Iliad, Book 8: Zeus Turns the Battle
Homer · Greek original · new English translation and commentary by Text Atlas
Overview
Zeus forbids divine intervention and makes the battlefield display his superior will through scales, thunder, and signs. Diomedes and Teucer briefly restore Achaean resistance, but Hera and Athena are stopped before they can act; night alone checks Hector, whose watchfires hold Trojan pressure at the edge of the ships.
Narrative arc
- Zeus binds the gods by command and takes his watchpost on Ida
- The scales and thunder turn the Achaeans toward flight
- Achaean counterattacks fail to dislodge Hector
- The goddesses submit and the Trojans establish their night watch
Central themes
- sovereign divine will
- fate represented as balance
- courage under threatened shame
- night as a limit on victory
Dawn, Zeus's divine assembly, and the prohibition on intervention 8.1–17
1Ἠὼς μὲν κροκόπεπλος ἐκίδνατο πᾶσαν ἐπʼ αἶαν,
Ζεὺς δὲ θεῶν ἀγορὴν ποιήσατο τερπικέραυνος
ἀκροτάτῃ κορυφῇ πολυδειράδος Οὐλύμποιο·
αὐτὸς δέ σφʼ ἀγόρευε, θεοὶ δʼ ὑπὸ πάντες ἄκουον·
5κέκλυτέ μευ πάντές τε θεοὶ πᾶσαί τε θέαιναι,
ὄφρʼ εἴπω τά με θυμὸς ἐνὶ στήθεσσι κελεύει.
μήτέ τις οὖν θήλεια θεὸς τό γε μήτέ τις ἄρσην
πειράτω διακέρσαι ἐμὸν ἔπος, ἀλλʼ ἅμα πάντες
αἰνεῖτʼ, ὄφρα τάχιστα τελευτήσω τάδε ἔργα.
10ὃν δʼ ἂν ἐγὼν ἀπάνευθε θεῶν ἐθέλοντα νοήσω
ἐλθόντʼ ἢ Τρώεσσιν ἀρηγέμεν ἢ Δαναοῖσι
πληγεὶς οὐ κατὰ κόσμον ἐλεύσεται Οὔλυμπον δέ·
ἤ μιν ἑλὼν ῥίψω ἐς Τάρταρον ἠερόεντα
τῆλε μάλʼ, ἧχι βάθιστον ὑπὸ χθονός ἐστι βέρεθρον,
15ἔνθα σιδήρειαί τε πύλαι καὶ χάλκεος οὐδός,
τόσσον ἔνερθʼ Ἀΐδεω ὅσον οὐρανός ἐστʼ ἀπὸ γαίης·
γνώσετʼ ἔπειθʼ ὅσον εἰμὶ θεῶν κάρτιστος ἁπάντων.
1Saffron-robed Dawn spread over all the earth,
and Zeus, who delights in thunder, called an assembly of the gods
on the highest peak of many-ridged Olympus.
He addressed them himself, and all the gods listened:
5“Hear me, all gods and all goddesses,
so I may say what the spirit in my breast commands.
Let no god, whether female or male,
attempt to cut across my word; all of you together
approve it, so I may accomplish these deeds with all speed.
10Whichever one I see going apart from the gods of their own will
to aid either the Trojans or the Danaans,
will be struck and return to Olympus in disgrace;
or I will seize them and hurl them into shadowy Tartarus,
far away, where the deepest pit lies beneath the earth,
15where the gates are iron and the threshold bronze,
as far beneath Hades as heaven is above the earth.
Then they will learn how much stronger I am than all the gods.
Commentary
This source-ordered unit stages Dawn, Zeus's divine assembly, and the prohibition on intervention. Its movement centers on Zeus; it develops divine agency, persuasive speech, spatial pressure, and night and Dawn through speech and persuasion, divine-mortal causation, social rank and leadership, and geography and coalition. It carries the book’s action across 8.1–8.17.
8.1 The Dawn formula opens a day governed by Zeus’s explicit prohibition. The familiar cosmic renewal creates continuity with earlier mornings, while the assembly that follows gives this day an unusually centralized divine frame.
Zeus challenges the gods with the golden chain 8.18–27
18εἰ δʼ ἄγε πειρήσασθε θεοὶ ἵνα εἴδετε πάντες·
σειρὴν χρυσείην ἐξ οὐρανόθεν κρεμάσαντες
20πάντές τʼ ἐξάπτεσθε θεοὶ πᾶσαί τε θέαιναι·
ἀλλʼ οὐκ ἂν ἐρύσαιτʼ ἐξ οὐρανόθεν πεδίον δὲ
Ζῆνʼ ὕπατον μήστωρʼ, οὐδʼ εἰ μάλα πολλὰ κάμοιτε.
ἀλλʼ ὅτε δὴ καὶ ἐγὼ πρόφρων ἐθέλοιμι ἐρύσσαι,
αὐτῇ κεν γαίῃ ἐρύσαιμʼ αὐτῇ τε θαλάσσῃ·
25σειρὴν μέν κεν ἔπειτα περὶ ῥίον Οὐλύμποιο
δησαίμην, τὰ δέ κʼ αὖτε μετήορα πάντα γένοιτο.
τόσσον ἐγὼ περί τʼ εἰμὶ θεῶν περί τʼ εἴμʼ ἀνθρώπων.
18Come, put me to the test, gods, so that all of you may know:
hang a golden chain down from heaven
20and fasten yourselves to it, all gods and all goddesses.
Even so, you could not drag down from heaven to the plain
Zeus, highest counselor, however long you labored.
But if I ever chose wholeheartedly to pull,
I would haul all of you up with earth itself and sea itself.
25Then I would bind the chain around a peak of Olympus,
and all those things would hang suspended in the air.
So far am I above both gods and men.”
Commentary
This source-ordered unit stages Zeus challenges the gods with the golden chain. Its movement centers on Zeus; it develops divine agency and persuasive speech through speech and persuasion, divine-mortal causation, geography and coalition, and character knowledge. It carries the book’s action across 8.18–8.27.
8.18 Zeus turns authority into a challenge no coalition can meet. The invitation to test him with the golden chain dramatizes hierarchy as physical imbalance and makes obedience rest on demonstrated superiority as well as command.
Athena accepts the ban but reserves counsel for the Danaans 8.28–40
28ὣς ἔφαθʼ, οἱ δʼ ἄρα πάντες ἀκὴν ἐγένοντο σιωπῇ
μῦθον ἀγασσάμενοι· μάλα γὰρ κρατερῶς ἀγόρευσεν.
30ὀψὲ δὲ δὴ μετέειπε θεὰ γλαυκῶπις Ἀθήνη·
ὦ πάτερ ἡμέτερε Κρονίδη ὕπατε κρειόντων
εὖ νυ καὶ ἡμεῖς ἴδμεν ὅ τοι σθένος οὐκ ἐπιεικτόν·
ἀλλʼ ἔμπης Δαναῶν ὀλοφυρόμεθʼ αἰχμητάων,
οἵ κεν δὴ κακὸν οἶτον ἀναπλήσαντες ὄλωνται.
35ἀλλʼ ἤτοι πολέμου μὲν ἀφεξόμεθʼ ὡς σὺ κελεύεις·
βουλὴν δʼ Ἀργείοις ὑποθησόμεθʼ ἥ τις ὀνήσει,
ὡς μὴ πάντες ὄλωνται ὀδυσσαμένοιο τεοῖο.
τὴν δʼ ἐπιμειδήσας προσέφη νεφεληγερέτα Ζεύς·
θάρσει Τριτογένεια φίλον τέκος· οὔ νύ τι θυμῷ
40πρόφρονι μυθέομαι, ἐθέλω δέ τοι ἤπιος εἶναι.
28So he spoke; they all held still in silence,
marveling at his declaration, for he had spoken with immense force.
30At last the goddess, bright-eyed Athena, spoke among them:
“Our father, son of Cronus, highest of rulers,
we too know well that your strength cannot be resisted.
Still, we grieve for the Danaan spearmen,
who will perish once they have filled out their evil fate.
35We will indeed keep away from war, as you command,
but we will offer the Argives counsel that may help,
so they do not all perish under your anger.”
Cloud-gathering Zeus smiled at her and answered:
“Take heart, Tritogeneia, dear child. I am not speaking
40from an earnest heart; I mean to be gentle toward you.”
Commentary
This source-ordered unit stages Athena accepts the ban but reserves counsel for the Danaans. Its movement centers on Athena and Zeus; it develops wrath, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.28–8.40.
Zeus drives from Olympus to his watchpost on Ida 8.41–52
41ὣς εἰπὼν ὑπʼ ὄχεσφι τιτύσκετο χαλκόποδʼ ἵππω
ὠκυπέτα χρυσέῃσιν ἐθείρῃσιν κομόωντε,
χρυσὸν δʼ αὐτὸς ἔδυνε περὶ χροΐ, γέντο δʼ ἱμάσθλην
χρυσείην εὔτυκτον, ἑοῦ δʼ ἐπεβήσετο δίφρου,
45μάστιξεν δʼ ἐλάαν· τὼ δʼ οὐκ ἀέκοντε πετέσθην
μεσσηγὺς γαίης τε καὶ οὐρανοῦ ἀστερόεντος.
Ἴδην δʼ ἵκανεν πολυπίδακα μητέρα θηρῶν
Γάργαρον, ἔνθά τέ οἱ τέμενος βωμός τε θυήεις.
ἔνθʼ ἵππους ἔστησε πατὴρ ἀνδρῶν τε θεῶν τε
50λύσας ἐξ ὀχέων, κατὰ δʼ ἠέρα πουλὺν ἔχευεν.
αὐτὸς δʼ ἐν κορυφῇσι καθέζετο κύδεϊ γαίων
εἰσορόων Τρώων τε πόλιν καὶ νῆας Ἀχαιῶν.
41So speaking, he harnessed beneath the chariot his bronze-footed horses,
swift-flying, their golden manes streaming.
He clothed his body in gold and took up a golden
well-made whip, then mounted his own chariot.
45He cracked the whip to drive, and both horses flew willingly,
midway between the earth and starry heaven.
He came to Ida, many-springed mother of wild beasts,
to Gargarus, where he had a sanctuary and fragrant altar.
There the father of gods and men halted his horses,
50unharnessed them from the chariot, and poured thick mist around them.
He himself sat on the heights, exulting in his glory,
looking out over the city of Troy and the ships of the Achaeans.
Commentary
This source-ordered unit stages Zeus drives from Olympus to his watchpost on Ida. Its movement centers on Zeus; it develops divine agency, kinship, spatial pressure, and fame and remembrance through divine-mortal causation, battlefield sequencing, social rank and leadership, and geography and coalition. It carries the book’s action across 8.41–8.52.
The Achaeans and outnumbered Trojans arm for battle 8.53–59
53οἳ δʼ ἄρα δεῖπνον ἕλοντο κάρη κομόωντες Ἀχαιοὶ
ῥίμφα κατὰ κλισίας, ἀπὸ δʼ αὐτοῦ θωρήσσοντο.
55Τρῶες δʼ αὖθʼ ἑτέρωθεν ἀνὰ πτόλιν ὁπλίζοντο
παυρότεροι· μέμασαν δὲ καὶ ὧς ὑσμῖνι μάχεσθαι
χρειοῖ ἀναγκαίῃ, πρό τε παίδων καὶ πρὸ γυναικῶν.
πᾶσαι δʼ ὠΐγνυντο πύλαι, ἐκ δʼ ἔσσυτο λαός,
πεζοί θʼ ἱππῆές τε· πολὺς δʼ ὀρυμαγδὸς ὀρώρει.
53The long-haired Achaeans quickly took their meal
throughout the huts, and armed themselves straight afterward.
55The Trojans in turn armed throughout the city,
fewer in number, yet even so eager to fight in the battle,
under hard necessity, for their children and their wives.
All the gates were opened, and the host streamed out,
men on foot and chariot-fighters; a great uproar rose.
Commentary
This source-ordered unit stages the Achaeans and outnumbered Trojans arm for battle. Its movement centers on Zeus and Hector; it develops martial violence and spatial pressure through battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.53–8.59.
The armies clash; Zeus's scales and lightning turn the battle 8.60–77
60οἳ δʼ ὅτε δή ῥʼ ἐς χῶρον ἕνα ξυνιόντες ἵκοντο
σύν ῥʼ ἔβαλον ῥινούς, σὺν δʼ ἔγχεα καὶ μένεʼ ἀνδρῶν
χαλκεοθωρήκων· ἀτὰρ ἀσπίδες ὀμφαλόεσσαι
ἔπληντʼ ἀλλήλῃσι, πολὺς δʼ ὀρυμαγδὸς ὀρώρει.
ἔνθα δʼ ἅμʼ οἰμωγή τε καὶ εὐχωλὴ πέλεν ἀνδρῶν
65ὀλλύντων τε καὶ ὀλλυμένων, ῥέε δʼ αἵματι γαῖα.
ὄφρα μὲν ἠὼς ἦν καὶ ἀέξετο ἱερὸν ἦμαρ,
τόφρα μάλʼ ἀμφοτέρων βέλεʼ ἥπτετο, πῖπτε δὲ λαός.
ἦμος δʼ Ἠέλιος μέσον οὐρανὸν ἀμφιβεβήκει,
καὶ τότε δὴ χρύσεια πατὴρ ἐτίταινε τάλαντα·
70ἐν δʼ ἐτίθει δύο κῆρε τανηλεγέος θανάτοιο
Τρώων θʼ ἱπποδάμων καὶ Ἀχαιῶν χαλκοχιτώνων,
ἕλκε δὲ μέσσα λαβών· ῥέπε δʼ αἴσιμον ἦμαρ Ἀχαιῶν.
