Odyssey, Book 1: Athena and Telemachus
Homer · Greek original · new English translation and commentary by Text Atlas
Overview
Book 1 opens the epic by naming an unnamed, many-turned man, assigning the companions’ destruction to their own reckless conduct, and locating Odysseus between an obstructed return and an endangered household. The divine council then turns the poem toward Ithaca: Athena enters as Mentes, receives proper hospitality from Telemachus, diagnoses the suitors’ consumption, and gives the son a public and geographic course of action. Telemachus’ first assertions do not restore the household, but they shift him from inward fantasy to speech, command, and planned movement. Penelope’s grief, Phemius’ constrained song, the labor and status of household members, and the contest between public kingship and household mastery keep that growth ethically unsettled.
Narrative arc
- the Muse is asked to enter the return story
- Olympian debate frames responsibility and obstruction
- Athena enters Ithaca under the identity of Mentes
- Telemachus performs hospitality and receives a plan
- song exposes grief and a struggle over household speech
- Telemachus confronts the suitors and plans his journey
Central themes
- return as survival, recognition, and restored place
- mortal responsibility under divine pressure
- household depletion and contested authority
- guest-host reciprocity
- song, report, and renown
- growth through speech and movement
Proem 1.1–10
1ἄνδρα μοι ἔννεπε, μοῦσα, πολύτροπον, ὃς μάλα πολλὰ
πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσεν·
πολλῶν δʼ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω,
πολλὰ δʼ ὅ γʼ ἐν πόντῳ πάθεν ἄλγεα ὃν κατὰ θυμόν,
5ἀρνύμενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων.
ἀλλʼ οὐδʼ ὣς ἑτάρους ἐρρύσατο, ἱέμενός περ·
αὐτῶν γὰρ σφετέρῃσιν ἀτασθαλίῃσιν ὄλοντο,
νήπιοι, οἳ κατὰ βοῦς Ὑπερίονος Ἠελίοιο
ἤσθιον· αὐτὰρ ὁ τοῖσιν ἀφείλετο νόστιμον ἦμαρ.
10τῶν ἁμόθεν γε, θεά, θύγατερ Διός, εἰπὲ καὶ ἡμῖν.
1Tell me, Muse, of the man of many turns, who wandered far
after he sacked the sacred citadel of Troy.
He saw the cities of many peoples and came to know their minds;
many were the pains he suffered in his spirit on the sea,
5struggling to save his own life and secure his companions' return.
Yet even so he could not save them, for all his striving:
they perished through their own reckless folly,
blind fools, who ate the cattle of Helios Hyperion;
but the Sun took from them the day of their return.
10From somewhere in this story, goddess, daughter of Zeus, tell us too.
Commentary
The invocation begins with the unnamed ἄνδρα and expands him through turning, travel, knowledge, suffering, and attempted rescue. The companions’ destruction is attributed to their own ἀτασθαλίαι, while the Muse is invited to enter the larger story from within it.
1.1 The proem begins with the unnamed ἄνδρα and makes πολύτροπον an expansion of that figure rather than an immediate proper name. The initial accusative gives the poem a human object before it supplies identity. Πολύτροπος keeps turning, wandering, adaptability, and intelligence in play; reducing it to one moral or cognitive quality would narrow the Greek before the narrative tests it.
1.1 The line-opening ἄνδρα gives the unnamed man audible and syntactic weight before the Muse-command and epithet elaborate him. The placement makes the poem begin from its human object rather than from a title or genealogy. This reading treats that line shape as interpretively active but does not claim a complete scansion or a unique metrical effect.
1.3–10 The proem joins knowledge, suffering, failed rescue, companion responsibility, and a non-chronological invitation to tell. Odysseus sees cities and knows minds, suffers in his θυμός, and strives for his life and his companions’ νόστος. The companions nevertheless perish through their own ἀτασθαλίαι. The closing ἁμόθεν lets the Muse begin from somewhere within a known story, so the proem defines pressures rather than supplying a simple chronological synopsis.
Odysseus withheld 1.11–21
11ἔνθʼ ἄλλοι μὲν πάντες, ὅσοι φύγον αἰπὺν ὄλεθρον,
οἴκοι ἔσαν, πόλεμόν τε πεφευγότες ἠδὲ θάλασσαν·
τὸν δʼ οἶον νόστου κεχρημένον ἠδὲ γυναικὸς
νύμφη πότνιʼ ἔρυκε Καλυψὼ δῖα θεάων
15ἐν σπέσσι γλαφυροῖσι, λιλαιομένη πόσιν εἶναι.
ἀλλʼ ὅτε δὴ ἔτος ἦλθε περιπλομένων ἐνιαυτῶν,
τῷ οἱ ἐπεκλώσαντο θεοὶ οἶκόνδε νέεσθαι
εἰς Ἰθάκην, οὐδʼ ἔνθα πεφυγμένος ἦεν ἀέθλων
καὶ μετὰ οἷσι φίλοισι. θεοὶ δʼ ἐλέαιρον ἅπαντες
20νόσφι Ποσειδάωνος· ὁ δʼ ἀσπερχὲς μενέαινεν
ἀντιθέῳ Ὀδυσῆι πάρος ἣν γαῖαν ἱκέσθαι.
11Then all the others who escaped sheer destruction
were home, free of both war and sea.
But him alone, still longing for his return and his wife,
the mighty nymph Calypso, radiant among goddesses, detained
15in her hollow caves, desiring him as her husband.
But when, in the circling of the seasons, there came the year
the gods had spun for him to journey home
to Ithaca—even there he had not escaped his ordeals,
though he was among his own. All the gods pitied him
20except Poseidon, who raged without respite
against godlike Odysseus before he reached his native land.
Commentary
All other surviving Achaeans are home, but Odysseus alone still longs for return and wife while Calypso detains him. Even the divinely appointed year of homecoming does not promise immediate release from ordeals.
1.13–21 Nostos is introduced as a desired return to wife, household, and native land, not merely movement across distance. Odysseus is alone in lacking return, longs for both νόστος and γυνή, and remains detained even when the gods have spun the year of his journey home. The passage therefore separates the allocation of return from its difficult enactment.
Poseidon absent, Olympus convenes 1.22–31
22ἀλλʼ ὁ μὲν Αἰθίοπας μετεκίαθε τηλόθʼ ἐόντας,
Αἰθίοπας τοὶ διχθὰ δεδαίαται, ἔσχατοι ἀνδρῶν,
οἱ μὲν δυσομένου Ὑπερίονος οἱ δʼ ἀνιόντος,
25ἀντιόων ταύρων τε καὶ ἀρνειῶν ἑκατόμβης.
ἔνθʼ ὅ γʼ ἐτέρπετο δαιτὶ παρήμενος· οἱ δὲ δὴ ἄλλοι
Ζηνὸς ἐνὶ μεγάροισιν Ὀλυμπίου ἁθρόοι ἦσαν.
τοῖσι δὲ μύθων ἦρχε πατὴρ ἀνδρῶν τε θεῶν τε·
μνήσατο γὰρ κατὰ θυμὸν ἀμύμονος Αἰγίσθοιο,
30τόν ῥʼ Ἀγαμεμνονίδης τηλεκλυτὸς ἔκτανʼ Ὀρέστης·
τοῦ ὅ γʼ ἐπιμνησθεὶς ἔπεʼ ἀθανάτοισι μετηύδα·
22Poseidon had gone to the distant Ethiopians,
the Ethiopians divided in two, farthest of men,
one people where Hyperion sets, the other where he rises,
25to receive a hecatomb of bulls and rams.
There he sat taking pleasure in the feast; but all the other gods
were gathered in the halls of Olympian Zeus.
The father of gods and men began speaking among them,
for in his spirit he remembered blameless Aegisthus,
30whom Orestes, Agamemnon's renowned son, had killed.
Thinking of him, he addressed the immortals:
Commentary
Poseidon’s feast among distant Ethiopians creates the opening for the other gods to gather. Zeus’ inward recollection of Aegisthus shifts the council from Odysseus’ delay to a paradigm of warning, transgression, vengeance, and return.
1.28–43 Zeus’ account distinguishes allotted suffering from additional pain generated by reckless action despite warning. The key phrase ὑπὲρ μόρον does not abolish divine allotment; it says mortals can suffer beyond their portion through their own ἀτασθαλίαι. Aegisthus is the immediate proof because he receives a warning, kills the returning Agamemnon, and incurs Orestes’ requital. The claim remains Zeus’ framed speech and should not be universalized beyond its wording.
