who dishonor me and those who are guiltless.”
His dear nurse Eurycleia answered him:
420“Then, child, I will tell you the truth.
You have fifty enslaved women in the house,
whom we have taught to perform their tasks,
to card wool and endure their enslavement.
Twelve of them altogether have taken the path of shamelessness;
425they honor neither me nor Penelope herself.
Telemachus had only lately grown up, and his mother
would not let him exercise command over the enslaved women.
Come, though—let me climb to the gleaming upper rooms
and inform your wife; some god has cast sleep upon her.”
430The master planner Odysseus answered her:
“Do not wake her yet. Tell the women
who devised shameful acts before to come here.”
So he spoke; the old woman went through the hall
to give the women the message and urge them to return.
Commentary
Odysseus asks Eurycleia to distinguish women who dishonored him from those she calls guiltless. She describes fifty enslaved women trained for wool work and compelled service, identifies twelve through her own judgment of shamelessness and household disrespect, explains Penelope's restriction on Telemachus' authority, and proposes waking Penelope; Odysseus instead orders the selected women summoned.
22.417–420 The next phase begins with Odysseus requesting a binary household list and Eurycleia claiming truthful report. He asks for women who dishonor him and those who are guiltless, setting the categories before any individual is heard. Eurycleia answers in an intimate nurse-child relation and promises truth; the narrative thereby locates the coming classification in a command and a trusted subordinate's speech rather than omniscient enumeration.
22.421–427 Eurycleia's count places twelve condemned women inside a larger group of fifty enslaved workers trained for wool labor and endurance of servitude. Carding wool and bearing doulosyne are named before the judgment of shamelessness, making structural compulsion part of the description. Eurycleia grounds the twelve-person charge in disrespect toward herself and Penelope and explains that Penelope had limited the newly adult Telemachus' authority, so status, work, household rank, and judgment intersect without becoming consent.
22.428–434 Eurycleia reports that Penelope remains asleep and attributes the sleep to an unnamed god, while Odysseus delays waking her and summons only the women already selected through Eurycleia's report. Eurycleia proposes climbing to deliver news and attributes sleep to an unnamed god. Odysseus says not yet, orders the previously accused women to come, and Eurycleia carries the message; recognition by Penelope is therefore excluded from this book's immediate post-slaughter sequence.
The corpses leave and the hall is cleaned 22.435–456
435αὐτὰρ ὁ Τηλέμαχον καὶ βουκόλον ἠδὲ συβώτην
εἰς ἓ καλεσσάμενος ἔπεα πτερόεντα προσηύδα·
ἄρχετε νῦν νέκυας φορέειν καὶ ἄνωχθε γυναῖκας·
αὐτὰρ ἔπειτα θρόνους περικαλλέας ἠδὲ τραπέζας
ὕδατι καὶ σπόγγοισι πολυτρήτοισι καθαίρειν.
440αὐτὰρ ἐπὴν δὴ πάντα δόμον κατακοσμήσησθε,
δμῳὰς ἐξαγαγόντες ἐϋσταθέος μεγάροιο,
μεσσηγύς τε θόλου καὶ ἀμύμονος ἕρκεος αὐλῆς,
θεινέμεναι ξίφεσιν τανυήκεσιν, εἰς ὅ κε πασέων
ψυχὰς ἐξαφέλησθε καὶ ἐκλελάθωντʼ Ἀφροδίτης,
445τὴν ἄρʼ ὑπὸ μνηστῆρσιν ἔχον μίσγοντό τε λάθρη.
ὣς ἔφαθʼ, αἱ δὲ γυναῖκες ἀολλέες ἦλθον ἅπασαι,
αἴνʼ ὀλοφυρόμεναι, θαλερὸν κατὰ δάκρυ χέουσαι.
πρῶτα μὲν οὖν νέκυας φόρεον κατατεθνηῶτας,
κὰδ δʼ ἄρʼ ὑπʼ αἰθούσῃ τίθεσαν εὐερκέος αὐλῆς,
450ἀλλήλοισιν ἐρείδουσαι· σήμαινε δʼ Ὀδυσσεὺς
αὐτὸς ἐπισπέρχων· ταὶ δʼ ἐκφόρεον καὶ ἀνάγκῃ.
αὐτὰρ ἔπειτα θρόνους περικαλλέας ἠδὲ τραπέζας
ὕδατι καὶ σπόγγοισι πολυτρήτοισι κάθαιρον.