αἳ μὲν Ἀχαιῶν κῆρες ἐπὶ χθονὶ πουλυβοτείρῃ
ἑζέσθην, Τρώων δὲ πρὸς οὐρανὸν εὐρὺν ἄερθεν·
75αὐτὸς δʼ ἐξ Ἴδης μεγάλʼ ἔκτυπε, δαιόμενον δὲ
ἧκε σέλας μετὰ λαὸν Ἀχαιῶν· οἳ δὲ ἰδόντες
θάμβησαν, καὶ πάντας ὑπὸ χλωρὸν δέος εἷλεν.
60When they came together in one place,
hide shields met, and spears, and the fury of men
armored in bronze; bossed shields
struck one another, and a great uproar rose.
Then together rose the wailing and triumph-shouts of men,
65of those killing and those being killed; the earth ran with blood.
As long as dawn remained and the sacred day grew stronger,
missiles from both sides struck home, and men fell.
But when the Sun had climbed to the middle of heaven,
then Father Zeus held out his golden scales.
70In them he set two fates of death that lays men low,
of horse-taming Trojans and bronze-clad Achaeans,
then lifted the balance by its middle; the Achaeans' appointed day sank.
The Achaeans' fates settled onto the all-nourishing earth,
while the Trojans' rose toward broad heaven.
75Then Zeus thundered mightily from Ida and sent a burning
flash into the host of the Achaeans. When they saw it,
they were stunned, and pale fear seized them all.
Commentary
This source-ordered unit stages the armies clash; Zeus's scales and lightning turn the battle. Its movement centers on Zeus; it develops divine agency, martial violence, mortality and burial, and kinship through divine-mortal causation, battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.60–8.77.
8.69 Talanta presents the armies’ destructive portions as a balance. The golden scales give an image of measured outcome, but their meaning is inseparable from Zeus’s subsequent thunder, which enforces the direction the balance displays.
The Achaeans flee while Nestor's wounded horse traps him 8.78–91
78ἔνθʼ οὔτʼ Ἰδομενεὺς τλῆ μίμνειν οὔτʼ Ἀγαμέμνων,
οὔτε δύʼ Αἴαντες μενέτην θεράποντες Ἄρηος·
80Νέστωρ οἶος ἔμιμνε Γερήνιος οὖρος Ἀχαιῶν
οὔ τι ἑκών, ἀλλʼ ἵππος ἐτείρετο, τὸν βάλεν ἰῷ
δῖος Ἀλέξανδρος Ἑλένης πόσις ἠϋκόμοιο
ἄκρην κὰκ κορυφήν, ὅθι τε πρῶται τρίχες ἵππων
κρανίῳ ἐμπεφύασι, μάλιστα δὲ καίριόν ἐστιν.
85ἀλγήσας δʼ ἀνέπαλτο, βέλος δʼ εἰς ἐγκέφαλον δῦ,
σὺν δʼ ἵππους ἐτάραξε κυλινδόμενος περὶ χαλκῷ.
ὄφρʼ ὁ γέρων ἵπποιο παρηορίας ἀπέταμνε
φασγάνῳ ἀΐσσων, τόφρʼ Ἕκτορος ὠκέες ἵπποι
ἦλθον ἀνʼ ἰωχμὸν θρασὺν ἡνίοχον φορέοντες
90Ἕκτορα· καί νύ κεν ἔνθʼ ὁ γέρων ἀπὸ θυμὸν ὄλεσσεν
εἰ μὴ ἄρʼ ὀξὺ νόησε βοὴν ἀγαθὸς Διομήδης·
78Then neither Idomeneus nor Agamemnon dared remain,
nor did the two Ajaxes, attendants of Ares, hold their ground.
80Nestor alone remained, the Gerenian bulwark of the Achaeans,
not willingly: one horse was in agony, struck by an arrow
from godlike Alexander, husband of lovely-haired Helen,
at the very crown of its head, where a horse's first hairs
grow from the skull, a place most fatal.
85It reared in pain; the weapon sank into its brain
and threw the team into confusion as it writhed around the bronze point.
While the old man rushed to cut the wounded horse's side-traces
with his sword, Hector's swift horses
came through the rout, carrying their bold charioteer,
90Hector; and there the old man would have lost his life
if Diomedes, good at the war cry, had not swiftly seen the danger.
Commentary
This source-ordered unit stages the Achaeans flee while Nestor's wounded horse traps him. Its movement centers on Nestor, Agamemnon, Hector, and Helen; it develops wrath, divine agency, and martial violence through divine-mortal causation, battlefield sequencing, geography and coalition, and character knowledge. It carries the book’s action across 8.78–8.91.
Diomedes calls after Odysseus and stands before Nestor 8.92–101
92σμερδαλέον δʼ ἐβόησεν ἐποτρύνων Ὀδυσῆα·
διογενὲς Λαερτιάδη πολυμήχανʼ Ὀδυσσεῦ
πῇ φεύγεις μετὰ νῶτα βαλὼν κακὸς ὣς ἐν ὁμίλῳ;
95μή τίς τοι φεύγοντι μεταφρένῳ ἐν δόρυ πήξῃ·
ἀλλὰ μένʼ ὄφρα γέροντος ἀπώσομεν ἄγριον ἄνδρα.
ὣς ἔφατʼ, οὐδʼ ἐσάκουσε πολύτλας δῖος Ὀδυσσεύς,
ἀλλὰ παρήϊξεν κοίλας ἐπὶ νῆας Ἀχαιῶν.
Τυδεΐδης δʼ αὐτός περ ἐὼν προμάχοισιν ἐμίχθη,
100στῆ δὲ πρόσθʼ ἵππων Νηληϊάδαο γέροντος,
καί μιν φωνήσας ἔπεα πτερόεντα προσηύδα·
92He shouted terribly, urging Odysseus on:
“Zeus-born son of Laertes, resourceful Odysseus,
where are you fleeing through the crowd, your back turned like a coward?
95Take care no one plants a spear in your back as you flee.
Stay, so we can drive this savage man away from the old one.”
So he spoke, but much-enduring godlike Odysseus did not hear him
and rushed past toward the hollow ships of the Achaeans.
Tydeus' son, though alone, entered among the foremost fighters,
100and stood before the horses of Neleus' aged son,
and addressed him with winged words:
Commentary
This source-ordered unit stages Diomedes calls after Odysseus and stands before Nestor. Its movement centers on Odysseus, Nestor, Diomedes, and Zeus; it develops divine agency, martial violence, persuasive speech, and kinship through speech and persuasion, divine-mortal causation, battlefield sequencing, and geography and coalition. It carries the book’s action across 8.92–8.101.
8.92 Diomedes answers collective flight by calling personally to Odysseus. The far-reaching shout isolates a failed appeal, then redirects Diomedes toward Nestor, whose trapped position offers a concrete object for courage.
Diomedes offers Nestor his chariot and captured Trojan horses 8.102–112
102ὦ γέρον ἦ μάλα δή σε νέοι τείρουσι μαχηταί,
σὴ δὲ βίη λέλυται, χαλεπὸν δέ σε γῆρας ὀπάζει,
ἠπεδανὸς δέ νύ τοι θεράπων, βραδέες δέ τοι ἵπποι.
105ἀλλʼ ἄγʼ ἐμῶν ὀχέων ἐπιβήσεο, ὄφρα ἴδηαι
οἷοι Τρώϊοι ἵπποι ἐπιστάμενοι πεδίοιο
κραιπνὰ μάλʼ ἔνθα καὶ ἔνθα διωκέμεν ἠδὲ φέβεσθαι,
οὕς ποτʼ ἀπʼ Αἰνείαν ἑλόμην μήστωρε φόβοιο.
τούτω μὲν θεράποντε κομείτων, τώδε δὲ νῶϊ
110Τρωσὶν ἐφʼ ἱπποδάμοις ἰθύνομεν, ὄφρα καὶ Ἕκτωρ
εἴσεται εἰ καὶ ἐμὸν δόρυ μαίνεται ἐν παλάμῃσιν.
ὣς ἔφατʼ, οὐδʼ ἀπίθησε Γερήνιος ἱππότα Νέστωρ.
102“Old man, younger fighters are wearing you down badly.
Your strength is gone, and oppressive age attends you;
your attendant is feeble now, and your horses slow.
105Come, mount my chariot, so that you may see
what Trojan horses can do, how well they know the plain,
swift in every direction, whether pursuing or fleeing—
the two I once took from Aeneas, masters of rout.
Let our attendants tend your pair; we two
110will drive mine at the horse-taming Trojans, so Hector too
may learn whether my spear rages in my hands.”
So he spoke, and Gerenian Nestor, horseman, did not disobey.
Commentary
This source-ordered unit stages Diomedes offers Nestor his chariot and captured Trojan horses. Its movement centers on Nestor, Diomedes, Hector, and Aeneas; it develops wrath and martial violence through battlefield sequencing, geography and coalition, and character knowledge. It carries the book’s action across 8.102–8.112.
Nestor drives against Hector; Diomedes kills Eniopeus, and Hector gives Archeptolemus the reins 8.113–129
113Νεστορέας μὲν ἔπειθʼ ἵππους θεράποντε κομείτην
ἴφθιμοι Σθένελός τε καὶ Εὐρυμέδων ἀγαπήνωρ.
115τὼ δʼ εἰς ἀμφοτέρω Διομήδεος ἅρματα βήτην·
Νέστωρ δʼ ἐν χείρεσσι λάβʼ ἡνία σιγαλόεντα,
μάστιξεν δʼ ἵππους· τάχα δʼ Ἕκτορος ἄγχι γένοντο.
τοῦ δʼ ἰθὺς μεμαῶτος ἀκόντισε Τυδέος υἱός·
καὶ τοῦ μέν ῥʼ ἀφάμαρτεν, ὃ δʼ ἡνίοχον θεράποντα
120υἱὸν ὑπερθύμου Θηβαίου Ἠνιοπῆα
ἵππων ἡνίʼ ἔχοντα βάλε στῆθος παρὰ μαζόν.
ἤριπε δʼ ἐξ ὀχέων, ὑπερώησαν δέ οἱ ἵπποι
ὠκύποδες· τοῦ δʼ αὖθι λύθη ψυχή τε μένος τε.
Ἕκτορα δʼ αἰνὸν ἄχος πύκασε φρένας ἡνιόχοιο·
125τὸν μὲν ἔπειτʼ εἴασε καὶ ἀχνύμενός περ ἑταίρου
κεῖσθαι, ὃ δʼ ἡνίοχον μέθεπε θρασύν· οὐδʼ ἄρʼ ἔτι δὴν
ἵππω δευέσθην σημάντορος· αἶψα γὰρ εὗρεν
Ἰφιτίδην Ἀρχεπτόλεμον θρασύν, ὅν ῥα τόθʼ ἵππων
ὠκυπόδων ἐπέβησε, δίδου δέ οἱ ἡνία χερσίν.
113Then two strong attendants tended Nestor's horses,
Sthenelus and Eurymedon, lover of warriors.
115Nestor and Diomedes together mounted Diomedes' chariot.
Nestor took the shining reins in his hands,
whipped the horses, and soon they came close to Hector.
Tydeus' son hurled his spear straight at Hector as Hector charged.
He missed Hector, but struck his attendant charioteer,
120Eniopeus, son of high-spirited Thebaeus,
who held the horses' reins, in the chest beside the nipple.
He fell from the chariot, and his swift-footed horses shied;
there his life and battle-force were released.
Terrible grief for his charioteer shrouded Hector's mind.
125Yet grieving though he was for his companion, he left him
lying there and sought a bold charioteer; nor did his horses
long lack a driver, for he quickly found
bold Archeptolemus, Iphitus' son, whom then
he mounted behind the swift-footed horses and put the reins in his hands.
Commentary
This source-ordered unit stages Nestor drives against Hector; Diomedes kills Eniopeus, and Hector gives Archeptolemus the reins. Its movement centers on Nestor, Hector, Diomedes, and Sthenelus; it develops martial violence and kinship through battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.113–8.129.
Zeus's thunderbolt stops the counterattack and Nestor orders retreat 8.130–144
130ἔνθά κε λοιγὸς ἔην καὶ ἀμήχανα ἔργα γένοντο,
καί νύ κε σήκασθεν κατὰ Ἴλιον ἠΰτε ἄρνες,
εἰ μὴ ἄρʼ ὀξὺ νόησε πατὴρ ἀνδρῶν τε θεῶν τε·
βροντήσας δʼ ἄρα δεινὸν ἀφῆκʼ ἀργῆτα κεραυνόν,
κὰδ δὲ πρόσθʼ ἵππων Διομήδεος ἧκε χαμᾶζε·
135δεινὴ δὲ φλὸξ ὦρτο θεείου καιομένοιο,
τὼ δʼ ἵππω δείσαντε καταπτήτην ὑπʼ ὄχεσφι·
Νέστορα δʼ ἐκ χειρῶν φύγον ἡνία σιγαλόεντα,
δεῖσε δʼ ὅ γʼ ἐν θυμῷ, Διομήδεα δὲ προσέειπε·
Τυδεΐδη ἄγε δʼ αὖτε φόβον δʼ ἔχε μώνυχας ἵππους.