Zeus on blame and Aegisthus 1.32–43
32ὢ πόποι, οἷον δή νυ θεοὺς βροτοὶ αἰτιόωνται·
ἐξ ἡμέων γάρ φασι κάκʼ ἔμμεναι, οἱ δὲ καὶ αὐτοὶ
σφῇσιν ἀτασθαλίῃσιν ὑπὲρ μόρον ἄλγεʼ ἔχουσιν,
35ὡς καὶ νῦν Αἴγισθος ὑπὲρ μόρον Ἀτρεΐδαο
γῆμʼ ἄλοχον μνηστήν, τὸν δʼ ἔκτανε νοστήσαντα,
εἰδὼς αἰπὺν ὄλεθρον, ἐπεὶ πρό οἱ εἴπομεν ἡμεῖς,
Ἑρμείαν πέμψαντες, ἐύσκοπον ἀργεϊφόντην,
μήτʼ αὐτὸν κτείνειν μήτε μνάασθαι ἄκοιτιν·
40ἐκ γὰρ Ὀρέσταο τίσις ἔσσεται Ἀτρεΐδαο,
ὁππότʼ ἂν ἡβήσῃ τε καὶ ἧς ἱμείρεται αἴης.
ὣς ἔφαθʼ Ἑρμείας, ἀλλʼ οὐ φρένας Αἰγίσθοιο
πεῖθʼ ἀγαθὰ φρονέων· νῦν δʼ ἁθρόα πάντʼ ἀπέτισεν.
32“Look how mortals now accuse the gods!
From us, they say, their evils come; yet they themselves,
through their own reckless acts, suffer grief beyond their lot.
35Just so Aegisthus, beyond his lot, took to himself
the wedded wife of Atreus' son and killed him on his return,
knowing it meant sheer destruction. We warned him beforehand,
sending Hermes, keen-sighted slayer of Argus,
neither to kill the man nor court his wife:
40for Orestes would exact vengeance for Atreus' son
once he came of age and longed for his own land.
So Hermes spoke, but despite his good intent, he did not persuade
Aegisthus' heart; and now he has paid the whole price at once.”
Commentary
Zeus objects to mortals assigning their evils to the gods and describes reckless action as adding suffering beyond one’s allotted portion. Aegisthus becomes the immediate example because he acts despite explicit warning and then pays the whole requital.
Athena pleads for Odysseus 1.44–62
44τὸν δʼ ἠμείβετʼ ἔπειτα θεά, γλαυκῶπις Ἀθήνη·
45ὦ πάτερ ἡμέτερε Κρονίδη, ὕπατε κρειόντων,
καὶ λίην κεῖνός γε ἐοικότι κεῖται ὀλέθρῳ·
ὡς ἀπόλοιτο καὶ ἄλλος, ὅτις τοιαῦτά γε ῥέζοι·
ἀλλά μοι ἀμφʼ Ὀδυσῆι δαΐφρονι δαίεται ἦτορ,
δυσμόρῳ, ὃς δὴ δηθὰ φίλων ἄπο πήματα πάσχει
50νήσῳ ἐν ἀμφιρύτῃ, ὅθι τʼ ὀμφαλός ἐστι θαλάσσης.
νῆσος δενδρήεσσα, θεὰ δʼ ἐν δώματα ναίει,
Ἄτλαντος θυγάτηρ ὀλοόφρονος, ὅς τε θαλάσσης
πάσης βένθεα οἶδεν, ἔχει δέ τε κίονας αὐτὸς
μακράς, αἳ γαῖάν τε καὶ οὐρανὸν ἀμφὶς ἔχουσιν.
55τοῦ θυγάτηρ δύστηνον ὀδυρόμενον κατερύκει,
αἰεὶ δὲ μαλακοῖσι καὶ αἱμυλίοισι λόγοισιν
θέλγει, ὅπως Ἰθάκης ἐπιλήσεται· αὐτὰρ Ὀδυσσεύς,
ἱέμενος καὶ καπνὸν ἀποθρῴσκοντα νοῆσαι
ἧς γαίης, θανέειν ἱμείρεται. οὐδέ νυ σοί περ
60ἐντρέπεται φίλον ἦτορ, Ὀλύμπιε. οὔ νύ τʼ Ὀδυσσεὺς
Ἀργείων παρὰ νηυσὶ χαρίζετο ἱερὰ ῥέζων
Τροίῃ ἐν εὐρείῃ; τί νύ οἱ τόσον ὠδύσαο, Ζεῦ;
44Then the goddess, bright-eyed Athena, answered him:
45“Our Father, son of Cronus, highest of rulers,
his ruin was entirely fitting;
so may any other perish who does such things.
But my heart burns for Odysseus, skilled in counsel,
that ill-fated man who has suffered long, far from his own,
50on a sea-girt island, where the sea has its navel.
The island is wooded, and a goddess has her home there,
daughter of malignant-minded Atlas, who knows the depths
of every sea and himself holds the tall pillars
that keep earth and heaven apart.
55His daughter detains the wretched man while he grieves,
and with soft and beguiling words she continually
charms him to forget Ithaca. But Odysseus,
longing to see even the smoke springing up
from his own land, yearns to die. Does your heart
60not turn toward him at all, Olympian? Did not Odysseus
please you beside the Argive ships by making sacrifice
on the broad plain of Troy? Why are you so angry with him, Zeus?”
Commentary
Athena accepts Aegisthus’ ruin but redirects attention to Odysseus. Her speech opposes Calypso’s soft, beguiling pressure to Odysseus’ desire to see even the smoke of his own land.
1.44 Γλαυκῶπις marks Athena with a recurring visual epithet whose precise visual quality is not resolved by Book 1. The formula identifies Athena at repeated speech turns and helps make her recurrence audible. “Bright-eyed” is defensible here, but the wider visual uncertainty rules out treating the epithet as a literal color label.
1.48–59 Athena frames Odysseus through burning concern, Calypso’s persuasive detention, and a longing for the smallest visible sign of home. The sound and sense around δαΐφρονι and δαίεται intensify Athena’s speech, while μαλακοῖσι καὶ αἱμυλίοισι λόγοισιν makes Calypso’s speech soft and beguiling in the service of forgetting Ithaca. Odysseus’ desire to see even smoke rising from his land reduces homecoming to a minimal but life-defining sign.
Zeus explains Poseidon's anger 1.63–79
63τὴν δʼ ἀπαμειβόμενος προσέφη νεφεληγερέτα Ζεύς·
τέκνον ἐμόν, ποῖόν σε ἔπος φύγεν ἕρκος ὀδόντων.
65πῶς ἂν ἔπειτʼ Ὀδυσῆος ἐγὼ θείοιο λαθοίμην,
ὃς περὶ μὲν νόον ἐστὶ βροτῶν, περὶ δʼ ἱρὰ θεοῖσιν
ἀθανάτοισιν ἔδωκε, τοὶ οὐρανὸν εὐρὺν ἔχουσιν;
ἀλλὰ Ποσειδάων γαιήοχος ἀσκελὲς αἰεὶ
Κύκλωπος κεχόλωται, ὃν ὀφθαλμοῦ ἀλάωσεν,
70ἀντίθεον Πολύφημον, ὅου κράτος ἐστὶ μέγιστον
πᾶσιν Κυκλώπεσσι· Θόωσα δέ μιν τέκε νύμφη,
Φόρκυνος θυγάτηρ ἁλὸς ἀτρυγέτοιο μέδοντος,
ἐν σπέσσι γλαφυροῖσι Ποσειδάωνι μιγεῖσα.
ἐκ τοῦ δὴ Ὀδυσῆα Ποσειδάων ἐνοσίχθων
75οὔ τι κατακτείνει, πλάζει δʼ ἀπὸ πατρίδος αἴης.
ἀλλʼ ἄγεθʼ, ἡμεῖς οἵδε περιφραζώμεθα πάντες
νόστον, ὅπως ἔλθῃσι· Ποσειδάων δὲ μεθήσει
ὃν χόλον· οὐ μὲν γάρ τι δυνήσεται ἀντία πάντων
ἀθανάτων ἀέκητι θεῶν ἐριδαινέμεν οἶος.
63Cloud-gathering Zeus answered her:
“My child, what a word has escaped the barrier of your teeth!
65How could I forget godlike Odysseus,
who surpasses all mortals in understanding and in sacrifices
offered to the deathless gods who hold the wide heaven?
But Poseidon, sustainer of earth, is always unrelenting
in anger because of the Cyclops whose eye he blinded,
70godlike Polyphemus, whose power is greatest
among all Cyclopes. The nymph Thoosa bore him,
daughter of Phorcys, lord of the barren sea,
after she lay with Poseidon in the hollow caves.