αὐτὰρ Τηλέμαχος καὶ βουκόλος ἠδὲ συβώτῃς
455λίστροισιν δάπεδον πύκα ποιητοῖο δόμοιο
ξῦον· ταὶ δʼ ἐφόρεον δμῳαί, τίθεσαν δὲ θύραζε.
435Odysseus called Telemachus, the cattle herdsman and the swineherd
to him and addressed them in winged words:
“Begin carrying out the corpses, and order the women
afterward to clean the fine chairs and tables
with water and many-holed sponges.
440When you have put the whole house in order,
take the enslaved women out of the sturdy hall,
between the round-house and the courtyard’s flawless wall,
and strike them with long-edged swords until
you have taken the life from every one and made them forget Aphrodite’s pleasures,
445enjoyed beneath the suitors when they coupled with them in secret.”
The women came all together,
wailing terribly and shedding full tears.
First they carried out the dead corpses
and laid them beneath the portico of the enclosed courtyard,
450propping them against one another. Odysseus directed them
himself and drove the work on; they carried them out under compulsion.
Then they cleaned the fine chairs and tables
with water and many-holed sponges.
Telemachus, the cattle herdsman and swineherd
455scraped the floor of the closely built house with scrapers,
while the enslaved women carried the scrapings and dumped them outside.
Commentary
Odysseus orders Telemachus and the two herdsmen to make the selected women carry corpses, wash furniture, and then be killed with swords. The women arrive wailing, remove and stack the dead while Odysseus drives them under compulsion, wash the furnishings, and carry out the floor scrapings as the men scrape blood from the hall.
22.435–445 Odysseus orders a sequence in which the condemned women clean the slaughter and are then killed by swords, tying forced labor to punishment. Telemachus, Eumaeus, and Philoetius are told to begin corpse removal and command the women; water and sponges are assigned before the women are moved to a bounded courtyard space and deprived of life. The sexual rationale is Odysseus' punitive speech, and the women's enslaved status makes the order coercive before the narrator explicitly names compulsion.
22.446–451 The women remove and stack the suitors' bodies while grieving and under explicitly named compulsion from Odysseus. They arrive together, wail, and shed tears before carrying corpses to the portico and propping them against one another. Odysseus directs and presses the work, and the narrator adds ananke; the labor cannot be represented as voluntary repair of a damaged household or as evidence that the workers accept the sentence.
22.452–456 Cleaning is differentiated among washing furniture, scraping the floor, carrying residue, and depositing it outside rather than reduced to a single purifying gesture. The enslaved women repeat the water-and-sponge task while Telemachus and the two herdsmen scrape the built floor; the women then transport what the men remove. The sequence puts restoration of material order inside enforced labor, and sulfur fumigation has not yet occurred.
The twelve women are hanged and Melanthius is mutilated 22.457–477
457αὐτὰρ ἐπειδὴ πᾶν μέγαρον διεκοσμήσαντο,
δμῳὰς δʼ ἐξαγαγόντες ἐϋσταθέος μεγάροιο,
μεσσηγύς τε θόλου καὶ ἀμύμονος ἕρκεος αὐλῆς,
460εἴλεον ἐν στείνει, ὅθεν οὔ πως ἦεν ἀλύξαι.
τοῖσι δὲ Τηλέμαχος πεπνυμένος ἦρχʼ ἀγορεύειν·
μὴ μὲν δὴ καθαρῷ θανάτῳ ἀπὸ θυμὸν ἑλοίμην
τάων, αἳ δὴ ἐμῇ κεφαλῇ κατʼ ὀνείδεα χεῦαν
μητέρι θʼ ἡμετέρῃ παρά τε μνηστῆρσιν ἴαυον.
465ὣς ἄρʼ ἔφη, καὶ πεῖσμα νεὸς κυανοπρῴροιο
κίονος ἐξάψας μεγάλης περίβαλλε θόλοιο,
ὑψόσʼ ἐπεντανύσας, μή τις ποσὶν οὖδας ἵκοιτο.
ὡς δʼ ὅτʼ ἂν ἢ κίχλαι τανυσίπτεροι ἠὲ πέλειαι
ἕρκει ἐνιπλήξωσι, τό θʼ ἑστήκῃ ἐνὶ θάμνῳ,
470αὖλιν ἐσιέμεναι, στυγερὸς δʼ ὑπεδέξατο κοῖτος,
ὣς αἵ γʼ ἑξείης κεφαλὰς ἔχον, ἀμφὶ δὲ πάσαις
δειρῇσι βρόχοι ἦσαν, ὅπως οἴκτιστα θάνοιεν.