140ἦ οὐ γιγνώσκεις ὅ τοι ἐκ Διὸς οὐχ ἕπετʼ ἀλκή;
νῦν μὲν γὰρ τούτῳ Κρονίδης Ζεὺς κῦδος ὀπάζει
σήμερον· ὕστερον αὖτε καὶ ἡμῖν, αἴ κʼ ἐθέλῃσι,
δώσει· ἀνὴρ δέ κεν οὔ τι Διὸς νόον εἰρύσσαιτο
οὐδὲ μάλʼ ἴφθιμος, ἐπεὶ ἦ πολὺ φέρτερός ἐστι.
130Then there would have been ruin and deeds beyond remedy,
and the Trojans would have been penned inside Ilium like lambs,
if the father of gods and men had not swiftly seen it.
He thundered terribly and let fly a bright thunderbolt,
hurling it to the ground before Diomedes' horses.
135A terrible flame rose from the burning sulfur,
and the two horses, terrified, crouched beneath the chariot.
The shining reins slipped from Nestor's hands.
He was afraid in his spirit and said to Diomedes:
“Tydeus' son, come, turn the single-hoofed horses to flight.
140Do you not recognize that battle-strength from Zeus no longer follows you?
For now Zeus, son of Cronus, grants ascendancy to this man
today; later he will grant it to us as well, if he wishes.
No man can hold back the purpose of Zeus,
however strong, since Zeus is far more powerful.”
Commentary
This source-ordered unit stages Zeus's thunderbolt stops the counterattack and Nestor orders retreat. Its movement centers on Zeus, Nestor, and Diomedes; it develops divine agency, martial violence, kinship, and simile and likeness through divine-mortal causation, battlefield sequencing, geography and coalition, and character knowledge. It carries the book’s action across 8.130–8.144.
8.130 The counterfactual marks an Achaean success that Zeus prevents. Diomedes and Nestor nearly create irreparable Trojan damage before the thunderbolt breaks the attack, making the reversal visibly imposed rather than earned by Hector alone.
Diomedes fears Hector's boast; Nestor answers with Trojan bereavement 8.145–159
145τὸν δʼ ἠμείβετʼ ἔπειτα βοὴν ἀγαθὸς Διομήδης·
ναὶ δὴ ταῦτά γε πάντα γέρον κατὰ μοῖραν ἔειπες·
ἀλλὰ τόδʼ αἰνὸν ἄχος κραδίην καὶ θυμὸν ἱκάνει·
Ἕκτωρ γάρ ποτε φήσει ἐνὶ Τρώεσσʼ ἀγορεύων·
Τυδεΐδης ὑπʼ ἐμεῖο φοβεύμενος ἵκετο νῆας.
150ὥς ποτʼ ἀπειλήσει· τότε μοι χάνοι εὐρεῖα χθών.
τὸν δʼ ἠμείβετʼ ἔπειτα Γερήνιος ἱππότα Νέστωρ·
ὤ μοι Τυδέος υἱὲ δαΐφρονος, οἷον ἔειπες.
εἴ περ γάρ σʼ Ἕκτωρ γε κακὸν καὶ ἀνάλκιδα φήσει,
ἀλλʼ οὐ πείσονται Τρῶες καὶ Δαρδανίωνες
155καὶ Τρώων ἄλοχοι μεγαθύμων ἀσπιστάων,
τάων ἐν κονίῃσι βάλες θαλεροὺς παρακοίτας.
ὣς ἄρα φωνήσας φύγαδε τράπε μώνυχας ἵππους
αὖτις ἀνʼ ἰωχμόν· ἐπὶ δὲ Τρῶές τε καὶ Ἕκτωρ
ἠχῇ θεσπεσίῃ βέλεα στονόεντα χέοντο.
145Diomedes, good at the war cry, answered him:
“Yes, old man, all this you have said is right and fitting.
But this dreadful grief reaches my heart and spirit:
Hector will one day say, speaking among the Trojans,
‘Tydeus' son fled from me and reached the ships.’
150So he will boast one day; then may the broad earth gape for me.”
Then Gerenian Nestor, horseman, answered:
“Ah me, son of war-wise Tydeus, what a thing you have said!
Even if Hector calls you base and without battle-strength,
the Trojans and Dardanians will not believe him,
155nor the wives of the great-hearted Trojan shield-bearers,
whose husbands in their prime you cast down in the dust.”
So speaking, he turned the single-hoofed horses into flight,
back through the rout. The Trojans and Hector pressed after them
with a prodigious cry, pouring down groan-bringing missiles.
Commentary
This source-ordered unit stages Diomedes fears Hector's boast; Nestor answers with Trojan bereavement. Its movement centers on Nestor, Hector, and Diomedes; it develops martial violence, persuasive speech, kinship, and spatial pressure through speech and persuasion, battlefield sequencing, social rank and leadership, and geography and coalition. It carries the book’s action across 8.145–8.159.
Hector taunts Diomedes and Zeus confirms the Trojan turn 8.160–171
160τῷ δʼ ἐπὶ μακρὸν ἄϋσε μέγας κορυθαίολος Ἕκτωρ·
Τυδεΐδη περὶ μέν σε τίον Δαναοὶ ταχύπωλοι
ἕδρῃ τε κρέασίν τε ἰδὲ πλείοις δεπάεσσι·
νῦν δέ σʼ ἀτιμήσουσι· γυναικὸς ἄρʼ ἀντὶ τέτυξο.
ἔρρε κακὴ γλήνη, ἐπεὶ οὐκ εἴξαντος ἐμεῖο
165πύργων ἡμετέρων ἐπιβήσεαι, οὐδὲ γυναῖκας
ἄξεις ἐν νήεσσι· πάρος τοι δαίμονα δώσω.
ὣς φάτο, Τυδεΐδης δὲ διάνδιχα μερμήριξεν
ἵππους τε στρέψαι καὶ ἐναντίβιον μαχέσασθαι.
τρὶς μὲν μερμήριξε κατὰ φρένα καὶ κατὰ θυμόν,
170τρὶς δʼ ἄρʼ ἀπʼ Ἰδαίων ὀρέων κτύπε μητίετα Ζεὺς
σῆμα τιθεὶς Τρώεσσι μάχης ἑτεραλκέα νίκην.
160Great Hector of the flashing helmet called after Diomedes in a far-carrying voice:
“Tydeus' son, the swift-horsed Danaans honored you above all
with the seat of honor, meat, and brimming cups.
Now they will dishonor you—you have turned out no better than a woman.
Begone, you sorry puppet! While I refuse to yield,
165you will not mount our towers or carry our women
away in your ships; before that I will give you your doom.”
So he spoke, and Tydeus' son was divided in thought—
whether to turn the horses and fight him face-to-face.
Three times he pondered in mind and spirit;
170three times Zeus, lord of counsel, thundered from the mountains of Ida,
giving the Trojans a sign of victory that turns the battle.
Commentary
This source-ordered unit stages Hector taunts Diomedes and Zeus confirms the Trojan turn. Its movement centers on Zeus, Hector, and Diomedes; it develops honor economy, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.160–8.171.
8.160 Hector’s far-carrying taunt extends pursuit through sound. The long call follows retreating Diomedes and turns momentary withdrawal into threatened reputation, using vocal reach to sustain pressure beyond spear range.
Hector rallies the allies to cross the ditch and burn the ships 8.172–183
172Ἕκτωρ δὲ Τρώεσσιν ἐκέκλετο μακρὸν ἀΰσας·
Τρῶες καὶ Λύκιοι καὶ Δάρδανοι ἀγχιμαχηταὶ
ἀνέρες ἔστε φίλοι, μνήσασθε δὲ θούριδος ἀλκῆς.
175γιγνώσκω δʼ ὅτι μοι πρόφρων κατένευσε Κρονίων
νίκην καὶ μέγα κῦδος, ἀτὰρ Δαναοῖσί γε πῆμα·
νήπιοι οἳ ἄρα δὴ τάδε τείχεα μηχανόωντο
ἀβλήχρʼ οὐδενόσωρα· τὰ δʼ οὐ μένος ἁμὸν ἐρύξει·
ἵπποι δὲ ῥέα τάφρον ὑπερθορέονται ὀρυκτήν.
180ἀλλʼ ὅτε κεν δὴ νηυσὶν ἔπι γλαφυρῇσι γένωμαι,
μνημοσύνη τις ἔπειτα πυρὸς δηΐοιο γενέσθω,
ὡς πυρὶ νῆας ἐνιπρήσω, κτείνω δὲ καὶ αὐτοὺς
Ἀργείους παρὰ νηυσὶν ἀτυζομένους ὑπὸ καπνοῦ.
172Hector called to the Trojans in a far-carrying shout:
“Trojans and Lycians and Dardanians, close fighters,
be men, my friends, and remember your furious courage.
175I know the son of Cronus willingly nodded assent to me,
granting victory and great ascendancy, but disaster to the Danaans.
Fools—they contrived these walls,
feeble and worthless; they will not hold back our force.
Our horses will easily leap across the dug-out ditch.
180But when I reach the hollow ships,
then let consuming fire come to mind,
so I may burn the ships with fire and kill the Argives themselves
beside them, bewildered by the smoke.”
Commentary
This source-ordered unit stages Hector rallies the allies to cross the ditch and burn the ships. Its movement centers on Hector; it develops wrath, martial violence, kinship, and spatial pressure through battlefield sequencing, geography and coalition, character knowledge, and family and civic life. It carries the book’s action across 8.172–8.183.
Hector invokes Andromache's care and urges his horses after the prizes 8.184–197
184ὣς εἰπὼν ἵπποισιν ἐκέκλετο φώνησέν τε·
185Ξάνθέ τε καὶ σὺ Πόδαργε καὶ Αἴθων Λάμπέ τε δῖε
νῦν μοι τὴν κομιδὴν ἀποτίνετον, ἣν μάλα πολλὴν
Ἀνδρομάχη θυγάτηρ μεγαλήτορος Ἠετίωνος
ὑμῖν πὰρ προτέροισι μελίφρονα πυρὸν ἔθηκεν
οἶνόν τʼ ἐγκεράσασα πιεῖν, ὅτε θυμὸς ἀνώγοι,
190ἢ ἐμοί, ὅς πέρ οἱ θαλερὸς πόσις εὔχομαι εἶναι.
ἀλλʼ ἐφομαρτεῖτον καὶ σπεύδετον ὄφρα λάβωμεν
ἀσπίδα Νεστορέην, τῆς νῦν κλέος οὐρανὸν ἵκει
πᾶσαν χρυσείην ἔμεναι, κανόνας τε καὶ αὐτήν,
αὐτὰρ ἀπʼ ὤμοιιν Διομήδεος ἱπποδάμοιο
195δαιδάλεον θώρηκα, τὸν Ἥφαιστος κάμε τεύχων.
εἰ τούτω κε λάβοιμεν, ἐελποίμην κεν Ἀχαιοὺς
αὐτονυχὶ νηῶν ἐπιβησέμεν ὠκειάων.
184So speaking, he called to his horses and cried:
185“Xanthus—and you, Podargus, Aethon, and godlike Lampus—
now repay me for the abundant care
Andromache, daughter of great-hearted Eetion,
gave you, setting honey-sweet wheat before your forefeet
and mixing wine for you to drink whenever your spirit urged,
190rather than for me, though I boast that I am her vigorous husband.
Press after them and make haste, so we may take
Nestor's shield, whose fame now reaches heaven—
that it is all gold, its frame-bars and the shield itself—
and from the shoulders of horse-taming Diomedes
195the intricate breastplate Hephaestus labored to fashion.
If we could take those two, I would expect the Achaeans
to board their swift ships this very night.”
Commentary
This source-ordered unit stages Hector invokes Andromache's care and urges his horses after the prizes. Its movement centers on Hector, Andromache, Nestor, and Hephaestus; it develops honor economy, divine agency, martial violence, and spatial pressure through divine-mortal causation, battlefield sequencing, social rank and leadership, and geography and coalition. It carries the book’s action across 8.184–8.197.
8.184 Hector addresses his horses as participants in the honor economy. He recalls Andromache’s care and promises captured equipment, joining household nurture, animal labor, and martial prizes within the imagined drive toward the ships.
Hera urges Poseidon to resist Zeus 8.198–212
198ὣς ἔφατʼ εὐχόμενος, νεμέσησε δὲ πότνια Ἥρη,
σείσατο δʼ εἰνὶ θρόνῳ, ἐλέλιξε δὲ μακρὸν Ὄλυμπον,
200καί ῥα Ποσειδάωνα μέγαν θεὸν ἀντίον ηὔδα·
ὢ πόποι ἐννοσίγαιʼ εὐρυσθενές, οὐδέ νυ σοί περ
ὀλλυμένων Δαναῶν ὀλοφύρεται ἐν φρεσὶ θυμός.
οἳ δέ τοι εἰς Ἑλίκην τε καὶ Αἰγὰς δῶρʼ ἀνάγουσι
πολλά τε καὶ χαρίεντα· σὺ δέ σφισι βούλεο νίκην.
205εἴ περ γάρ κʼ ἐθέλοιμεν, ὅσοι Δαναοῖσιν ἀρωγοί,
Τρῶας ἀπώσασθαι καὶ ἐρυκέμεν εὐρύοπα Ζῆν,
αὐτοῦ κʼ ἔνθʼ ἀκάχοιτο καθήμενος οἶος ἐν Ἴδῃ.
τὴν δὲ μέγʼ ὀχθήσας προσέφη κρείων ἐνοσίχθων·
Ἥρη ἀπτοεπὲς ποῖον τὸν μῦθον ἔειπες.