Ever since then Poseidon, shaker of earth, does not
75kill Odysseus, but drives him wandering far from his native land.
Come then, all of us here, let us devise
his return, so he may come home; and Poseidon will relent
from his anger. For against all the deathless gods,
alone and against our will, he cannot carry on this quarrel.”
Commentary
Zeus rejects the idea that he has forgotten Odysseus and names Poseidon’s anger over Polyphemus. The distinction between not killing Odysseus and driving him from home leaves room for a collective divine plan to constrain Poseidon.
1.65–79 Zeus balances Odysseus’ exceptional νόος and sacrificial attention against Poseidon’s specific anger, then places return within collective divine counsel. Repeated περί makes Odysseus surpass mortals in understanding and in offerings. Poseidon’s response is sharply delimited: he does not kill Odysseus but drives him from his native land. Zeus’ proposed common plan constrains one god without pretending that divine conflict has disappeared.
Athena's two-part return plan 1.80–95
80τὸν δʼ ἠμείβετʼ ἔπειτα θεά, γλαυκῶπις Ἀθήνη·
ὦ πάτερ ἡμέτερε Κρονίδη, ὕπατε κρειόντων,
εἰ μὲν δὴ νῦν τοῦτο φίλον μακάρεσσι θεοῖσιν,
νοστῆσαι Ὀδυσῆα πολύφρονα ὅνδε δόμονδε,
Ἑρμείαν μὲν ἔπειτα διάκτορον ἀργεϊφόντην
85νῆσον ἐς Ὠγυγίην ὀτρύνομεν, ὄφρα τάχιστα
νύμφῃ ἐυπλοκάμῳ εἴπῃ νημερτέα βουλήν,
νόστον Ὀδυσσῆος ταλασίφρονος, ὥς κε νέηται·
αὐτὰρ ἐγὼν Ἰθάκηνδʼ ἐσελεύσομαι, ὄφρα οἱ υἱὸν
μᾶλλον ἐποτρύνω καί οἱ μένος ἐν φρεσὶ θείω,
90εἰς ἀγορὴν καλέσαντα κάρη κομόωντας Ἀχαιοὺς
πᾶσι μνηστήρεσσιν ἀπειπέμεν, οἵ τέ οἱ αἰεὶ
μῆλʼ ἁδινὰ σφάζουσι καὶ εἰλίποδας ἕλικας βοῦς.
πέμψω δʼ ἐς Σπάρτην τε καὶ ἐς Πύλον ἠμαθόεντα
νόστον πευσόμενον πατρὸς φίλου, ἤν που ἀκούσῃ,
95ἠδʼ ἵνα μιν κλέος ἐσθλὸν ἐν ἀνθρώποισιν ἔχῃσιν.
80Then the goddess, bright-eyed Athena, answered him:
“Our Father, son of Cronus, highest of rulers,
if now this course is pleasing to the blessed gods,
that Odysseus, of many counsels, return to his own home,
then let us send Hermes, the guide and slayer of Argus,
85to the island Ogygia, so with all speed
he may tell the fair-haired nymph our unerring resolve—
the return of steadfast-hearted Odysseus, that he may come home.
And I will go to Ithaca, to stir his son
still more and put strength into his mind:
90he will call the long-haired Achaeans to assembly
and warn off all the suitors, who continually slaughter
his sheep in droves and shambling, curved-horned cattle.
I will send him to Sparta and sandy Pylos
to ask about his dear father's return, in case he hears news,
95and so he may win honorable renown among men.”
Commentary
Athena divides action between Hermes’ message to Calypso and her own intervention in Ithaca. Telemachus must warn the suitors, seek report of his father, and acquire honorable renown through movement.
1.83–95 Athena makes Telemachus’ growth a second branch of the return plan. Hermes is to announce Odysseus’ νόστος, while Athena will put μένος in Telemachus’ φρένες, prompt an assembly, and send him to seek report. The journey also gives the son κλέος ἐσθλόν, so knowledge-seeking and public formation are joined rather than treated as separate errands.
Athena descends, suitors feast 1.96–112
96ὣς εἰποῦσʼ ὑπὸ ποσσὶν ἐδήσατο καλὰ πέδιλα,
ἀμβρόσια χρύσεια, τά μιν φέρον ἠμὲν ἐφʼ ὑγρὴν
ἠδʼ ἐπʼ ἀπείρονα γαῖαν ἅμα πνοιῇς ἀνέμοιο·
εἵλετο δʼ ἄλκιμον ἔγχος, ἀκαχμένον ὀξέι χαλκῷ,
100βριθὺ μέγα στιβαρόν, τῷ δάμνησι στίχας ἀνδρῶν
ἡρώων, τοῖσίν τε κοτέσσεται ὀβριμοπάτρη.
βῆ δὲ κατʼ Οὐλύμποιο καρήνων ἀίξασα,
στῆ δʼ Ἰθάκης ἐνὶ δήμῳ ἐπὶ προθύροις Ὀδυσῆος,
οὐδοῦ ἐπʼ αὐλείου· παλάμῃ δʼ ἔχε χάλκεον ἔγχος,
105εἰδομένη ξείνῳ, Ταφίων ἡγήτορι Μέντῃ.
εὗρε δʼ ἄρα μνηστῆρας ἀγήνορας. οἱ μὲν ἔπειτα
πεσσοῖσι προπάροιθε θυράων θυμὸν ἔτερπον
ἥμενοι ἐν ῥινοῖσι βοῶν, οὓς ἔκτανον αὐτοί·
κήρυκες δʼ αὐτοῖσι καὶ ὀτρηροὶ θεράποντες
110οἱ μὲν οἶνον ἔμισγον ἐνὶ κρητῆρσι καὶ ὕδωρ,
οἱ δʼ αὖτε σπόγγοισι πολυτρήτοισι τραπέζας
νίζον καὶ πρότιθεν, τοὶ δὲ κρέα πολλὰ δατεῦντο.
96With this she bound beneath her feet her beautiful sandals,
immortal, golden, which carried her over the sea
and over boundless land together with the blasts of wind;
she took her powerful spear, tipped with sharpened bronze,
100heavy, huge, and stout, with which she crushes ranks
of heroes when the daughter of a mighty father is enraged.
She swept down from Olympus' peaks
and stood in the land of Ithaca, at the outer doors of Odysseus' house,
on the courtyard threshold, bronze spear in hand,
105in the likeness of a guest—Mentes, leader of the Taphians.
There she found the arrogant suitors. They
sat before the doors amusing themselves with gaming stones,
on hides of cattle they themselves had killed.
Heralds and ready attendants served them:
110some mixed wine and water in bowls,
while others scrubbed the tables with porous sponges
and set them out; carvers portioned the heaps of meat.
Commentary
Athena descends armed and takes the likeness of the guest Mentes. At Odysseus’ threshold she finds the suitors seated on hides from cattle they killed while attendants sustain their feast.
1.96–112 Athena’s Mentes disguise enters an already materialized scene of household violation. The armed goddess takes the likeness of a ξένος and stops at Odysseus’ courtyard threshold. The suitors sit on hides from cattle they killed themselves while heralds and attendants prepare their consumption. Disguise, guest status, property, and labor are therefore established before Telemachus speaks.
Telemachus performs hospitality 1.113–155
113τὴν δὲ πολὺ πρῶτος ἴδε Τηλέμαχος θεοειδής,
ἧστο γὰρ ἐν μνηστῆρσι φίλον τετιημένος ἦτορ,
115ὀσσόμενος πατέρʼ ἐσθλὸν ἐνὶ φρεσίν, εἴ ποθεν ἐλθὼν
μνηστήρων τῶν μὲν σκέδασιν κατὰ δώματα θείη,
τιμὴν δʼ αὐτὸς ἔχοι καὶ δώμασιν οἷσιν ἀνάσσοι.
τὰ φρονέων, μνηστῆρσι μεθήμενος, εἴσιδʼ Ἀθήνην.
βῆ δʼ ἰθὺς προθύροιο, νεμεσσήθη δʼ ἐνὶ θυμῷ
120ξεῖνον δηθὰ θύρῃσιν ἐφεστάμεν· ἐγγύθι δὲ στὰς
χεῖρʼ ἕλε δεξιτερὴν καὶ ἐδέξατο χάλκεον ἔγχος,
καί μιν φωνήσας ἔπεα πτερόεντα προσηύδα·
χαῖρε, ξεῖνε, παρʼ ἄμμι φιλήσεαι· αὐτὰρ ἔπειτα
δείπνου πασσάμενος μυθήσεαι ὅττεό σε χρή.
125ὣς εἰπὼν ἡγεῖθʼ, ἡ δʼ ἕσπετο Παλλὰς Ἀθήνη.