ἤσπαιρον δὲ πόδεσσι μίνυνθά περ οὔ τι μάλα δήν.
ἐκ δὲ Μελάνθιον ἦγον ἀνὰ πρόθυρόν τε καὶ αὐλήν·
475τοῦ δʼ ἀπὸ μὲν ῥῖνάς τε καὶ οὔατα νηλέϊ χαλκῷ
τάμνον, μήδεά τʼ ἐξέρυσαν, κυσὶν ὠμὰ δάσασθαι,
χεῖράς τʼ ἠδὲ πόδας κόπτον κεκοτηότι θυμῷ.
457When they had put the whole hall in order,
they led the enslaved women from the sturdy hall
between the round-house and the courtyard’s flawless wall,
460confining them in a narrow place from which escape was impossible.
Discerning Telemachus began to speak to the men:
“I will not take these women’s lives by a clean death—
they who poured abuse upon my head
and my mother’s, and slept beside the suitors.”
465So he spoke. He fastened a cable from a dark-prowed ship
to a great pillar and looped it around the round-house,
stretching it high so that no woman’s feet could reach the ground.
As when long-winged thrushes or doves
strike a snare set in a thicket
470as they try to enter their roost, and a hateful bed receives them,
so the women held their heads in a row, while nooses
lay around every neck, so that they might die most miserably.
Their feet kicked for a little while, but not very long.
Then they led Melanthius through the entryway and courtyard.
475With pitiless bronze they cut off his nose and ears,
ripped out his genitals for dogs to eat raw,
and hacked off his hands and feet in their fury.
Commentary
After the hall is put in order, the men lead the twelve enslaved women out and confine them where escape is impossible. Telemachus explicitly rejects the clean death Odysseus ordered and fastens, loops, and stretches the cable high. The narrator then reports aligned heads, nooses around every neck, the purpose of a miserable death, and the women's briefly kicking feet without separately naming who placed each noose. The men then lead out Melanthius and cut off nose, ears, genitals, hands, and feet in fury, assigning the severed genitals to dogs.
22.457–464 Telemachus expressly replaces Odysseus' sword order with a death he calls unclean, after the women are confined where escape is impossible. The completed cleaning precedes removal to the narrow enclosure. Telemachus takes speaking initiative, rejects a clean death, and grounds the change in abuse of himself and Penelope and sleeping beside the suitors; this makes the punitive escalation his judgment, not an automatic continuation of the father's exact method.
22.465–473 The hanging is constructed to deny foot contact and produce a miserable death, and the bird-snare simile ends in the women's briefly kicking feet. Telemachus fastens and loops ship cable high from pillar to round-house. The narrative then aligns the women's heads and reports nooses around every neck without separately naming who placed them. Thrushes or doves seeking a roost meet a hateful bed; the comparison intensifies trapped movement, while the closing duration marker refuses to hide the bodily kicking even as it calls it brief.
22.474–477 Melanthius' punishment is an explicit four-part mutilation performed by plural mortal agents in anger after he is led through household thresholds. Nose and ears are cut, genitals torn out for dogs to eat raw, and hands and feet hacked away. The narrative gives no softening transition or divine command here; fury belongs to the agents' thumos, so their responsibility remains visible beside Melanthius' earlier arming of the suitors and suspended torture.
Odysseus purifies the house and recognizes its women 22.478–501
478οἱ μὲν ἔπειτʼ ἀπονιψάμενοι χεῖράς τε πόδας τε
εἰς Ὀδυσῆα δόμονδε κίον, τετέλεστο δὲ ἔργον·
480αὐτὰρ ὅ γε προσέειπε φίλην τροφὸν Εὐρύκλειαν·
οἶσε θέειον, γρηΰ, κακῶν ἄκος, οἶσε δέ μοι πῦρ,
ὄφρα θεειώσω μέγαρον· σὺ δὲ Πηνελόπειαν
ἐλθεῖν ἐνθάδʼ ἄνωχθι σὺν ἀμφιπόλοισι γυναιξί·
πάσας δʼ ὄτρυνον δμῳὰς κατὰ δῶμα νέεσθαι.
485τὸν δʼ αὖτε προσέειπε φίλη τροφὸς Εὐρύκλεια·
ναὶ δὴ ταῦτά γε, τέκνον ἐμόν, κατὰ μοῖραν ἔειπες.
ἀλλʼ ἄγε τοι χλαῖνάν τε χιτῶνά τε εἵματʼ ἐνείκω,
μηδʼ οὕτω ῥάκεσιν πεπυκασμένος εὐρέας ὤμους
ἕσταθʼ ἐνὶ μεγάροισι· νεμεσσητὸν δέ κεν εἴη.