210οὐκ ἂν ἔγωγʼ ἐθέλοιμι Διὶ Κρονίωνι μάχεσθαι
ἡμέας τοὺς ἄλλους, ἐπεὶ ἦ πολὺ φέρτερός ἐστιν.
ὣς οἳ μὲν τοιαῦτα πρὸς ἀλλήλους ἀγόρευον·
198So he spoke in triumph, and lady Hera was indignant;
she shook upon her throne and made high Olympus tremble.
200She addressed the great god Poseidon face-to-face:
“Ah, earth-shaker of wide strength, does not even your
spirit within you pity the Danaans as they perish?
They bring you many pleasing gifts at Helice
and Aegae; intend victory for them.
205If only we were willing—all of us who aid the Danaans—
to drive the Trojans back and hold far-seeing Zeus in check,
he would sit alone on Ida and grieve.”
The lord who shakes the earth, deeply troubled, answered her:
“Hera, reckless in speech, what a word you have spoken!
210I would not want us other gods to fight
against Zeus, son of Cronus; he is far stronger.”
So they spoke these words to one another.
Commentary
This source-ordered unit stages Hera urges Poseidon to resist Zeus. Its movement centers on Zeus, Hera, and Poseidon; it develops honor economy, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.198–8.212.
Hector hems the Achaeans against the ships; Hera stirs Agamemnon 8.213–219
213τῶν δʼ ὅσον ἐκ νηῶν ἀπὸ πύργου τάφρος ἔεργε
πλῆθεν ὁμῶς ἵππων τε καὶ ἀνδρῶν ἀσπιστάων
215εἰλομένων· εἴλει δὲ θοῷ ἀτάλαντος Ἄρηϊ
Ἕκτωρ Πριαμίδης, ὅτε οἱ Ζεὺς κῦδος ἔδωκε.
καί νύ κʼ ἐνέπρησεν πυρὶ κηλέῳ νῆας ἐΐσας,
εἰ μὴ ἐπὶ φρεσὶ θῆκʼ Ἀγαμέμνονι πότνια Ἥρη
αὐτῷ ποιπνύσαντι θοῶς ὀτρῦναι Ἀχαιούς.
213All the ground the ditch enclosed before the ships and wall
was filled alike with horses and shield-bearing men,
215packed together; Hector, peer of swift Ares, hemmed them in
when Zeus granted ascendancy to Priam's son.
Now he would have burned the well-balanced ships with consuming fire
if lady Hera had not put it in Agamemnon's mind
while he himself bustled about, to rouse the Achaeans quickly.
Commentary
This source-ordered unit stages Hector hems the Achaeans against the ships; Hera stirs Agamemnon. Its movement centers on Agamemnon, Hera, Hector, and Zeus; it develops divine agency, martial violence, kinship, and spatial pressure through divine-mortal causation, battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.213–8.219.
Agamemnon rallies the Danaans and prays to Zeus 8.220–244
220βῆ δʼ ἰέναι παρά τε κλισίας καὶ νῆας Ἀχαιῶν
πορφύρεον μέγα φᾶρος ἔχων ἐν χειρὶ παχείῃ,
στῆ δʼ ἐπʼ Ὀδυσσῆος μεγακήτεϊ νηῒ μελαίνῃ,
ἥ ῥʼ ἐν μεσσάτῳ ἔσκε γεγωνέμεν ἀμφοτέρωσε,
ἠμὲν ἐπʼ Αἴαντος κλισίας Τελαμωνιάδαο
225ἠδʼ ἐπʼ Ἀχιλλῆος, τοί ῥʼ ἔσχατα νῆας ἐΐσας
εἴρυσαν, ἠνορέῃ πίσυνοι καὶ κάρτεϊ χειρῶν·
ἤϋσεν δὲ διαπρύσιον Δαναοῖσι γεγωνώς·
αἰδὼς Ἀργεῖοι, κάκʼ ἐλέγχεα, εἶδος ἀγητοί·
πῇ ἔβαν εὐχωλαί, ὅτε δὴ φάμεν εἶναι ἄριστοι,
230ἃς ὁπότʼ ἐν Λήμνῳ κενεαυχέες ἠγοράασθε,
ἔσθοντες κρέα πολλὰ βοῶν ὀρθοκραιράων
πίνοντες κρητῆρας ἐπιστεφέας οἴνοιο,
Τρώων ἄνθʼ ἑκατόν τε διηκοσίων τε ἕκαστος
στήσεσθʼ ἐν πολέμῳ· νῦν δʼ οὐδʼ ἑνὸς ἄξιοί εἰμεν
235Ἕκτορος, ὃς τάχα νῆας ἐνιπρήσει πυρὶ κηλέῳ.
Ζεῦ πάτερ, ἦ ῥά τινʼ ἤδη ὑπερμενέων βασιλήων
τῇδʼ ἄτῃ ἄασας καί μιν μέγα κῦδος ἀπηύρας;
οὐ μὲν δή ποτέ φημι τεὸν περικαλλέα βωμὸν
νηῒ πολυκλήϊδι παρελθέμεν ἐνθάδε ἔρρων,
240ἀλλʼ ἐπὶ πᾶσι βοῶν δημὸν καὶ μηρίʼ ἔκηα
ἱέμενος Τροίην εὐτείχεον ἐξαλαπάξαι.
ἀλλὰ Ζεῦ τόδε πέρ μοι ἐπικρήηνον ἐέλδωρ·
αὐτοὺς δή περ ἔασον ὑπεκφυγέειν καὶ ἀλύξαι,
μηδʼ οὕτω Τρώεσσιν ἔα δάμνασθαι Ἀχαιούς.
220He went along the Achaeans' huts and ships,
holding a great purple cloak in his thick hand,
and stood on Odysseus' huge-hulled black ship,
which lay at the center, so his shout could carry both ways,
toward the huts of Telamonian Ajax
225and toward Achilles', for they had drawn up their well-balanced ships
at the far ends, trusting in courage and the strength of their hands.
He cried out in a piercing voice, calling to the Danaans:
“Shame, Argives—foul disgraces, splendid only to look at!
Where have all the boasts gone, when we claimed to be the best,
230those empty boasts you made in assembly on Lemnos,
as you ate abundant meat from straight-horned cattle
and drank mixing bowls filled to the brim with wine,
each man saying he could stand in battle against a hundred
or even two hundred Trojans? Now we are not worth one
235Hector, who will soon burn our ships with consuming fire.
Father Zeus, have you ever before blinded one of the mighty kings
with delusion like this and robbed him of great ascendancy?
I say I never passed one of your beautiful altars
as I traveled here in my many-benched ship,
240but at every one I burned the fat and thigh pieces of cattle,
longing to sack well-walled Troy.
But Zeus, fulfill this wish for me at least:
let the men themselves escape and get away;
do not let the Achaeans be subdued by the Trojans like this.”
Commentary
This source-ordered unit stages Agamemnon rallies the Danaans and prays to Zeus. Its movement centers on Agamemnon, Zeus, Achilles, and Odysseus; it develops wrath, prayer and offering, divine agency, and martial violence through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.220–8.244.
8.220 Agamemnon’s movement through the camp prepares a public prayer at the crisis point. The appeal to Zeus is embedded in visible leadership among huts and ships, and its partial answer allows resistance without canceling the larger Trojan advance.
Zeus sends the eagle sign and the Achaeans rally 8.245–252
245ὣς φάτο, τὸν δὲ πατὴρ ὀλοφύρατο δάκρυ χέοντα,
νεῦσε δέ οἱ λαὸν σόον ἔμμεναι οὐδʼ ἀπολέσθαι.
αὐτίκα δʼ αἰετὸν ἧκε τελειότατον πετεηνῶν,
νεβρὸν ἔχοντʼ ὀνύχεσσι τέκος ἐλάφοιο ταχείης·
πὰρ δὲ Διὸς βωμῷ περικαλλέϊ κάββαλε νεβρόν,
250ἔνθα πανομφαίῳ Ζηνὶ ῥέζεσκον Ἀχαιοί.
οἳ δʼ ὡς οὖν εἴδονθʼ ὅ τʼ ἄρʼ ἐκ Διὸς ἤλυθεν ὄρνις,
μᾶλλον ἐπὶ Τρώεσσι θόρον, μνήσαντο δὲ χάρμης.
245So he spoke. The father pitied him as he shed tears
and nodded that his people would survive and not be destroyed.
At once he sent an eagle, surest of birds,
holding in its talons a fawn, the young of a swift deer.
It dropped the fawn beside Zeus's beautiful altar,
250where the Achaeans sacrificed to Zeus, lord of every omen.
As soon as they saw that the bird had come from Zeus,
they leapt more fiercely upon the Trojans and remembered battle.
Commentary
This source-ordered unit stages Zeus sends the eagle sign and the Achaeans rally. Its movement centers on Zeus; it develops prayer and offering, divine agency, martial violence, and kinship through divine-mortal causation, battlefield sequencing, ritual action, and social rank and leadership. It carries the book’s action across 8.245–8.252.
8.245 The eagle sign answers tears with limited divine reassurance. Zeus pities Agamemnon and sends an omen that the army reads as permission to rally, but the sign does not revoke the day’s broader judgment.
Diomedes is first across the ditch and kills Agelaus 8.253–260
253ἔνθʼ οὔ τις πρότερος Δαναῶν πολλῶν περ ἐόντων
εὔξατο Τυδεΐδαο πάρος σχέμεν ὠκέας ἵππους
255τάφρου τʼ ἐξελάσαι καὶ ἐναντίβιον μαχέσασθαι,
ἀλλὰ πολὺ πρῶτος Τρώων ἕλεν ἄνδρα κορυστὴν
Φραδμονίδην Ἀγέλαον· ὃ μὲν φύγαδʼ ἔτραπεν ἵππους·
τῷ δὲ μεταστρεφθέντι μεταφρένῳ ἐν δόρυ πῆξεν
ὤμων μεσσηγύς, διὰ δὲ στήθεσφιν ἔλασσεν·
260ἤριπε δʼ ἐξ ὀχέων, ἀράβησε δὲ τεύχεʼ ἐπʼ αὐτῷ.
253Then no one among the Danaans, many as they were, could boast
that he had kept his swift horses ahead of Tydeus' son,
255brought them out beyond the ditch, and fought face-to-face;
instead he was first by far to kill an armed Trojan,
Agelaus, Phradmon's son. He turned his horses to flee,
but as he wheeled away Diomedes fixed the spear in his back,
between the shoulders, and drove it through his chest.
260He fell from the chariot, and the armor on him clashed.
Commentary
This source-ordered unit stages Diomedes is first across the ditch and kills Agelaus. Its movement centers on Diomedes; it develops martial violence, kinship, and spatial pressure through battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.253–8.260.
The Achaean champions follow Diomedes; Teucer shoots behind Ajax’s shield 8.261–272
261τὸν δὲ μετʼ Ἀτρεΐδαι Ἀγαμέμνων καὶ Μενέλαος,
τοῖσι δʼ ἐπʼ Αἴαντες θοῦριν ἐπιειμένοι ἀλκήν,
τοῖσι δʼ ἐπʼ Ἰδομενεὺς καὶ ὀπάων Ἰδομενῆος
Μηριόνης ἀτάλαντος Ἐνυαλίῳ ἀνδρειφόντῃ,
265τοῖσι δʼ ἐπʼ Εὐρύπυλος Εὐαίμονος ἀγλαὸς υἱός·
Τεῦκρος δʼ εἴνατος ἦλθε παλίντονα τόξα τιταίνων,
στῆ δʼ ἄρʼ ὑπʼ Αἴαντος σάκεϊ Τελαμωνιάδαο.
ἔνθʼ Αἴας μὲν ὑπεξέφερεν σάκος· αὐτὰρ ὅ γʼ ἥρως
παπτήνας, ἐπεὶ ἄρ τινʼ ὀϊστεύσας ἐν ὁμίλῳ
270βεβλήκοι, ὃ μὲν αὖθι πεσὼν ἀπὸ θυμὸν ὄλεσσεν,
αὐτὰρ ὃ αὖτις ἰὼν πάϊς ὣς ὑπὸ μητέρα δύσκεν
εἰς Αἴανθʼ· ὃ δέ μιν σάκεϊ κρύπτασκε φαεινῷ.
261After him came Atreus' sons, Agamemnon and Menelaus;
after them, the two Ajaxes, clothed in furious courage;
after them, Idomeneus and Idomeneus’ companion,
Meriones, a match for man-slaying Enyalius;
265after them, Eurypylus, Euaemon’s splendid son;
Teucer came ninth, drawing his recurved bow,
and took his stand beneath the shield of Telamonian Ajax.
There Ajax would lift the shield aside, and Teucer
would peer out; whenever he shot a man in the throng
270and struck him, the man fell there and lost his life.
Then Teucer would return like a child slipping beneath his mother,
back to Ajax, who hid him under his shining shield.
Commentary
This source-ordered unit stages the Achaean champions follow Diomedes; Teucer shoots behind Ajax’s shield. Its movement centers on Diomedes, Ajax, Teucer, and Agamemnon; it develops wrath, martial violence, kinship, and simile and likeness through battlefield sequencing, geography and coalition, character knowledge, and family and civic life. It carries the book’s action across 8.261–8.272.
8.261 The named champions cross the ditch as a coordinated counterstroke. The sequence builds from Diomedes to the sons of Atreus and others, briefly restoring collective agency before the battle narrows around Teucer and Ajax.