οἱ δʼ ὅτε δή ῥʼ ἔντοσθεν ἔσαν δόμου ὑψηλοῖο,
ἔγχος μέν ῥʼ ἔστησε φέρων πρὸς κίονα μακρὴν
δουροδόκης ἔντοσθεν ἐυξόου, ἔνθα περ ἄλλα
ἔγχεʼ Ὀδυσσῆος ταλασίφρονος ἵστατο πολλά,
130αὐτὴν δʼ ἐς θρόνον εἷσεν ἄγων, ὑπὸ λῖτα πετάσσας,
καλὸν δαιδάλεον· ὑπὸ δὲ θρῆνυς ποσὶν ἦεν.
πὰρ δʼ αὐτὸς κλισμὸν θέτο ποικίλον, ἔκτοθεν ἄλλων
μνηστήρων, μὴ ξεῖνος ἀνιηθεὶς ὀρυμαγδῷ
δείπνῳ ἁδήσειεν, ὑπερφιάλοισι μετελθών,
135ἠδʼ ἵνα μιν περὶ πατρὸς ἀποιχομένοιο ἔροιτο.
χέρνιβα δʼ ἀμφίπολος προχόῳ ἐπέχευε φέρουσα
καλῇ χρυσείῃ, ὑπὲρ ἀργυρέοιο λέβητος,
νίψασθαι· παρὰ δὲ ξεστὴν ἐτάνυσσε τράπεζαν.
σῖτον δʼ αἰδοίη ταμίη παρέθηκε φέρουσα,
140εἴδατα πόλλʼ ἐπιθεῖσα, χαριζομένη παρεόντων·
δαιτρὸς δὲ κρειῶν πίνακας παρέθηκεν ἀείρας
παντοίων, παρὰ δέ σφι τίθει χρύσεια κύπελλα·
κῆρυξ δʼ αὐτοῖσιν θάμʼ ἐπῴχετο οἰνοχοεύων.
ἐς δʼ ἦλθον μνηστῆρες ἀγήνορες. οἱ μὲν ἔπειτα
145ἑξείης ἕζοντο κατὰ κλισμούς τε θρόνους τε,
τοῖσι δὲ κήρυκες μὲν ὕδωρ ἐπὶ χεῖρας ἔχευαν,
σῖτον δὲ δμῳαὶ παρενήνεον ἐν κανέοισιν,
κοῦροι δὲ κρητῆρας ἐπεστέψαντο ποτοῖο.
οἱ δʼ ἐπʼ ὀνείαθʼ ἑτοῖμα προκείμενα χεῖρας ἴαλλον.
150αὐτὰρ ἐπεὶ πόσιος καὶ ἐδητύος ἐξ ἔρον ἕντο
μνηστῆρες, τοῖσιν μὲν ἐνὶ φρεσὶν ἄλλα μεμήλει,
μολπή τʼ ὀρχηστύς τε· τὰ γάρ τʼ ἀναθήματα δαιτός·
κῆρυξ δʼ ἐν χερσὶν κίθαριν περικαλλέα θῆκεν
Φημίῳ, ὅς ῥʼ ἤειδε παρὰ μνηστῆρσιν ἀνάγκῃ.
155ἦ τοι ὁ φορμίζων ἀνεβάλλετο καλὸν ἀείδειν.
113Godlike Telemachus was by far the first to see her.
He sat among the suitors, sorrowing in his heart,
115envisioning his noble father in his mind—if he might come
and scatter those suitors through the house,
reclaim his honor, and rule his own household.
Turning this over as he sat among them, he saw Athena.
He went straight to the porch, indignant at heart
120that a guest had stood so long at the door. Drawing close,
he took her right hand and received the bronze spear,
then spoke to her in winged words:
“Welcome, stranger. You will be received warmly here; once
you have eaten, you can tell us what you need.”
125So he spoke and led the way; Pallas Athena followed.
When they had gone inside the high-roofed house,
he carried the spear and stood it against a tall pillar,
inside the polished spear-rack, where many other
spears of steadfast-hearted Odysseus stood.
130He led her to a chair, spread a fine cloth beneath her,
and seated her; it was handsome and skillfully made, with a footstool below.
Beside her he placed his own ornate chair, apart from the other
suitors, so the guest, distressed by their uproar,
would not lose his appetite at dinner among overbearing men,
135and so that he might ask her about his absent father.
A serving woman brought water in a beautiful golden pitcher
and poured it over a silver basin
so they could wash; then drew a polished table beside them.
The honored housekeeper brought and set down bread,
140adding many foods, giving freely of the stores at hand.
The carver lifted platters of every kind of meat
and set them before them, placing golden cups beside them;
a herald came by often, pouring wine.
The arrogant suitors entered. They
145sat in order along the chairs and couches;
heralds poured water over their hands,
enslaved women heaped bread in baskets beside them,
and young men brimmed the mixing bowls with drink.
They reached their hands toward the good things laid ready.
150When the suitors had satisfied their desire for food and drink,
other pleasures occupied their minds:
song and dancing, the crowning grace of a feast.
A herald placed the exquisitely wrought lyre in the hands
of Phemius, who sang among the suitors under compulsion.
155He struck a prelude on the strings and began his beautiful song.
Commentary
Telemachus sees the waiting stranger, takes hand and spear, separates the guest from the suitors’ noise, and provides washing, food, and wine before inquiry. The scene ends by exposing a cost of the feast: Phemius sings under compulsion.
1.113–124 Telemachus begins guest-host reciprocity before identity by receiving hand and spear and promising food before questions. His indignation is directed at the stranger’s delay at the door. The sequence of welcome, bodily reception, weapon custody, and meal-before-inquiry makes hospitality a practiced order, not a sentiment or label inserted from outside the poem.
1.126–154 The feast juxtaposes careful guest provision with unequal household labor and Phemius’ explicit compulsion. Telemachus separates the guest from the suitors’ uproar and arranges chair, washing, bread, meat, and wine. The same scene names serving women, heralds, attendants, and young men who sustain the meal. Its culmination in ἀνάγκῃ prevents the bard’s beautiful performance from being read as uncomplicated participation.
Telemachus confides and questions 1.156–177
156αὐτὰρ Τηλέμαχος προσέφη γλαυκῶπιν Ἀθήνην,
ἄγχι σχὼν κεφαλήν, ἵνα μὴ πευθοίαθʼ οἱ ἄλλοι·
ξεῖνε φίλʼ, ἦ καί μοι νεμεσήσεαι ὅττι κεν εἴπω;
τούτοισιν μὲν ταῦτα μέλει, κίθαρις καὶ ἀοιδή,
160ῥεῖʼ, ἐπεὶ ἀλλότριον βίοτον νήποινον ἔδουσιν,
ἀνέρος, οὗ δή που λεύκʼ ὀστέα πύθεται ὄμβρῳ
κείμενʼ ἐπʼ ἠπείρου, ἢ εἰν ἁλὶ κῦμα κυλίνδει.
εἰ κεῖνόν γʼ Ἰθάκηνδε ἰδοίατο νοστήσαντα,
πάντες κʼ ἀρησαίατʼ ἐλαφρότεροι πόδας εἶναι
165ἢ ἀφνειότεροι χρυσοῖό τε ἐσθῆτός τε.
νῦν δʼ ὁ μὲν ὣς ἀπόλωλε κακὸν μόρον, οὐδέ τις ἡμῖν
θαλπωρή, εἴ πέρ τις ἐπιχθονίων ἀνθρώπων
φῇσιν ἐλεύσεσθαι· τοῦ δʼ ὤλετο νόστιμον ἦμαρ.
ἀλλʼ ἄγε μοι τόδε εἰπὲ καὶ ἀτρεκέως κατάλεξον·
170τίς πόθεν εἰς ἀνδρῶν; πόθι τοι πόλις ἠδὲ τοκῆες;
ὁπποίης τʼ ἐπὶ νηὸς ἀφίκεο· πῶς δέ σε ναῦται
ἤγαγον εἰς Ἰθάκην; τίνες ἔμμεναι εὐχετόωντο;
οὐ μὲν γάρ τί σε πεζὸν ὀίομαι ἐνθάδʼ ἱκέσθαι.
καί μοι τοῦτʼ ἀγόρευσον ἐτήτυμον, ὄφρʼ ἐὺ εἰδῶ,
175ἠὲ νέον μεθέπεις ἦ καὶ πατρώιός ἐσσι
ξεῖνος, ἐπεὶ πολλοὶ ἴσαν ἀνέρες ἡμέτερον δῶ
ἄλλοι, ἐπεὶ καὶ κεῖνος ἐπίστροφος ἦν ἀνθρώπων.