490τὴν δʼ ἀπαμειβόμενος προσέφη πολύμητις Ὀδυσσεύς·
πῦρ νῦν μοι πρώτιστον ἐνὶ μεγάροισι γενέσθω.
ὣς ἔφατʼ, οὐδʼ ἀπίθησε φίλη τροφὸς Εὐρύκλεια,
ἤνεικεν δʼ ἄρα πῦρ καὶ θήϊον· αὐτὰρ Ὀδυσσεὺς
εὖ διεθείωσεν μέγαρον καὶ δῶμα καὶ αὐλήν.
495γρηῢς δʼ αὖτʼ ἀπέβη διὰ δώματα κάλʼ Ὀδυσῆος
ἀγγελέουσα γυναιξὶ καὶ ὀτρυνέουσα νέεσθαι·
αἱ δʼ ἴσαν ἐκ μεγάροιο δάος μετὰ χερσὶν ἔχουσαι.
αἱ μὲν ἄρʼ ἀμφεχέοντο καὶ ἠσπάζοντʼ Ὀδυσῆα,
καὶ κύνεον ἀγαπαξόμεναι κεφαλήν τε καὶ ὤμους
500χεῖράς τʼ αἰνύμεναι· τὸν δὲ γλυκὺς ἵμερος ᾕρει
κλαυθμοῦ καὶ στοναχῆς, γίγνωσκε δʼ ἄρα φρεσὶ πάσας.
478Then they washed their hands and feet
and went into Odysseus’ house. The work was finished.
480He addressed his dear nurse Eurycleia:
“Bring sulfur, old woman, a remedy for taint, and bring me fire
so I may fumigate the hall. Tell Penelope
to come here with her attendant women,
and urge all the enslaved women through the house to return.”
485His dear nurse Eurycleia answered him:
“Yes indeed, my child, you have spoken properly.
But come, let me bring you a cloak and tunic for clothing;
do not stand in the hall like this, your broad shoulders
wrapped in rags. It would provoke indignation.”
490The master planner Odysseus answered her:
“Let there first be fire for me in the hall.”
He spoke, and his dear nurse Eurycleia did not disobey.
She brought fire and sulfur; then Odysseus
thoroughly fumigated the hall, the house, and the courtyard.
495The old woman went back through Odysseus’ fine house
to give the women the news and urge them to return.
They came from the hall with torches in their hands.
They gathered around Odysseus, embracing and greeting him,
kissing his head and shoulders in affection
500and grasping his hands. A sweet longing seized him
for weeping and groaning; in his mind he recognized them all.
Commentary
The men wash hands and feet and return after the work is declared finished. Odysseus orders sulfur and fire before clothing, fumigates hall, house, and courtyard, and has Eurycleia summon Penelope, her attendants, and the remaining enslaved women. Women arrive with torches, surround, kiss, embrace, and take his hands; longing for tears and groans seizes Odysseus as he recognizes them in his mind.
22.478–480 The men wash hands and feet before returning, and only then does the narrator declare the work finished. Aponipsamenoi makes bodily washing the first post-mutilation act, spatially followed by entry into Odysseus' house. The completion marker closes the punitive sequence but not the restoration sequence, because sulfur, fire, household summons, and recognition still follow.
22.481–494 Odysseus prioritizes sulfur and fire over new clothing and personally fumigates hall, house, and courtyard. He calls sulfur a remedy for taint and orders Eurycleia to summon Penelope, attendants, and the remaining enslaved women. Eurycleia proposes cloak and tunic because the rags invite indignation, but Odysseus insists on fire first; her obedience supplies the materials, while his action covers three named household spaces.
22.495–497 Eurycleia's renewed message-and-return formula moves from summoning condemned workers to summoning surviving women who arrive with torches. Line 496 is normalized-only with her earlier urging at 434, and 497 has normalized-only cross-book matches at 4.300 and 7.339. The repeated household movement now brings light and collective return after fumigation, but recurrence does not erase the preceding separation, execution, or different status of those approaching.
22.498–501 The book ends with the surviving women bodily greeting Odysseus and with his inward longing and recognition of them, not yet with Penelope's recognition. The women gather around, embrace and greet Odysseus, kiss his head and shoulders, and take his hands. The poem then turns inward to him: sweet longing for tears and groans seizes him as his phrenes recognize each one. The bodily gestures belong to the women; the text does not narrate a reciprocal embrace or mutual touching from Odysseus, and Penelope is still absent from the scene.