Teucer cuts down eight Trojans in succession 8.273–277
273ἔνθα τίνα πρῶτον Τρώων ἕλε Τεῦκρος ἀμύμων;
Ὀρσίλοχον μὲν πρῶτα καὶ Ὄρμενον ἠδʼ Ὀφελέστην
275Δαίτορά τε Χρομίον τε καὶ ἀντίθεον Λυκοφόντην
καὶ Πολυαιμονίδην Ἀμοπάονα καὶ Μελάνιππον,
πάντας ἐπασσυτέρους πέλασε χθονὶ πουλυβοτείρῃ.
273Who was the first Trojan blameless Teucer killed?
Orsilochus first, then Ormenus and Ophelestes,
275Daetor and Chromius and godlike Lycophontes,
Amopaon, son of Polyemon, and Melanippus—
all one after another he laid on the rich-pasturing earth.
Commentary
This source-ordered unit stages Teucer cuts down eight Trojans in succession. Its movement centers on Teucer; it develops divine agency, martial violence, and kinship through divine-mortal causation, battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.273–8.277.
Agamemnon praises Teucer and promises an honor-prize 8.278–291
278τὸν δὲ ἰδὼν γήθησεν ἄναξ ἀνδρῶν Ἀγαμέμνων
τόξου ἄπο κρατεροῦ Τρώων ὀλέκοντα φάλαγγας·
280στῆ δὲ παρʼ αὐτὸν ἰὼν καί μιν πρὸς μῦθον ἔειπε·
Τεῦκρε φίλη κεφαλή, Τελαμώνιε κοίρανε λαῶν
βάλλʼ οὕτως, αἴ κέν τι φόως Δαναοῖσι γένηαι
πατρί τε σῷ Τελαμῶνι, ὅ σʼ ἔτρεφε τυτθὸν ἐόντα,
καί σε νόθον περ ἐόντα κομίσσατο ᾧ ἐνὶ οἴκῳ·
285τὸν καὶ τηλόθʼ ἐόντα ἐϋκλείης ἐπίβησον.
σοὶ δʼ ἐγὼ ἐξερέω ὡς καὶ τετελεσμένον ἔσται·
αἴ κέν μοι δώῃ Ζεύς τʼ αἰγίοχος καὶ Ἀθήνη
Ἰλίου ἐξαλαπάξαι ἐϋκτίμενον πτολίεθρον,
πρώτῳ τοι μετʼ ἐμὲ πρεσβήϊον ἐν χερὶ θήσω,
290ἢ τρίποδʼ ἠὲ δύω ἵππους αὐτοῖσιν ὄχεσφιν
ἠὲ γυναῖχʼ, ἥ κέν τοι ὁμὸν λέχος εἰσαναβαίνοι.
278Seeing him, Agamemnon, lord of men, rejoiced,
as Teucer destroyed Trojan ranks with his powerful bow.
280He went and stood beside him, then addressed him:
“Teucer, dear one, son of Telamon, leader of the host,
keep shooting like this, so you may become a light to the Danaans
and to your father Telamon, who raised you from infancy
and though you were born outside marriage, cared for you in his own house.
285Bring him good fame, though he is far away.
I will tell you this, and it will be fulfilled:
if Zeus who bears the aegis and Athena grant me
to sack the well-built stronghold of Ilium,
I will put a prize of honor in your hands, first after my own:
290either a tripod, or two horses with their chariot,
or a woman who will share the same bed with you.”
Commentary
This source-ordered unit stages Agamemnon praises Teucer and promises an honor-prize. Its movement centers on Agamemnon, Teucer, Athena, and Zeus; it develops honor economy, divine agency, persuasive speech, and kinship through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.278–8.291.
Teucer answers and names Hector as his missed target 8.292–299
292τὸν δʼ ἀπαμειβόμενος προσεφώνεε Τεῦκρος ἀμύμων·
Ἀτρεΐδη κύδιστε τί με σπεύδοντα καὶ αὐτὸν
ὀτρύνεις; οὐ μέν τοι ὅση δύναμίς γε πάρεστι
295παύομαι, ἀλλʼ ἐξ οὗ προτὶ Ἴλιον ὠσάμεθʼ αὐτοὺς
ἐκ τοῦ δὴ τόξοισι δεδεγμένος ἄνδρας ἐναίρω.
ὀκτὼ δὴ προέηκα τανυγλώχινας ὀϊστούς,
πάντες δʼ ἐν χροῒ πῆχθεν ἀρηϊθόων αἰζηῶν·
τοῦτον δʼ οὐ δύναμαι βαλέειν κύνα λυσσητῆρα.
292Blameless Teucer answered him:
“Most glorious son of Atreus, why urge me when I am eager myself?
As long as strength remains in me, I do not stop.
295Ever since we drove them toward Ilium,
I have kept watch with my bow and killed men.
I have now shot eight long-barbed arrows;
all were fixed in the flesh of warlike young men,
but I cannot hit this raging dog.”
Commentary
This source-ordered unit stages Teucer answers and names Hector as his missed target. Its movement centers on Hector and Teucer; it develops martial violence, persuasive speech, kinship, and memory through speech and persuasion, battlefield sequencing, and family and civic life. It carries the book’s action across 8.292–8.299.
Teucer kills Gorgythion and Archeptolemus while Apollo shields Hector 8.300–319
300ἦ ῥα καὶ ἄλλον ὀϊστὸν ἀπὸ νευρῆφιν ἴαλλεν
Ἕκτορος ἀντικρύ, βαλέειν δέ ἑ ἵετο θυμός·
καὶ τοῦ μέν ῥʼ ἀφάμαρθʼ, ὃ δʼ ἀμύμονα Γοργυθίωνα
υἱὸν ἐῢν Πριάμοιο κατὰ στῆθος βάλεν ἰῷ,
τόν ῥʼ ἐξ Αἰσύμηθεν ὀπυιομένη τέκε μήτηρ
305καλὴ Καστιάνειρα δέμας ἐϊκυῖα θεῇσι.
μήκων δʼ ὡς ἑτέρωσε κάρη βάλεν, ἥ τʼ ἐνὶ κήπῳ
καρπῷ βριθομένη νοτίῃσί τε εἰαρινῇσιν,
ὣς ἑτέρωσʼ ἤμυσε κάρη πήληκι βαρυνθέν.
Τεῦκρος δʼ ἄλλον ὀϊστὸν ἀπὸ νευρῆφιν ἴαλλεν
310Ἕκτορος ἀντικρύ, βαλέειν δέ ἑ ἵετο θυμός.
ἀλλʼ ὅ γε καὶ τόθʼ ἅμαρτε· παρέσφηλεν γὰρ Ἀπόλλων·
ἀλλʼ Ἀρχεπτόλεμον θρασὺν Ἕκτορος ἡνιοχῆα
ἱέμενον πόλεμον δὲ βάλε στῆθος παρὰ μαζόν·
ἤριπε δʼ ἐξ ὀχέων, ὑπερώησαν δέ οἱ ἵπποι
315ὠκύποδες· τοῦ δʼ αὖθι λύθη ψυχή τε μένος τε.
Ἕκτορα δʼ αἰνὸν ἄχος πύκασε φρένας ἡνιόχοιο·
τὸν μὲν ἔπειτʼ εἴασε καὶ ἀχνύμενός περ ἑταίρου,
Κεβριόνην δʼ ἐκέλευσεν ἀδελφεὸν ἐγγὺς ἐόντα
ἵππων ἡνίʼ ἑλεῖν· ὃ δʼ ἄρʼ οὐκ ἀπίθησεν ἀκούσας.
300He spoke and sent another arrow from the string,
straight at Hector; his spirit yearned to hit him.
He missed him, but struck blameless Gorgythion,
a worthy son of Priam, in the chest with the arrow.
His mother bore him after coming as a bride from Aesyme,
305beautiful Castianeira, with a body like the goddesses.
As a poppy in a garden bows its head to one side,
weighted with fruit and spring rain,
so his head drooped to one side, burdened by the helmet.
Teucer sent another arrow from the string
310straight at Hector; his spirit yearned to hit him.
But he missed again, for Apollo turned it aside;
instead he struck bold Archeptolemus, Hector's charioteer,
as he rushed into battle, in the chest beside the nipple.
He fell from the chariot, and his swift-footed horses shied;
315there his life and battle-force were released.
Terrible grief for his charioteer shrouded Hector's mind.
He left him there, though grieving for his companion,
and ordered his brother Cebriones, who was near,
to take the horses' reins; he heard and did not disobey.
Commentary
This source-ordered unit stages Teucer kills Gorgythion and Archeptolemus while Apollo shields Hector. Its movement centers on Apollo, Hector, Teucer, and Priam; it develops divine agency, martial violence, kinship, and simile and likeness through divine-mortal causation, battlefield sequencing, and family and civic life. It carries the book’s action across 8.300–8.319.
Hector's stone disables Teucer; Ajax and comrades rescue him 8.320–334
320αὐτὸς δʼ ἐκ δίφροιο χαμαὶ θόρε παμφανόωντος
σμερδαλέα ἰάχων· ὃ δὲ χερμάδιον λάβε χειρί,
βῆ δʼ ἰθὺς Τεύκρου, βαλέειν δέ ἑ θυμὸς ἀνώγει.
ἤτοι ὃ μὲν φαρέτρης ἐξείλετο πικρὸν ὀϊστόν,
θῆκε δʼ ἐπὶ νευρῇ· τὸν δʼ αὖ κορυθαίολος Ἕκτωρ
325αὐερύοντα παρʼ ὦμον, ὅθι κληῒς ἀποέργει
αὐχένα τε στῆθός τε, μάλιστα δὲ καίριόν ἐστι,
τῇ ῥʼ ἐπὶ οἷ μεμαῶτα βάλεν λίθῳ ὀκριόεντι,
ῥῆξε δέ οἱ νευρήν· νάρκησε δὲ χεὶρ ἐπὶ καρπῷ,
στῆ δὲ γνὺξ ἐριπών, τόξον δέ οἱ ἔκπεσε χειρός.
330Αἴας δʼ οὐκ ἀμέλησε κασιγνήτοιο πεσόντος,
ἀλλὰ θέων περίβη καί οἱ σάκος ἀμφεκάλυψε.
τὸν μὲν ἔπειθʼ ὑποδύντε δύω ἐρίηρες ἑταῖροι
Μηκιστεὺς Ἐχίοιο πάϊς καὶ δῖος Ἀλάστωρ
νῆας ἔπι γλαφυρὰς φερέτην βαρέα στενάχοντα.
320Hector himself leapt to the ground from the gleaming chariot,
shouting terribly. He seized in one hand a stone,
and went straight at Teucer; his spirit urged him to strike.
Teucer had drawn a bitter arrow from his quiver
and set it to the string, but Hector of the flashing helmet,
325as Teucer drew, beside the shoulder, where the collarbone divides
the neck from the chest—the most deadly spot—
struck him there with a jagged stone as Teucer strained to shoot him.
He snapped the bowstring; Teucer's hand went numb at the wrist.
Teucer dropped to one knee, and the bow fell from his hand.
330Ajax did not neglect his fallen brother,
but ran to stand over him and covered him with his shield.
Then two loyal companions stooped beneath him,
Mecisteus, son of Echios, and godlike Alastor,
and carried him to the hollow ships as he groaned heavily.
Commentary
This source-ordered unit stages Hector's stone disables Teucer; Ajax and comrades rescue him. Its movement centers on Hector, Ajax, and Teucer; it develops divine agency, martial violence, mortality and burial, and kinship through divine-mortal causation, battlefield sequencing, geography and coalition, and family and civic life. It carries the book’s action across 8.320–8.334.
Zeus restores Trojan force and Hector drives the Achaeans to the ships 8.335–349
335ἂψ δʼ αὖτις Τρώεσσιν Ὀλύμπιος ἐν μένος ὦρσεν·
οἳ δʼ ἰθὺς τάφροιο βαθείης ὦσαν Ἀχαιούς·
Ἕκτωρ δʼ ἐν πρώτοισι κίε σθένεϊ βλεμεαίνων.
ὡς δʼ ὅτε τίς τε κύων συὸς ἀγρίου ἠὲ λέοντος
ἅπτηται κατόπισθε ποσὶν ταχέεσσι διώκων
340ἰσχία τε γλουτούς τε, ἑλισσόμενόν τε δοκεύει,
ὣς Ἕκτωρ ὤπαζε κάρη κομόωντας Ἀχαιούς,
αἰὲν ἀποκτείνων τὸν ὀπίστατον· οἳ δὲ φέβοντο.
αὐτὰρ ἐπεὶ διά τε σκόλοπας καὶ τάφρον ἔβησαν
φεύγοντες, πολλοὶ δὲ δάμεν Τρώων ὑπὸ χερσίν,
345οἳ μὲν δὴ παρὰ νηυσὶν ἐρητύοντο μένοντες,
ἀλλήλοισί τε κεκλόμενοι καὶ πᾶσι θεοῖσι
χεῖρας ἀνίσχοντες μεγάλʼ εὐχετόωντο ἕκαστος·
Ἕκτωρ δʼ ἀμφιπεριστρώφα καλλίτριχας ἵππους
Γοργοῦς ὄμματʼ ἔχων ἠδὲ βροτολοιγοῦ Ἄρηος.
335Once more Olympian Zeus roused force in the Trojans,
and they drove the Achaeans straight toward the deep ditch.
Hector strode among the foremost, exulting in his strength.