156Telemachus spoke to bright-eyed Athena,
leaning his head close so the others would not hear:
“Dear guest, will you resent me for what I am about to say?
These men care only for these things—the lyre and song—
160easily enough, since they consume another man's livelihood without repayment,
a man whose white bones are probably rotting in the rain
where they lie on land, or the wave rolls them in the sea.
If they saw him come home to Ithaca,
they would all pray to be lighter on their feet
165rather than richer in gold and clothes.
But now he has perished by a wretched fate, and no
comfort remains for us, even if some earthly man
says he will return: the day of his return is lost.
But come, tell me this and give me a true account:
170Who are you among men, and where from? What is your city, and who are your parents?
What kind of ship brought you? How did the sailors
carry you to Ithaca, and who did they claim to be?
For I do not think you came here on foot.
And tell me this truthfully, so I may know clearly:
175is this your first visit, or are you an inherited
guest-friend of our house? Many other men once came
to our hall, since my father moved widely among men.”
Commentary
In a private exchange Telemachus links the suitors’ musical pleasure to their consumption of another man’s livelihood without repayment. He then asks the ordered questions of identity, voyage, and inherited guest-friendship.
1.156–168 Νήποινον binds the suitors’ pleasure to consumption without repayment and anticipates Telemachus’ later threat of requital. Telemachus says lyre and song are easy for men eating another’s βίοτος. “Without repayment” keeps the economic force visible while leaving room for the penalty or impunity pressure that returns in lines 377-380. His father’s lost νόστιμον ἦμαρ makes that predation depend on presumed permanent absence.
1.169–177 The ordered guest questions culminate in πατρώιος ξεῖνος, making hospitality an inherited reciprocal relationship. Telemachus asks name, origin, city, parents, ship, crew, and then whether this is a first visit or a bond inherited from the father. The questions do not delay hospitality; they follow it and convert reception into social recognition.
Mentes identity, voyage, prophecy 1.178–212
178τὸν δʼ αὖτε προσέειπε θεά, γλαυκῶπις Ἀθήνη·
τοιγὰρ ἐγώ τοι ταῦτα μάλʼ ἀτρεκέως ἀγορεύσω.
180Μέντης Ἀγχιάλοιο δαΐφρονος εὔχομαι εἶναι
υἱός, ἀτὰρ Ταφίοισι φιληρέτμοισιν ἀνάσσω.
νῦν δʼ ὧδε ξὺν νηὶ κατήλυθον ἠδʼ ἑτάροισιν
πλέων ἐπὶ οἴνοπα πόντον ἐπʼ ἀλλοθρόους ἀνθρώπους,
ἐς Τεμέσην μετὰ χαλκόν, ἄγω δʼ αἴθωνα σίδηρον.
185νηῦς δέ μοι ἥδʼ ἕστηκεν ἐπʼ ἀγροῦ νόσφι πόληος,
ἐν λιμένι Ῥείθρῳ ὑπὸ Νηίῳ ὑλήεντι.
ξεῖνοι δʼ ἀλλήλων πατρώιοι εὐχόμεθʼ εἶναι
ἐξ ἀρχῆς, εἴ πέρ τε γέροντʼ εἴρηαι ἐπελθὼν
Λαέρτην ἥρωα, τὸν οὐκέτι φασὶ πόλινδε
190ἔρχεσθʼ, ἀλλʼ ἀπάνευθεν ἐπʼ ἀγροῦ πήματα πάσχειν
γρηὶ σὺν ἀμφιπόλῳ, ἥ οἱ βρῶσίν τε πόσιν τε
παρτιθεῖ, εὖτʼ ἄν μιν κάματος κατὰ γυῖα λάβῃσιν
ἑρπύζοντʼ ἀνὰ γουνὸν ἀλωῆς οἰνοπέδοιο.
νῦν δʼ ἦλθον· δὴ γάρ μιν ἔφαντʼ ἐπιδήμιον εἶναι,
195σὸν πατέρʼ· ἀλλά νυ τόν γε θεοὶ βλάπτουσι κελεύθου.
οὐ γάρ πω τέθνηκεν ἐπὶ χθονὶ δῖος Ὀδυσσεύς,
ἀλλʼ ἔτι που ζωὸς κατερύκεται εὐρέι πόντῳ
νήσῳ ἐν ἀμφιρύτῃ, χαλεποὶ δέ μιν ἄνδρες ἔχουσιν
ἄγριοι, οἵ που κεῖνον ἐρυκανόωσʼ ἀέκοντα.
200αὐτὰρ νῦν τοι ἐγὼ μαντεύσομαι, ὡς ἐνὶ θυμῷ
ἀθάνατοι βάλλουσι καὶ ὡς τελέεσθαι ὀίω,
οὔτε τι μάντις ἐὼν οὔτʼ οἰωνῶν σάφα εἰδώς.
οὔ τοι ἔτι δηρόν γε φίλης ἀπὸ πατρίδος αἴης
ἔσσεται, οὐδʼ εἴ πέρ τε σιδήρεα δέσματʼ ἔχῃσιν·
205φράσσεται ὥς κε νέηται, ἐπεὶ πολυμήχανός ἐστιν.
ἀλλʼ ἄγε μοι τόδε εἰπὲ καὶ ἀτρεκέως κατάλεξον,
εἰ δὴ ἐξ αὐτοῖο τόσος πάϊς εἰς Ὀδυσῆος.
αἰνῶς μὲν κεφαλήν τε καὶ ὄμματα καλὰ ἔοικας
κείνῳ, ἐπεὶ θαμὰ τοῖον ἐμισγόμεθʼ ἀλλήλοισιν,
210πρίν γε τὸν ἐς Τροίην ἀναβήμεναι, ἔνθα περ ἄλλοι
Ἀργείων οἱ ἄριστοι ἔβαν κοίλῃς ἐνὶ νηυσίν·
ἐκ τοῦ δʼ οὔτʼ Ὀδυσῆα ἐγὼν ἴδον οὔτʼ ἔμʼ ἐκεῖνος.
178The goddess, bright-eyed Athena, answered him:
“Then I will give you a wholly truthful account.
180I declare that I am Mentes, son of wise Anchialus,
and I rule the oar-loving Taphians.
I have come here now with my ship and companions,
sailing the wine-dark sea to a people of foreign speech,
bound for Temese to trade for copper, with burnished iron to offer.
185My ship stands by the countryside, far from the city,
in the harbor of Reithron, below wooded Neion.
We claim to be guest-friends by inheritance
from the beginning. You can learn this if you go and ask
old hero Laertes, who they say no longer comes
190into town, but suffers hardship far off in the fields,
with one elderly serving woman, who sets food and drink
beside him whenever exhaustion takes hold of his limbs
as he creeps along the slope of his wine-bearing vineyard.
I came because they said that he—your father—
195was here at home. But the gods are blocking his journey.
For godlike Odysseus is not yet dead on the earth;
he is still alive somewhere, detained on the broad sea,
on a sea-girt island, held by fierce men,
savages who keep him there against his will.
200But now I will prophesy to you, as the immortals
put it in my spirit and as I think it will be fulfilled,
though I am no seer and have no sure knowledge of bird-signs:
he will not be away from his dear native land
much longer, not even if bonds of iron hold him.
205He will devise his way home, for he is a man of many devices.
But come, tell me this and give me a true account:
are you really Odysseus' own son, grown so tall?
You are remarkably like him in your head and your fine eyes,
since we often met each other,
210before he embarked for Troy, where the other
best men of the Argives went in the hollow ships.
Since then, neither have I seen Odysseus nor he me.”
Commentary
Athena constructs a socially detailed Mentes identity through lineage, rule, voyage, trade, harbor, and inherited guest-friendship. She then offers a prophecy while explicitly denying professional seer knowledge and grounds Odysseus’ return in practical resourcefulness.
1.178–205 Athena’s Mentes performance combines credible social detail with an openly qualified prophecy. She declares lineage and rule, supplies a voyage, harbor, trade purpose, inherited bond, and knowledge of Laertes, then predicts Odysseus’ return while denying that she is a seer or sure reader of birds. The speech models persuasive authority that marks its own epistemic limit. Πολυμήχανος then makes Odysseus’ devising, not mere waiting, part of return.
Paternity and diagnosis of feast 1.213–229
213τὴν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
τοιγὰρ ἐγώ τοι, ξεῖνε, μάλʼ ἀτρεκέως ἀγορεύσω.
215μήτηρ μέν τέ μέ φησι τοῦ ἔμμεναι, αὐτὰρ ἐγώ γε
οὐκ οἶδʼ· οὐ γάρ πώ τις ἑὸν γόνον αὐτὸς ἀνέγνω.