As when a dog in pursuit of a wild boar or lion
runs close behind on swift feet,
340snapping at its haunches and buttocks and watching it wheel,
so Hector hounded the long-haired Achaeans,
always killing the hindmost; and they fled.
But when they crossed the stakes and the ditch
in flight, and many were killed beneath Trojan hands,
345then they halted beside the ships and stood their ground,
calling to one another and to all the gods,
each raising his hands and praying loudly.
Hector wheeled his beautiful-maned horses around and around,
with the eyes of the Gorgon and of Ares, destroyer of men.
Commentary
This source-ordered unit stages Zeus restores Trojan force and Hector drives the Achaeans to the ships. Its movement centers on Zeus, Hector, and Ares; it develops prayer and offering, divine agency, martial violence, and spatial pressure through speech and persuasion, divine-mortal causation, battlefield sequencing, and geography and coalition. It carries the book’s action across 8.335–8.349.
Hera and Athena resolve to arm against Hector 8.350–380
350τοὺς δὲ ἰδοῦσʼ ἐλέησε θεὰ λευκώλενος Ἥρη,
αἶψα δʼ Ἀθηναίην ἔπεα πτερόεντα προσηύδα·
ὢ πόποι αἰγιόχοιο Διὸς τέκος οὐκέτι νῶϊ
ὀλλυμένων Δαναῶν κεκαδησόμεθʼ ὑστάτιόν περ;
οἵ κεν δὴ κακὸν οἶτον ἀναπλήσαντες ὄλωνται
355ἀνδρὸς ἑνὸς ῥιπῇ, ὃ δὲ μαίνεται οὐκέτʼ ἀνεκτῶς
Ἕκτωρ Πριαμίδης, καὶ δὴ κακὰ πολλὰ ἔοργε.
τὴν δʼ αὖτε προσέειπε θεὰ γλαυκῶπις Ἀθήνη·
καὶ λίην οὗτός γε μένος θυμόν τʼ ὀλέσειε
χερσὶν ὑπʼ Ἀργείων φθίμενος ἐν πατρίδι γαίῃ·
360ἀλλὰ πατὴρ οὑμὸς φρεσὶ μαίνεται οὐκ ἀγαθῇσι
σχέτλιος, αἰὲν ἀλιτρός, ἐμῶν μενέων ἀπερωεύς·
οὐδέ τι τῶν μέμνηται, ὅ οἱ μάλα πολλάκις υἱὸν
τειρόμενον σώεσκον ὑπʼ Εὐρυσθῆος ἀέθλων.
ἤτοι ὃ μὲν κλαίεσκε πρὸς οὐρανόν, αὐτὰρ ἐμὲ Ζεὺς
365τῷ ἐπαλεξήσουσαν ἀπʼ οὐρανόθεν προΐαλλεν.
εἰ γὰρ ἐγὼ τάδε ᾔδεʼ ἐνὶ φρεσὶ πευκαλίμῃσιν
εὖτέ μιν εἰς Ἀΐδαο πυλάρταο προὔπεμψεν
ἐξ Ἐρέβευς ἄξοντα κύνα στυγεροῦ Ἀΐδαο,
οὐκ ἂν ὑπεξέφυγε Στυγὸς ὕδατος αἰπὰ ῥέεθρα.
370νῦν δʼ ἐμὲ μὲν στυγέει, Θέτιδος δʼ ἐξήνυσε βουλάς,
ἥ οἱ γούνατʼ ἔκυσσε καὶ ἔλλαβε χειρὶ γενείου,
λισσομένη τιμῆσαι Ἀχιλλῆα πτολίπορθον.
ἔσται μὰν ὅτʼ ἂν αὖτε φίλην γλαυκώπιδα εἴπῃ.
ἀλλὰ σὺ μὲν νῦν νῶϊν ἐπέντυε μώνυχας ἵππους,
375ὄφρʼ ἂν ἐγὼ καταδῦσα Διὸς δόμον αἰγιόχοιο
τεύχεσιν ἐς πόλεμον θωρήξομαι, ὄφρα ἴδωμαι
ἢ νῶϊ Πριάμοιο πάϊς κορυθαίολος Ἕκτωρ
γηθήσει προφανέντε ἀνὰ πτολέμοιο γεφύρας,
ἦ τις καὶ Τρώων κορέει κύνας ἠδʼ οἰωνοὺς
380δημῷ καὶ σάρκεσσι, πεσὼν ἐπὶ νηυσὶν Ἀχαιῶν.
350White-armed goddess Hera saw them and took pity,
and at once addressed Athena with winged words:
“Ah, child of aegis-bearing Zeus, will we no longer
care for the Danaans as they perish, even at the end?
They will perish once they have filled out their evil fate
355under one man's onslaught; he rages beyond endurance—
Hector, Priam's son—and already he has done great harm.”
Then the goddess, bright-eyed Athena, answered her:
“Yes, this man would surely lose his force and life,
killed by Argive hands in his native land.
360But my father rages, his mind bent on no good—
cruel, always lawless, always thwarting my purpose.
He remembers nothing of how many times I saved his son
when Eurystheus' labors wore him down.
He would weep toward heaven, and Zeus would send me
365from heaven to defend him.
If I had known this in my shrewd mind
when Eurystheus sent him to Hades the gatekeeper,
to bring the hound of hateful Hades from Erebus,
he would not have escaped the steep streams of Styx.
370But now he hates me and has fulfilled Thetis' plans,
who kissed his knees and took his chin in her hand,
begging him to honor Achilles, sacker of cities.
The day will come when he calls me his dear bright-eyed one again.
Now harness the single-hoofed horses for us,
375while I enter the house of aegis-bearing Zeus
and arm myself for battle, so I may see
whether Hector, Priam's son, of the flashing helmet,
will rejoice when we appear across the bridges of war,
or whether some Trojan too will glut the dogs and birds
380with his fat and flesh, fallen beside the Achaean ships.”
Commentary
This source-ordered unit stages Hera and Athena resolve to arm against Hector. Its movement centers on Athena, Hera, Hector, and Achilles; it develops wrath, supplication, honor economy, and divine agency through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.350–8.380.
8.350 Hera’s pity motivates resistance to Zeus but does not authorize it. Seeing Achaean suffering produces an ethically intelligible impulse, yet the subsequent threat from Zeus exposes the danger of treating compassion as sufficient permission for intervention.
Hera and Athena arm and drive through heaven’s gates 8.381–396
381ὣς ἔφατʼ, οὐδʼ ἀπίθησε θεὰ λευκώλενος Ἥρη.
ἣ μὲν ἐποιχομένη χρυσάμπυκας ἔντυεν ἵππους
Ἥρη πρέσβα θεὰ θυγάτηρ μεγάλοιο Κρόνοιο·
αὐτὰρ Ἀθηναίη κούρη Διὸς αἰγιόχοιο
385πέπλον μὲν κατέχευεν ἑανὸν πατρὸς ἐπʼ οὔδει
ποικίλον, ὅν ῥʼ αὐτὴ ποιήσατο καὶ κάμε χερσίν,
ἣ δὲ χιτῶνʼ ἐνδῦσα Διὸς νεφεληγερέταο
τεύχεσιν ἐς πόλεμον θωρήσσετο δακρυόεντα.
ἐς δʼ ὄχεα φλόγεα ποσὶ βήσετο, λάζετο δʼ ἔγχος
390βριθὺ μέγα στιβαρόν, τῷ δάμνησι στίχας ἀνδρῶν
ἡρώων, τοῖσίν τε κοτέσσεται ὀβριμοπάτρη.
Ἥρη δὲ μάστιγι θοῶς ἐπεμαίετʼ ἄρʼ ἵππους·
αὐτόμαται δὲ πύλαι μύκον οὐρανοῦ ἃς ἔχον Ὧραι,
τῇς ἐπιτέτραπται μέγας οὐρανὸς Οὔλυμπός τε
395ἠμὲν ἀνακλῖναι πυκινὸν νέφος ἠδʼ ἐπιθεῖναι.
τῇ ῥα διʼ αὐτάων κεντρηνεκέας ἔχον ἵππους.
381So she spoke, and the white-armed goddess Hera did not disobey.
Hera went about harnessing the gold-frontleted horses,
the elder goddess, daughter of great Cronus.
Athena, daughter of aegis-bearing Zeus,
385let her soft robe fall upon her father’s floor,
the intricate robe she herself had made with her hands.
She put on the tunic of cloud-gathering Zeus
and armed herself for tear-bringing war.
She stepped into the flaming chariot and took up her spear,
390heavy, huge, and strong, with which she subdues the ranks
of heroic men against whom the mighty Father’s daughter is angry.
Hera swiftly laid the whip upon the horses.
The gates of heaven groaned open of themselves, the gates the Hours keep,
for to them great heaven and Olympus are entrusted,
395both to open the dense cloud and close it again.
Through those gates they drove the horses on beneath the goad.
Commentary
This source-ordered unit stages Hera and Athena arm and drive through heaven’s gates. Its movement centers on Athena, Hera, and Zeus; it develops divine agency, martial violence, mortality and burial, and kinship through divine-mortal causation, battlefield sequencing, and family and civic life. It carries the book’s action across 8.381–8.396.
Zeus sends Iris with a threat against the goddesses 8.397–408
397Ζεὺς δὲ πατὴρ Ἴδηθεν ἐπεὶ ἴδε χώσατʼ ἄρʼ αἰνῶς,
Ἶριν δʼ ὄτρυνε χρυσόπτερον ἀγγελέουσαν·
βάσκʼ ἴθι Ἶρι ταχεῖα, πάλιν τρέπε μηδʼ ἔα ἄντην
400ἔρχεσθʼ· οὐ γὰρ καλὰ συνοισόμεθα πτόλεμον δέ.
ὧδε γὰρ ἐξερέω, τὸ δὲ καὶ τετελεσμένον ἔσται·
γυιώσω μέν σφωϊν ὑφʼ ἅρμασιν ὠκέας ἵππους,
αὐτὰς δʼ ἐκ δίφρου βαλέω κατά θʼ ἅρματα ἄξω·
οὐδέ κεν ἐς δεκάτους περιτελλομένους ἐνιαυτοὺς
405ἕλκεʼ ἀπαλθήσεσθον, ἅ κεν μάρπτῃσι κεραυνός·
ὄφρα ἰδῇ γλαυκῶπις ὅτʼ ἂν ᾧ πατρὶ μάχηται.
Ἥρῃ δʼ οὔ τι τόσον νεμεσίζομαι οὐδὲ χολοῦμαι·
αἰεὶ γάρ μοι ἔωθεν ἐνικλᾶν ὅττί κεν εἴπω.
397Father Zeus saw them from Ida and grew terribly angry.
He urged gold-winged Iris to carry his message:
“Go, swift Iris, turn them back; do not let them come against me—
400our meeting in battle will bring them no good.
For I will say this plainly, and it will be fulfilled:
I will cripple their swift horses beneath the chariot,
hurl the goddesses themselves from the car, and smash the chariot.
Not even within ten circling years
405would you two recover from the wounds my thunderbolt inflicts.
Then the bright-eyed one will learn what it is to fight her father.
I do not resent Hera nearly so much, nor am I so angry with her;
she has always made it her habit to oppose whatever I say.”
Commentary
This source-ordered unit stages Zeus sends Iris with a threat against the goddesses. Its movement centers on Zeus, Iris, and Hera; it develops divine agency, martial violence, and kinship through divine-mortal causation, battlefield sequencing, geography and coalition, and character knowledge. It carries the book’s action across 8.397–8.408.
Iris bars their way and repeats Zeus’s threat 8.409–424
409ὣς ἔφατʼ, ὦρτο δὲ Ἶρις ἀελλόπος ἀγγελέουσα,
410βῆ δʼ ἐξ Ἰδαίων ὀρέων ἐς μακρὸν Ὄλυμπον.
πρώτῃσιν δὲ πύλῃσι πολυπτύχου Οὐλύμποιο
ἀντομένη κατέρυκε, Διὸς δέ σφʼ ἔννεπε μῦθον·
πῇ μέματον; τί σφῶϊν ἐνὶ φρεσὶ μαίνεται ἦτορ;
οὐκ ἐάᾳ Κρονίδης ἐπαμυνέμεν Ἀργείοισιν.
415ὧδε γὰρ ἠπείλησε Κρόνου πάϊς, ᾗ τελέει περ,
γυιώσειν μὲν σφῶϊν ὑφʼ ἅρμασιν ὠκέας ἵππους,
αὐτὰς δʼ ἐκ δίφρου βαλέειν κατά θʼ ἅρματα ἄξειν·
οὐδέ κεν ἐς δεκάτους περιτελλομένους ἐνιαυτοὺς
ἕλκεʼ ἀπαλθήσεσθον, ἅ κεν μάρπτῃσι κεραυνός·
420ὄφρα ἰδῇς γλαυκῶπι ὅτʼ ἂν σῷ πατρὶ μάχηαι.
Ἥρῃ δʼ οὔ τι τόσον νεμεσίζεται οὐδὲ χολοῦται·
αἰεὶ γάρ οἱ ἔωθεν ἐνικλᾶν ὅττι κεν εἴπῃ·
ἀλλὰ σύ γʼ αἰνοτάτη κύον ἀδεὲς εἰ ἐτεόν γε
τολμήσεις Διὸς ἄντα πελώριον ἔγχος ἀεῖραι.
409So he spoke, and storm-footed Iris sprang up to carry the message.
410She went from the mountains of Ida to high Olympus.
At the first gates of many-folded Olympus
she met and stopped them, and told them Zeus’s word:
“Where are you two rushing? Why do your hearts rage within you?
The son of Cronus forbids you to defend the Argives.
415This is the threat Cronus’s son has made—and he will bring it to pass:
he will cripple your swift horses beneath the chariot,
hurl you yourselves from the car, and smash the chariot.
Not even within ten circling years
would you two recover from the wounds his thunderbolt inflicts.
420Then you will learn, bright-eyed one, what it is to fight your father.
He does not resent Hera nearly so much, nor is he so angry with her;
she has always made it her habit to oppose whatever he says.
But you, most dreadful one, shameless dog—if you truly
dare lift your massive spear against Zeus.”
Commentary
This source-ordered unit stages Iris bars their way and repeats Zeus’s threat. Its movement centers on Zeus, Iris, and Hera; it develops wrath, divine agency, martial violence, and kinship through divine-mortal causation, battlefield sequencing, character knowledge, and family and civic life. It carries the book’s action across 8.409–8.424.
Hera submits to Zeus’s ban on intervention 8.425–431
425ἣ μὲν ἄρʼ ὣς εἰποῦσʼ ἀπέβη πόδας ὠκέα Ἶρις,
αὐτὰρ Ἀθηναίην Ἥρη πρὸς μῦθον ἔειπεν·
ὢ πόποι αἰγιόχοιο Διὸς τέκος, οὐκέτʼ ἔγωγε
νῶϊ ἐῶ Διὸς ἄντα βροτῶν ἕνεκα πτολεμίζειν·
τῶν ἄλλος μὲν ἀποφθίσθω, ἄλλος δὲ βιώτω,
430ὅς κε τύχῃ· κεῖνος δὲ τὰ ἃ φρονέων ἐνὶ θυμῷ
Τρωσί τε καὶ Δαναοῖσι δικαζέτω, ὡς ἐπιεικές.
425With that, swift-footed Iris departed.
Then Hera spoke these words to Athena:
“Ah, child of aegis-bearing Zeus, no longer will I
allow us to fight against Zeus for the sake of mortals.
Let one of them die and another live,
430as chance may fall. Let Zeus, pondering his own designs at heart,
judge between Trojans and Danaans as is fitting.”
Commentary
This source-ordered unit stages Hera submits to Zeus’s ban on intervention. Its movement centers on Zeus, Hera, Athena, and Iris; it develops divine agency, martial violence, and mortality and burial through divine-mortal causation, battlefield sequencing, and geography and coalition. It carries the book’s action across 8.425–8.431.
The goddesses return, and Zeus reaches Olympus 8.432–445
432ὣς ἄρα φωνήσασα πάλιν τρέπε μώνυχας ἵππους·
τῇσιν δʼ Ὧραι μὲν λῦσαν καλλίτριχας ἵππους,
καὶ τοὺς μὲν κατέδησαν ἐπʼ ἀμβροσίῃσι κάπῃσιν,
435ἅρματα δʼ ἔκλιναν πρὸς ἐνώπια παμφανόωντα·
αὐταὶ δὲ χρυσέοισιν ἐπὶ κλισμοῖσι κάθιζον
μίγδʼ ἄλλοισι θεοῖσι, φίλον τετιημέναι ἦτορ.
Ζεὺς δὲ πατὴρ Ἴδηθεν ἐΰτροχον ἅρμα καὶ ἵππους
Οὔλυμπον δὲ δίωκε, θεῶν δʼ ἐξίκετο θώκους.
440τῷ δὲ καὶ ἵππους μὲν λῦσε κλυτὸς ἐννοσίγαιος,
ἅρματα δʼ ἂμ βωμοῖσι τίθει κατὰ λῖτα πετάσσας·
αὐτὸς δὲ χρύσειον ἐπὶ θρόνον εὐρύοπα Ζεὺς
ἕζετο, τῷ δʼ ὑπὸ ποσσὶ μέγας πελεμίζετʼ Ὄλυμπος.
αἳ δʼ οἶαι Διὸς ἀμφὶς Ἀθηναίη τε καὶ Ἥρη
445ἥσθην, οὐδέ τί μιν προσεφώνεον οὐδʼ ἐρέοντο·
432So she spoke and turned the single-hoofed horses back.
The Hours loosed the goddesses’ beautiful-maned horses,
tethered them at their ambrosial mangers,
435and leaned the chariot against the all-shining front wall.
Hera and Athena themselves took their seats upon golden chairs
among the other gods, their hearts distressed.
Father Zeus drove the smooth-running chariot and horses from Ida
toward Olympus, and reached the seats of the gods.
440The renowned Earth-shaker unharnessed the horses for him
and set the chariot on its stand, spreading a linen cover over it.
Far-seeing Zeus himself sat upon his golden throne,
and great Olympus trembled beneath his feet.
Athena and Hera alone sat apart from Zeus;
445they neither addressed him nor asked him anything.
Commentary
This source-ordered unit stages the goddesses return, and Zeus reaches Olympus. Its movement centers on Zeus, Athena, and Hera; it develops wrath, divine agency, persuasive speech, and kinship through speech and persuasion, divine-mortal causation, battlefield sequencing, and family and civic life. It carries the book’s action across 8.432–8.445.
Zeus taunts the goddesses; Hera concedes battle but reserves counsel 8.446–468
446αὐτὰρ ὃ ἔγνω ᾗσιν ἐνὶ φρεσὶ φώνησέν τε·
τίφθʼ οὕτω τετίησθον Ἀθηναίη τε καὶ Ἥρη;
οὐ μέν θην κάμετόν γε μάχῃ ἔνι κυδιανείρῃ
ὀλλῦσαι Τρῶας, τοῖσιν κότον αἰνὸν ἔθεσθε.
450πάντως, οἷον ἐμόν γε μένος καὶ χεῖρες ἄαπτοι,
οὐκ ἄν με τρέψειαν ὅσοι θεοί εἰσʼ ἐν Ὀλύμπῳ.
σφῶϊν δὲ πρίν περ τρόμος ἔλλαβε φαίδιμα γυῖα
πρὶν πόλεμόν τε ἰδεῖν πολέμοιό τε μέρμερα ἔργα.
ὧδε γὰρ ἐξερέω, τὸ δέ κεν τετελεσμένον ἦεν·
455οὐκ ἂν ἐφʼ ὑμετέρων ὀχέων πληγέντε κεραυνῷ
ἂψ ἐς Ὄλυμπον ἵκεσθον, ἵνʼ ἀθανάτων ἕδος ἐστίν.
ὣς ἔφαθʼ, αἳ δʼ ἐπέμυξαν Ἀθηναίη τε καὶ Ἥρη·
πλησίαι αἵ γʼ ἥσθην, κακὰ δὲ Τρώεσσι μεδέσθην.
ἤτοι Ἀθηναίη ἀκέων ἦν οὐδέ τι εἶπε
460σκυζομένη Διὶ πατρί, χόλος δέ μιν ἄγριος ᾕρει·
Ἥρῃ δʼ οὐκ ἔχαδε στῆθος χόλον, ἀλλὰ προσηύδα·
αἰνότατε Κρονίδη ποῖον τὸν μῦθον ἔειπες.
εὖ νυ καὶ ἡμεῖς ἴδμεν ὅ τοι σθένος οὐκ ἀλαπαδνόν·
ἀλλʼ ἔμπης Δαναῶν ὀλοφυρόμεθʼ αἰχμητάων,
465οἵ κεν δὴ κακὸν οἶτον ἀναπλήσαντες ὄλωνται.
ἀλλʼ ἤτοι πολέμου μὲν ἀφεξόμεθʼ, εἰ σὺ κελεύεις·
βουλὴν δʼ Ἀργείοις ὑποθησόμεθʼ ἥ τις ὀνήσει,
ὡς μὴ πάντες ὄλωνται ὀδυσσαμένοιο τεοῖο.
446But he understood within his mind and spoke:
“Why are you two so distressed, Athena and Hera?
Surely you have not grown weary in battle that brings men glory,
destroying the Trojans, against whom you have fixed your dreadful grudge.
450In any case, such is my force, and my hands are irresistible:
not all the gods on Olympus could turn me back.
Yet trembling had already seized your splendid limbs
before you saw battle and the terrible work of war.
For I will say this plainly, and it would have been fulfilled:
455once struck by my thunderbolt upon your chariot, you two would never
have returned to Olympus, where the immortals have their seat.”
So he spoke. Athena and Hera muttered low;
they sat close together, plotting evil for the Trojans.
Athena stayed silent and said nothing,
460enraged at Father Zeus as savage anger seized her.
But Hera’s breast could not contain her anger, and she answered:
“Most dreadful son of Cronus, what is this you have said?
We too know well that your strength is not feeble.
Still, we grieve for the Danaan spearmen,
465who will perish once they have filled out their evil fate.
We will hold ourselves back from war, if you command it;
but we will offer the Argives counsel that may help,
so they do not all perish under your anger.”
Commentary
This source-ordered unit stages Zeus taunts the goddesses; Hera concedes battle but reserves counsel. Its movement centers on Zeus, Hera, and Athena; it develops wrath, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.446–8.468.
Zeus foretells Patroclus’s death and dismisses Hera’s anger 8.469–484
469τὴν δʼ ἀπαμειβόμενος προσέφη νεφεληγερέτα Ζεύς·
470ἠοῦς δὴ καὶ μᾶλλον ὑπερμενέα Κρονίωνα
ὄψεαι, αἴ κʼ ἐθέλῃσθα, βοῶπις πότνια Ἥρη
ὀλλύντʼ Ἀργείων πουλὺν στρατὸν αἰχμητάων·
οὐ γὰρ πρὶν πολέμου ἀποπαύσεται ὄβριμος Ἕκτωρ
πρὶν ὄρθαι παρὰ ναῦφι ποδώκεα Πηλεΐωνα,
475ἤματι τῷ ὅτʼ ἂν οἳ μὲν ἐπὶ πρύμνῃσι μάχωνται
στείνει ἐν αἰνοτάτῳ περὶ Πατρόκλοιο θανόντος·
ὣς γὰρ θέσφατόν ἐστι· σέθεν δʼ ἐγὼ οὐκ ἀλεγίζω
χωομένης, οὐδʼ εἴ κε τὰ νείατα πείραθʼ ἵκηαι
γαίης καὶ πόντοιο, ἵνʼ Ἰάπετός τε Κρόνος τε
480ἥμενοι οὔτʼ αὐγῇς Ὑπερίονος Ἠελίοιο
τέρποντʼ οὔτʼ ἀνέμοισι, βαθὺς δέ τε Τάρταρος ἀμφίς·
οὐδʼ ἢν ἔνθʼ ἀφίκηαι ἀλωμένη, οὔ σευ ἔγωγε
σκυζομένης ἀλέγω, ἐπεὶ οὐ σέο κύντερον ἄλλο.
ὣς φάτο, τὸν δʼ οὔ τι προσέφη λευκώλενος Ἥρη.
469Cloud-gathering Zeus answered her:
470“At dawn you will see the overmastering son of Cronus
still more at work, if you wish, ox-eyed lady Hera,
destroying the great host of Argive spearmen.
Mighty Hector will not cease from battle
until he rouses swift-footed Peleus’s son beside the ships,
475on the day when the armies clash beside the sterns
in the most dreadful press over Patroclus fallen.
So it is divinely ordained. I care nothing for your anger,
not even if in your rage you reach the lowest bounds
of earth and sea, where Iapetus and Cronus sit,
480taking no pleasure in the rays of Hyperion’s Sun
or in the winds, with deep Tartarus all around them.
Even if you reach that place in your wandering, I will not care
how angry you are, for nothing is more dog-like than you.”
So he spoke, but white-armed Hera gave him no answer.
Commentary
This source-ordered unit stages Zeus foretells Patroclus’s death and dismisses Hera’s anger. Its movement centers on Zeus, Hera, Patroclus, and Hector; it develops wrath, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.469–8.484.
8.469 Zeus’s prophecy binds the present retreat to Patroclus’s future death. The forecast extends causal sight beyond the book, locating Hector’s success inside a longer sequence that will bring Achilles back through loss.
Sunset comes against the Trojans’ will and brings relief to the Achaeans 8.485–488
485ἐν δʼ ἔπεσʼ Ὠκεανῷ λαμπρὸν φάος ἠελίοιο
ἕλκον νύκτα μέλαιναν ἐπὶ ζείδωρον ἄρουραν.
Τρωσὶν μέν ῥʼ ἀέκουσιν ἔδυ φάος, αὐτὰρ Ἀχαιοῖς
ἀσπασίη τρίλλιστος ἐπήλυθε νὺξ ἐρεβεννή.
485The bright light of the sun fell into Ocean,
drawing black night over the grain-giving earth.
The light sank against the Trojans’ will, but for the Achaeans
welcome, thrice-prayed-for shadowy night came on.
Commentary
This source-ordered unit stages sunset comes against the Trojans’ will and brings relief to the Achaeans. Its movement centers on Zeus and Hector; it develops prayer and offering and night and Dawn through speech and persuasion and geography and coalition. It carries the book’s action across 8.485–8.488.
Hector gathers the Trojans by the river and addresses them 8.489–497
489Τρώων αὖτʼ ἀγορὴν ποιήσατο φαίδιμος Ἕκτωρ
490νόσφι νεῶν ἀγαγὼν ποταμῷ ἔπι δινήεντι,
ἐν καθαρῷ ὅθι δὴ νεκύων διεφαίνετο χῶρος.