ὡς δὴ ἐγώ γʼ ὄφελον μάκαρός νύ τευ ἔμμεναι υἱὸς
ἀνέρος, ὃν κτεάτεσσιν ἑοῖς ἔπι γῆρας ἔτετμε.
νῦν δʼ ὃς ἀποτμότατος γένετο θνητῶν ἀνθρώπων,
220τοῦ μʼ ἔκ φασι γενέσθαι, ἐπεὶ σύ με τοῦτʼ ἐρεείνεις.
τὸν δʼ αὖτε προσέειπε θεά, γλαυκῶπις Ἀθήνη·
οὐ μέν τοι γενεήν γε θεοὶ νώνυμνον ὀπίσσω
θῆκαν, ἐπεὶ σέ γε τοῖον ἐγείνατο Πηνελόπεια.
ἀλλʼ ἄγε μοι τόδε εἰπὲ καὶ ἀτρεκέως κατάλεξον·
225τίς δαίς, τίς δὲ ὅμιλος ὅδʼ ἔπλετο; τίπτε δέ σε χρεώ;
εἰλαπίνη ἠὲ γάμος; ἐπεὶ οὐκ ἔρανος τάδε γʼ ἐστίν·
ὥς τέ μοι ὑβρίζοντες ὑπερφιάλως δοκέουσι
δαίνυσθαι κατὰ δῶμα. νεμεσσήσαιτό κεν ἀνὴρ
αἴσχεα πόλλʼ ὁρόων, ὅς τις πινυτός γε μετέλθοι.
213Discerning Telemachus then answered her face to face:
“Then, guest, I will give you a wholly truthful account.
215My mother says that I am his son, but I myself
do not know; no man has ever known his own begetting firsthand.
I wish I had been the son of some fortunate
man whom old age found among his own possessions.
But as it is, they say I was born from the most ill-fated
220of mortal men—since you ask me this.”
The goddess, bright-eyed Athena, answered him:
“The gods have not destined your lineage to go nameless
in generations to come, since Penelope bore such a son as you.
But come, tell me this and give me a true account:
225What feast is this, what gathering? What need do you have for it?
Is it a banquet or a wedding? It is certainly not a feast each man has contributed to.
They seem to me outrageously overbearing as they feast
through the house. Any man would feel indignation
at seeing so many shameful acts, if he came among them with any sense.”
Commentary
Telemachus distinguishes his mother’s testimony from the impossibility of witnessing one’s own begetting; the speech does not accuse Penelope. Athena answers with lineage and then classifies the gathering as neither reciprocal feast nor acceptable banquet.
1.215–229 Telemachus’ statement about paternity is an epistemic aphorism, not an accusation against Penelope. He reports that his mother names Odysseus as father and adds that no one knows his own begetting firsthand. Athena answers by affirming future lineage and then asks what social form the feast claims to have. Her conclusion that the suitors act with ὕβρις and overbearing excess follows the failed feast taxonomy.
Oikos in collapse 1.230–251
230τὴν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
ξεῖνʼ, ἐπεὶ ἂρ δὴ ταῦτά μʼ ἀνείρεαι ἠδὲ μεταλλᾷς,
μέλλεν μέν ποτε οἶκος ὅδʼ ἀφνειὸς καὶ ἀμύμων
ἔμμεναι, ὄφρʼ ἔτι κεῖνος ἀνὴρ ἐπιδήμιος ἦεν·
νῦν δʼ ἑτέρως ἐβόλοντο θεοὶ κακὰ μητιόωντες,
235οἳ κεῖνον μὲν ἄιστον ἐποίησαν περὶ πάντων
ἀνθρώπων, ἐπεὶ οὔ κε θανόντι περ ὧδʼ ἀκαχοίμην,
εἰ μετὰ οἷς ἑτάροισι δάμη Τρώων ἐνὶ δήμῳ,
ἠὲ φίλων ἐν χερσίν, ἐπεὶ πόλεμον τολύπευσεν.
τῷ κέν οἱ τύμβον μὲν ἐποίησαν Παναχαιοί,
240ἠδέ κε καὶ ᾧ παιδὶ μέγα κλέος ἤρατʼ ὀπίσσω.
νῦν δέ μιν ἀκλειῶς ἅρπυιαι ἀνηρείψαντο·
οἴχετʼ ἄιστος ἄπυστος, ἐμοὶ δʼ ὀδύνας τε γόους τε
κάλλιπεν. οὐδέ τι κεῖνον ὀδυρόμενος στεναχίζω
οἶον, ἐπεί νύ μοι ἄλλα θεοὶ κακὰ κήδεʼ ἔτευξαν.
245ὅσσοι γὰρ νήσοισιν ἐπικρατέουσιν ἄριστοι,
Δουλιχίῳ τε Σάμῃ τε καὶ ὑλήεντι Ζακύνθῳ,
ἠδʼ ὅσσοι κραναὴν Ἰθάκην κάτα κοιρανέουσιν,
τόσσοι μητέρʼ ἐμὴν μνῶνται, τρύχουσι δὲ οἶκον.
ἡ δʼ οὔτʼ ἀρνεῖται στυγερὸν γάμον οὔτε τελευτὴν
250ποιῆσαι δύναται· τοὶ δὲ φθινύθουσιν ἔδοντες
οἶκον ἐμόν· τάχα δή με διαρραίσουσι καὶ αὐτόν.
230Discerning Telemachus then answered her face to face:
“Guest, since you ask me these questions and press me for answers,
this household was once likely to be prosperous and beyond reproach
while that man was still at home among us.
But now the gods, devising ruin, have willed it otherwise;
235among all men they have made him vanish
without a trace. I would not grieve so deeply, even if he had died,
if he had fallen among his companions in the land of Troy,
or in his friends' arms after he had wound up the war.
Then all the Achaeans would have made him a tomb,
240and he would have won great renown for his son in days to come.
But now the Harpies have snatched him away without renown:
he is gone, unseen, unheard of, and has left me pain and lamentation.
Yet it is not for him alone that I grieve and groan:
the gods have fashioned other bitter troubles for me.
245Every nobleman who holds power in the islands—
Dulichium, Same, and wooded Zacynthus—
and all who rule throughout rugged Ithaca,
all court my mother and waste away my estate.
She neither refuses the hateful marriage nor is able
250to bring it to completion, while they consume and diminish
my estate—and soon they will tear me apart as well.”
Commentary
Telemachus defines the οἶκος as household, wealth, continuity, reputation, and personal safety. Odysseus’ disappearance without tomb or report deprives the son of inherited renown, while Penelope’s unresolved marriage and the suitors’ consumption threaten the estate and Telemachus himself.
1.232–251 Οἶκος names an interlocking household-estate whose wealth, honor, marriage order, and heir are all being consumed. Telemachus imagines prosperity while Odysseus was present, then describes disappearance without tomb, inherited κλέος, or reliable report. The suitors court Penelope, diminish the οἶκος by eating, and threaten the son. Penelope’s inability either to refuse or complete the marriage is a constrained impasse within that collapse, not the cause of it.
Athena's counsel and Orestes model 1.252–305
252τὸν δʼ ἐπαλαστήσασα προσηύδα Παλλὰς Ἀθήνη·
ὢ πόποι, ἦ δὴ πολλὸν ἀποιχομένου Ὀδυσῆος
δεύῃ, ὅ κε μνηστῆρσιν ἀναιδέσι χεῖρας ἐφείη.
255εἰ γὰρ νῦν ἐλθὼν δόμου ἐν πρώτῃσι θύρῃσι
σταίη, ἔχων πήληκα καὶ ἀσπίδα καὶ δύο δοῦρε,
τοῖος ἐὼν οἷόν μιν ἐγὼ τὰ πρῶτʼ ἐνόησα
οἴκῳ ἐν ἡμετέρῳ πίνοντά τε τερπόμενόν τε,
ἐξ Ἐφύρης ἀνιόντα παρʼ Ἴλου Μερμερίδαο—
260ᾤχετο γὰρ καὶ κεῖσε θοῆς ἐπὶ νηὸς Ὀδυσσεὺς
φάρμακον ἀνδροφόνον διζήμενος, ὄφρα οἱ εἴη
ἰοὺς χρίεσθαι χαλκήρεας· ἀλλʼ ὁ μὲν οὔ οἱ
δῶκεν, ἐπεί ῥα θεοὺς νεμεσίζετο αἰὲν ἐόντας,
ἀλλὰ πατήρ οἱ δῶκεν ἐμός· φιλέεσκε γὰρ αἰνῶς—
265τοῖος ἐὼν μνηστῆρσιν ὁμιλήσειεν Ὀδυσσεύς·
πάντες κʼ ὠκύμοροί τε γενοίατο πικρόγαμοί τε.
ἀλλʼ ἦ τοι μὲν ταῦτα θεῶν ἐν γούνασι κεῖται,
ἤ κεν νοστήσας ἀποτίσεται, ἦε καὶ οὐκί,
οἷσιν ἐνὶ μεγάροισι· σὲ δὲ φράζεσθαι ἄνωγα,
270ὅππως κε μνηστῆρας ἀπώσεαι ἐκ μεγάροιο.
εἰ δʼ ἄγε νῦν ξυνίει καὶ ἐμῶν ἐμπάζεο μύθων·
αὔριον εἰς ἀγορὴν καλέσας ἥρωας Ἀχαιοὺς
μῦθον πέφραδε πᾶσι, θεοὶ δʼ ἐπὶ μάρτυροι ἔστων.
μνηστῆρας μὲν ἐπὶ σφέτερα σκίδνασθαι ἄνωχθι,
275μητέρα δʼ, εἴ οἱ θυμὸς ἐφορμᾶται γαμέεσθαι,
ἂψ ἴτω ἐς μέγαρον πατρὸς μέγα δυναμένοιο·
οἱ δὲ γάμον τεύξουσι καὶ ἀρτυνέουσιν ἔεδνα
πολλὰ μάλʼ, ὅσσα ἔοικε φίλης ἐπὶ παιδὸς ἕπεσθαι.
σοὶ δʼ αὐτῷ πυκινῶς ὑποθήσομαι, αἴ κε πίθηαι·
280νῆʼ ἄρσας ἐρέτῃσιν ἐείκοσιν, ἥ τις ἀρίστη,
ἔρχεο πευσόμενος πατρὸς δὴν οἰχομένοιο,
ἤν τίς τοι εἴπῃσι βροτῶν, ἢ ὄσσαν ἀκούσῃς
ἐκ Διός, ἥ τε μάλιστα φέρει κλέος ἀνθρώποισι.
πρῶτα μὲν ἐς Πύλον ἐλθὲ καὶ εἴρεο Νέστορα δῖον,
285κεῖθεν δὲ Σπάρτηνδε παρὰ ξανθὸν Μενέλαον·
ὃς γὰρ δεύτατος ἦλθεν Ἀχαιῶν χαλκοχιτώνων.
εἰ μέν κεν πατρὸς βίοτον καὶ νόστον ἀκούσῃς,
ἦ τʼ ἂν τρυχόμενός περ ἔτι τλαίης ἐνιαυτόν·
εἰ δέ κε τεθνηῶτος ἀκούσῃς μηδʼ ἔτʼ ἐόντος,
290νοστήσας δὴ ἔπειτα φίλην ἐς πατρίδα γαῖαν
σῆμά τέ οἱ χεῦαι καὶ ἐπὶ κτέρεα κτερεΐξαι
πολλὰ μάλʼ, ὅσσα ἔοικε, καὶ ἀνέρι μητέρα δοῦναι.
αὐτὰρ ἐπὴν δὴ ταῦτα τελευτήσῃς τε καὶ ἔρξῃς,
φράζεσθαι δὴ ἔπειτα κατὰ φρένα καὶ κατὰ θυμὸν
295ὅππως κε μνηστῆρας ἐνὶ μεγάροισι τεοῖσι
κτείνῃς ἠὲ δόλῳ ἢ ἀμφαδόν· οὐδέ τί σε χρὴ
νηπιάας ὀχέειν, ἐπεὶ οὐκέτι τηλίκος ἐσσι.
ἢ οὐκ ἀίεις οἷον κλέος ἔλλαβε δῖος Ὀρέστης
πάντας ἐπʼ ἀνθρώπους, ἐπεὶ ἔκτανε πατροφονῆα,
300Αἴγισθον δολόμητιν, ὅ οἱ πατέρα κλυτὸν ἔκτα;
καὶ σύ, φίλος, μάλα γάρ σʼ ὁρόω καλόν τε μέγαν τε,
ἄλκιμος ἔσσʼ, ἵνα τίς σε καὶ ὀψιγόνων ἐὺ εἴπῃ.
αὐτὰρ ἐγὼν ἐπὶ νῆα θοὴν κατελεύσομαι ἤδη
ἠδʼ ἑτάρους, οἵ πού με μάλʼ ἀσχαλόωσι μένοντες·
305σοὶ δʼ αὐτῷ μελέτω, καὶ ἐμῶν ἐμπάζεο μύθων.
252Outraged, Pallas Athena addressed him:
“You have great need now for Odysseus, so long absent,
to lay his hands on these shameless suitors.
255If only he came now and stood at the outer doors
of his house, wearing a helmet, with shield and two spears,
the man he was when first I knew him—
drinking and taking pleasure in our house,
coming up from Ephyra, from Ilus son of Mermerus.
260For Odysseus had gone there too aboard his swift ship,
searching for a man-killing poison, so he could
smear it on his bronze-tipped arrows. But Ilus would not
give it, for he feared the gods who live forever.
My father gave it to him, because he loved him dearly.
265If such a man as Odysseus met the suitors now,
their lives would be short, their weddings bitter.
But all this lies upon the knees of the gods—
whether he will return and make them pay, or not,
here in his own halls. I charge you now to consider
270how you can drive the suitors out of the hall.
Come now: understand me, and heed my authoritative words.
Tomorrow call the Achaean lords to assembly
and declare your case to them all, with the gods as witnesses.
Order the suitors to scatter, each to his own place.
275As for your mother, if her spirit urges her to marry,
let her return to the house of her powerful father.
Her family will prepare the wedding and arrange a bride-price
in abundance, as should accompany a beloved daughter.
And for you yourself, I will give careful counsel, if you will listen:
280fit out the best ship you can, with twenty rowers,
and go seek news of your father, so long absent—
whether any mortal can tell you, or you hear a voice
from Zeus, which most of all carries report among men.
First go to Pylos and question godlike Nestor;
285from there to Sparta, to golden-haired Menelaus,
for he was the last of the bronze-armored Achaeans to come home.
If you hear your father is alive and coming home,
then, worn down though you are, you could endure another year.
But if you hear that he is dead and no longer living,
290return then to your dear native land,
heap up his grave-mound and offer funeral gifts upon it,
many and fitting, and give your mother to a husband.
Once you have brought all this to completion,
then consider closely in your mind and spirit
295how you may kill the suitors here in your halls,
whether by cunning or openly. You have no need
to cling to childish ways, since you are no longer of such an age.
Have you not heard what renown godlike Orestes won
among all mankind when he killed his father's murderer,
300treacherous Aegisthus, who killed his renowned father?
You too, my friend—for I see you are fine and tall—
be brave, so that generations yet unborn may speak well of you.
But now I will go down to my swift ship
and my companions, who must be vexed at waiting so long.
305Let this be your concern, and heed my authoritative words.”
Commentary
Athena imagines Odysseus arriving armed, then immediately leaves his return and vengeance upon the gods’ knees. She transfers responsibility to Telemachus through assembly, travel, report, funeral contingency, and finally a choice between cunning and open violence, with Orestes offered as a model of renown.
1.255–268 Athena’s vivid fantasy of armed return is checked by an explicit statement of divine contingency. She imagines Odysseus at his outer doors with helmet, shield, and two spears and predicts short lives and bitter weddings for the suitors. Yet the next sentence places whether he returns and exacts payment upon the gods’ knees. The book therefore energizes vengeance without presenting it as already accomplished or inevitable in its details.
1.271–283 Μῦθος marks Athena’s counsel as socially forceful speech that Telemachus must reproduce before the assembly. Athena orders him to understand and heed her μῦθοι, then to declare a μῦθος before the Achaeans with gods as witnesses. The passage moves authoritative language from disguised divine instruction to public human performance. At line 283 κλέος is report carried among mortals, not yet the personal renown of Orestes.
1.287–302 The Orestes paradigm gives Telemachus a model of filial action and lasting report without making the two cases identical. Athena first branches on whether Odysseus lives: wait another year if return is reported, or perform burial and settle Penelope’s marriage if death is confirmed. Only after those duties does she tell Telemachus to consider killing the suitors by cunning or openly and invoke Orestes’ κλέος. The analogy presses courage and reputation, while the different sequence of offenses remains visible.
Gift protocol, departure, epiphany 1.306–324
306τὴν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
ξεῖνʼ, ἦ τοι μὲν ταῦτα φίλα φρονέων ἀγορεύεις,
ὥς τε πατὴρ ᾧ παιδί, καὶ οὔ ποτε λήσομαι αὐτῶν.