ἐξ ἵππων δʼ ἀποβάντες ἐπὶ χθόνα μῦθον ἄκουον
τόν ῥʼ Ἕκτωρ ἀγόρευε Διῒ φίλος· ἐν δʼ ἄρα χειρὶ
ἔγχος ἔχʼ ἑνδεκάπηχυ· πάροιθε δὲ λάμπετο δουρὸς
495αἰχμὴ χαλκείη, περὶ δὲ χρύσεος θέε πόρκης,
τῷ ὅ γʼ ἐρεισάμενος ἔπεα Τρώεσσι μετηύδα·
κέκλυτέ μευ Τρῶες καὶ Δάρδανοι ἠδʼ ἐπίκουροι·
489Then glorious Hector called another assembly of the Trojans,
490leading them away from the ships beside the eddying river,
onto clear ground where the earth showed through among the dead.
They stepped down from their chariots to the ground and listened
to the speech Hector, dear to Zeus, delivered. In his hand
he held an eleven-cubit spear; before him the bronze
495point gleamed, and a golden ring ran around the shaft.
Leaning upon it, he addressed the Trojans:
“Hear me, Trojans, Dardanians, and allies:
Commentary
This source-ordered unit stages Hector gathers the Trojans by the river and addresses them. Its movement centers on Hector and Zeus; it develops divine agency, martial violence, persuasive speech, and mortality and burial through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.489–8.497.
Hector orders supper, watchfires, and the defense of Troy 8.498–525
498νῦν ἐφάμην νῆάς τʼ ὀλέσας καὶ πάντας Ἀχαιοὺς
ἂψ ἀπονοστήσειν προτὶ Ἴλιον ἠνεμόεσσαν·
500ἀλλὰ πρὶν κνέφας ἦλθε, τὸ νῦν ἐσάωσε μάλιστα
Ἀργείους καὶ νῆας ἐπὶ ῥηγμῖνι θαλάσσης.
ἀλλʼ ἤτοι νῦν μὲν πειθώμεθα νυκτὶ μελαίνῃ
δόρπά τʼ ἐφοπλισόμεσθα· ἀτὰρ καλλίτριχας ἵππους
λύσαθʼ ὑπὲξ ὀχέων, παρὰ δέ σφισι βάλλετʼ ἐδωδήν·
505ἐκ πόλιος δʼ ἄξεσθε βόας καὶ ἴφια μῆλα
καρπαλίμως, οἶνον δὲ μελίφρονα οἰνίζεσθε
σῖτόν τʼ ἐκ μεγάρων, ἐπὶ δὲ ξύλα πολλὰ λέγεσθε,
ὥς κεν παννύχιοι μέσφʼ ἠοῦς ἠριγενείης
καίωμεν πυρὰ πολλά, σέλας δʼ εἰς οὐρανὸν ἵκῃ,
510μή πως καὶ διὰ νύκτα κάρη κομόωντες Ἀχαιοὶ
φεύγειν ὁρμήσωνται ἐπʼ εὐρέα νῶτα θαλάσσης.
μὴ μὰν ἀσπουδί γε νεῶν ἐπιβαῖεν ἕκηλοι,
ἀλλʼ ὥς τις τούτων γε βέλος καὶ οἴκοθι πέσσῃ
βλήμενος ἢ ἰῷ ἢ ἔγχεϊ ὀξυόεντι
515νηὸς ἐπιθρῴσκων, ἵνα τις στυγέῃσι καὶ ἄλλος
Τρωσὶν ἐφʼ ἱπποδάμοισι φέρειν πολύδακρυν Ἄρηα.
κήρυκες δʼ ἀνὰ ἄστυ Διῒ φίλοι ἀγγελλόντων
παῖδας πρωθήβας πολιοκροτάφους τε γέροντας
λέξασθαι περὶ ἄστυ θεοδμήτων ἐπὶ πύργων·
520θηλύτεραι δὲ γυναῖκες ἐνὶ μεγάροισιν ἑκάστη
πῦρ μέγα καιόντων· φυλακὴ δέ τις ἔμπεδος ἔστω
μὴ λόχος εἰσέλθῃσι πόλιν λαῶν ἀπεόντων.
ὧδʼ ἔστω Τρῶες μεγαλήτορες ὡς ἀγορεύω·
μῦθος δʼ ὃς μὲν νῦν ὑγιὴς εἰρημένος ἔστω,
525τὸν δʼ ἠοῦς Τρώεσσι μεθʼ ἱπποδάμοις ἀγορεύσω.
498I thought just now that, once I had destroyed the ships and all the Achaeans,
I would return again to windy Ilium.
500But darkness came first, and it above all has now saved
the Argives and their ships along the sea’s breaking shore.
For now, then, let us obey black night
and make supper ready. As for your beautiful-maned horses,
loose them from beneath the chariots and throw down fodder beside them.
505Bring cattle and strong sheep from the city,
quickly; procure honey-sweet wine
and grain from your halls, and gather plenty of wood,
so that all night until early-born Dawn
we may burn many fires and their blaze may reach the sky,
510lest the long-haired Achaeans attempt by night
to flee over the broad back of the sea.
They must not mount their ships without a fight and at their ease;
let some man among them nurse a missile even at home,
struck by an arrow or a sharp-pointed spear
515as he leaps aboard his ship, so that another man too may dread
bringing tear-bringing Ares against the horse-taming Trojans.
Let heralds dear to Zeus announce throughout the city
that youths just come to manhood and gray-templed old men
take their posts around the city on its god-built towers.
520Let every woman within her hall
kindle a great fire, and let a steadfast watch be kept,
lest an ambush enter the city while its fighting men are away.
So shall it be, great-hearted Trojans, just as I declare.
Let this sound word stand as spoken for now;
525at dawn I will give the horse-taming Trojans my next command.
Commentary
This source-ordered unit stages Hector orders supper, watchfires, and the defense of Troy. Its movement centers on Hector, Zeus, and Ares; it develops prayer and offering, divine agency, martial violence, and persuasive speech through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.498–8.525.
Hector threatens Diomedes and predicts Achaean ruin 8.526–542
526ἔλπομαι εὐχόμενος Διί τʼ ἄλλοισίν τε θεοῖσιν
ἐξελάαν ἐνθένδε κύνας κηρεσσιφορήτους,
οὓς κῆρες φορέουσι μελαινάων ἐπὶ νηῶν.
ἀλλʼ ἤτοι ἐπὶ νυκτὶ φυλάξομεν ἡμέας αὐτούς,
530πρῶϊ δʼ ὑπηοῖοι σὺν τεύχεσι θωρηχθέντες
νηυσὶν ἔπι γλαφυρῇσιν ἐγείρομεν ὀξὺν Ἄρηα.
εἴσομαι εἴ κέ μʼ ὁ Τυδεΐδης κρατερὸς Διομήδης
πὰρ νηῶν πρὸς τεῖχος ἀπώσεται, ἤ κεν ἐγὼ τὸν
χαλκῷ δῃώσας ἔναρα βροτόεντα φέρωμαι.
535αὔριον ἣν ἀρετὴν διαείσεται, εἴ κʼ ἐμὸν ἔγχος
μείνῃ ἐπερχόμενον· ἀλλʼ ἐν πρώτοισιν ὀΐω
κείσεται οὐτηθείς, πολέες δʼ ἀμφʼ αὐτὸν ἑταῖροι
ἠελίου ἀνιόντος ἐς αὔριον· εἰ γὰρ ἐγὼν ὣς
εἴην ἀθάνατος καὶ ἀγήρως ἤματα πάντα,
540τιοίμην δʼ ὡς τίετʼ Ἀθηναίη καὶ Ἀπόλλων,
ὡς νῦν ἡμέρη ἥδε κακὸν φέρει Ἀργείοισιν.
ὣς Ἕκτωρ ἀγόρευʼ, ἐπὶ δὲ Τρῶες κελάδησαν.
526I hope—and pray to Zeus and all the other gods—
to drive from here these doom-borne dogs,
whom the death-spirits carry here on black ships.
Through the night we will keep guard over ourselves,
530and early at dawn arm ourselves in our war gear
and waken sharp Ares beside the hollow ships.
I will learn whether mighty Diomedes, Tydeus’s son,
will drive me from the ships back to the wall, or whether I
will cut him down with bronze and carry off his bloodied spoils.
535Tomorrow he will learn the measure of his valor, if he stands
against my oncoming spear. But among the foremost, I think,
he will lie struck down, with many companions around him,
when the sun rises tomorrow. If only I
were immortal and ageless through all my days,
540and honored as Athena and Apollo are honored,
as surely as this day now brings disaster to the Argives.”
So Hector spoke, and the Trojans shouted their acclaim.
Commentary
This source-ordered unit stages Hector threatens Diomedes and predicts Achaean ruin. Its movement centers on Hector, Diomedes, Apollo, and Athena; it develops prayer and offering, honor economy, divine agency, and martial violence through speech and persuasion, divine-mortal causation, battlefield sequencing, and social rank and leadership. It carries the book’s action across 8.526–8.542.
The Trojans provision, sacrifice, and keep watch under rejected offerings 8.543–554
543οἳ δʼ ἵππους μὲν λῦσαν ὑπὸ ζυγοῦ ἱδρώοντας,
δῆσαν δʼ ἱμάντεσσι παρʼ ἅρμασιν οἷσιν ἕκαστος·
545ἐκ πόλιος δʼ ἄξοντο βόας καὶ ἴφια μῆλα
καρπαλίμως, οἶνον δὲ μελίφρονα οἰνίζοντο,
σῖτόν τʼ ἐκ μεγάρων, ἐπὶ δὲ ξύλα πολλὰ λέγοντο.
ἔρδον δ’ ἀθανάτοισι τεληέσσας ἑκατόμβας
κνίσην δʼ ἐκ πεδίου ἄνεμοι φέρον οὐρανὸν εἴσω.
550ἡδεῖαν· τῆς δ’ οὔ τι θεοὶ μάκαρες δατέοντο,
οὐδ’ ἔθελον· μάλα γάρ σφιν ἀπήχθετο Ἴλιος ἱρή,
καὶ Πρίαμος καὶ λαὸς ἐϋμμελίω Πριάμοιο
οἳ δὲ μέγα φρονέοντες ἐπὶ πτολέμοιο γεφύρας
εἴατο παννύχιοι, πυρὰ δέ σφισι καίετο πολλά.
543They loosed the sweating horses from beneath the yoke,
and each man tethered his pair with straps beside his chariot.
545They brought cattle and strong sheep from the city,
quickly, procured honey-sweet wine,
brought grain from their halls, and gathered plenty of wood.
They offered the immortals full hecatombs.
The winds carried the savor from the plain into heaven—
550sweet savor; but the blessed gods took no share of it,
nor wished to. Sacred Ilium was utterly hateful to them,
with Priam and the people of Priam, skilled with the spear.
High in their pride, they sat along the causeways of war
through the whole night, and many fires burned among them.
Commentary
This source-ordered unit stages the Trojans provision, sacrifice, and keep watch under rejected offerings. Its movement centers on Priam; it develops prayer and offering, divine agency, martial violence, and spatial pressure through divine-mortal causation, battlefield sequencing, ritual action, and geography and coalition. It carries the book’s action across 8.543–8.554.
The campfires shine like stars while the horses wait for Dawn 8.555–565
555ὡς δʼ ὅτʼ ἐν οὐρανῷ ἄστρα φαεινὴν ἀμφὶ σελήνην
φαίνετʼ ἀριπρεπέα, ὅτε τʼ ἔπλετο νήνεμος αἰθήρ·
ἔκ τʼ ἔφανεν πᾶσαι σκοπιαὶ καὶ πρώονες ἄκροι
καὶ νάπαι· οὐρανόθεν δʼ ἄρʼ ὑπερράγη ἄσπετος αἰθήρ,
πάντα δὲ εἴδεται ἄστρα, γέγηθε δέ τε φρένα ποιμήν·
560τόσσα μεσηγὺ νεῶν ἠδὲ Ξάνθοιο ῥοάων
Τρώων καιόντων πυρὰ φαίνετο Ἰλιόθι πρό.
χίλιʼ ἄρʼ ἐν πεδίῳ πυρὰ καίετο, πὰρ δὲ ἑκάστῳ
εἴατο πεντήκοντα σέλᾳ πυρὸς αἰθομένοιο.
ἵπποι δὲ κρῖ λευκὸν ἐρεπτόμενοι καὶ ὀλύρας
565ἑσταότες παρʼ ὄχεσφιν ἐΰθρονον Ἠῶ μίμνον.
555As when in heaven the stars around the shining moon
appear in all their brilliance when the upper air is windless,
and every lookout height and high headland stands clear,
and every valley; from heaven the boundless upper air breaks open,
and all the stars are seen, and the shepherd’s heart rejoices—
560just so many fires, between the ships and Xanthus’s streams,
shone before Ilium as the Trojans kept them burning.
A thousand fires burned across the plain, and beside each one
fifty men sat in the glare of blazing fire.
The horses munched white barley and spelt
565as they stood beside the chariots and waited for fair-throned Dawn.
Commentary
This source-ordered unit stages the campfires shine like stars while the horses wait for Dawn. Its movement centers on Zeus and Hector; it develops simile and likeness, spatial pressure, and night and Dawn through battlefield sequencing and geography and coalition. It carries the book’s action across 8.555–8.565.
8.555 The star simile gives the Trojan watchfires a serene, ominous close. The expansive celestial comparison slows the field into clarity and stillness; its beauty magnifies the number of fires while the waiting horses keep the threat directed toward Dawn.