ἀλλʼ ἄγε νῦν ἐπίμεινον, ἐπειγόμενός περ ὁδοῖο,
310ὄφρα λοεσσάμενός τε τεταρπόμενός τε φίλον κῆρ,
δῶρον ἔχων ἐπὶ νῆα κίῃς, χαίρων ἐνὶ θυμῷ,
τιμῆεν, μάλα καλόν, ὅ τοι κειμήλιον ἔσται
ἐξ ἐμεῦ, οἷα φίλοι ξεῖνοι ξείνοισι διδοῦσι.
τὸν δʼ ἠμείβετʼ ἔπειτα θεά, γλαυκῶπις Ἀθήνη·
315μή μʼ ἔτι νῦν κατέρυκε, λιλαιόμενόν περ ὁδοῖο.
δῶρον δʼ ὅττι κέ μοι δοῦναι φίλον ἦτορ ἀνώγῃ,
αὖτις ἀνερχομένῳ δόμεναι οἶκόνδε φέρεσθαι,
καὶ μάλα καλὸν ἑλών· σοὶ δʼ ἄξιον ἔσται ἀμοιβῆς.
ἡ μὲν ἄρʼ ὣς εἰποῦσʼ ἀπέβη γλαυκῶπις Ἀθήνη,
320ὄρνις δʼ ὣς ἀνόπαια διέπτατο· τῷ δʼ ἐνὶ θυμῷ
θῆκε μένος καὶ θάρσος, ὑπέμνησέν τέ ἑ πατρὸς
μᾶλλον ἔτʼ ἢ τὸ πάροιθεν. ὁ δὲ φρεσὶν ᾗσι νοήσας
θάμβησεν κατὰ θυμόν· ὀίσατο γὰρ θεὸν εἶναι.
αὐτίκα δὲ μνηστῆρας ἐπῴχετο ἰσόθεος φώς.
306Discerning Telemachus then answered her face to face:
“Guest, you speak all this with loving concern,
as a father to his son, and I will never forget it.
But come, stay now, though you are eager for the road,
310so you may bathe and refresh your dear heart,
then go to your ship bearing a gift, glad in spirit,
a precious, beautiful gift, which will be a keepsake
from me—the sort dear guest-friends give to guest-friends.”
Then the goddess, bright-eyed Athena, answered him:
315“Do not detain me now; I long to be on my way.
Whatever gift your own heart urges you to give me,
give it when I return, to carry home.
Choose one truly fine; you will receive one worth as much in return.”
Bright-eyed Athena spoke and departed,
320flying up and away like a bird; in his spirit
she set force and courage, and brought his father
to mind more than before. He understood in his own heart
and stood in awe, for he thought she was a god.
At once the godlike man went back among the suitors.
Commentary
Telemachus responds to Athena’s counsel as to a father and extends guest-gift protocol. Athena defers the exchange, departs like a bird, places force and courage within him, and intensifies his memory of Odysseus; Telemachus infers divinity from the event.
1.306–324 Gift protocol gives way to epiphany, and epiphany becomes inward force, courage, and renewed father-memory. Telemachus offers bath and precious keepsake in the language of dear guest-friends; Athena defers the gift but preserves reciprocal return. Her birdlike departure is followed by direct divine placement of μένος and θάρσος in Telemachus and intensified remembrance of Odysseus. He infers that the visitor was divine and immediately returns to the suitors.
Song of return and household authority 1.325–364
325τοῖσι δʼ ἀοιδὸς ἄειδε περικλυτός, οἱ δὲ σιωπῇ
ἥατʼ ἀκούοντες· ὁ δʼ Ἀχαιῶν νόστον ἄειδε
λυγρόν, ὃν ἐκ Τροίης ἐπετείλατο Παλλὰς Ἀθήνη.
τοῦ δʼ ὑπερωιόθεν φρεσὶ σύνθετο θέσπιν ἀοιδὴν
κούρη Ἰκαρίοιο, περίφρων Πηνελόπεια·
330κλίμακα δʼ ὑψηλὴν κατεβήσετο οἷο δόμοιο,
οὐκ οἴη, ἅμα τῇ γε καὶ ἀμφίπολοι δύʼ ἕποντο.
ἡ δʼ ὅτε δὴ μνηστῆρας ἀφίκετο δῖα γυναικῶν,
στῆ ῥα παρὰ σταθμὸν τέγεος πύκα ποιητοῖο,
ἄντα παρειάων σχομένη λιπαρὰ κρήδεμνα·
335ἀμφίπολος δʼ ἄρα οἱ κεδνὴ ἑκάτερθε παρέστη.
δακρύσασα δʼ ἔπειτα προσηύδα θεῖον ἀοιδόν·
Φήμιε, πολλὰ γὰρ ἄλλα βροτῶν θελκτήρια οἶδας,
ἔργʼ ἀνδρῶν τε θεῶν τε, τά τε κλείουσιν ἀοιδοί·
τῶν ἕν γέ σφιν ἄειδε παρήμενος, οἱ δὲ σιωπῇ
340οἶνον πινόντων· ταύτης δʼ ἀποπαύεʼ ἀοιδῆς
λυγρῆς, ἥ τέ μοι αἰεὶ ἐνὶ στήθεσσι φίλον κῆρ
τείρει, ἐπεί με μάλιστα καθίκετο πένθος ἄλαστον.
τοίην γὰρ κεφαλὴν ποθέω μεμνημένη αἰεί,
ἀνδρός, τοῦ κλέος εὐρὺ καθʼ Ἑλλάδα καὶ μέσον Ἄργος.
345τὴν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
μῆτερ ἐμή, τί τʼ ἄρα φθονέεις ἐρίηρον ἀοιδὸν
τέρπειν ὅππῃ οἱ νόος ὄρνυται; οὔ νύ τʼ ἀοιδοὶ
αἴτιοι, ἀλλά ποθι Ζεὺς αἴτιος, ὅς τε δίδωσιν
ἀνδράσιν ἀλφηστῇσιν, ὅπως ἐθέλῃσιν, ἑκάστῳ.
350τούτῳ δʼ οὐ νέμεσις Δαναῶν κακὸν οἶτον ἀείδειν·
τὴν γὰρ ἀοιδὴν μᾶλλον ἐπικλείουσʼ ἄνθρωποι,
ἥ τις ἀκουόντεσσι νεωτάτη ἀμφιπέληται.
σοὶ δʼ ἐπιτολμάτω κραδίη καὶ θυμὸς ἀκούειν·
οὐ γὰρ Ὀδυσσεὺς οἶος ἀπώλεσε νόστιμον ἦμαρ
355ἐν Τροίῃ, πολλοὶ δὲ καὶ ἄλλοι φῶτες ὄλοντο.
ἀλλʼ εἰς οἶκον ἰοῦσα τὰ σʼ αὐτῆς ἔργα κόμιζε,
ἱστόν τʼ ἠλακάτην τε, καὶ ἀμφιπόλοισι κέλευε
ἔργον ἐποίχεσθαι· μῦθος δʼ ἄνδρεσσι μελήσει
πᾶσι, μάλιστα δʼ ἐμοί· τοῦ γὰρ κράτος ἔστʼ ἐνὶ οἴκῳ.
360ἡ μὲν θαμβήσασα πάλιν οἶκόνδε βεβήκει·
παιδὸς γὰρ μῦθον πεπνυμένον ἔνθετο θυμῷ.
ἐς δʼ ὑπερῷʼ ἀναβᾶσα σὺν ἀμφιπόλοισι γυναιξὶ
κλαῖεν ἔπειτʼ Ὀδυσῆα φίλον πόσιν, ὄφρα οἱ ὕπνον
ἡδὺν ἐπὶ βλεφάροισι βάλε γλαυκῶπις Ἀθήνη.
325The renowned bard was singing to them, and in silence
they sat listening. He sang the Achaeans' grievous return
from Troy, which Pallas Athena had laid upon them.
From her room above, she heard and took in the inspired song,
Discerning Penelope, daughter of Icarius;
330she descended the high stairway of her house,
not alone—two attendant women followed her.
When she, radiant among women, reached the suitors,
she stood beside a column of the strongly built roof,
holding her shining veil before her cheeks;
335a loyal attendant stood on either side.
In tears, she addressed the inspired bard:
“Phemius, you know many other songs that charm mortals—
deeds of men and gods, which singers make renowned.
Sit and sing them one of these, while in silence
340they drink their wine. But stop this
sorrowful song, which always wears down the dear heart
within my breast, since unforgettable grief has fallen on me most of all.
For I yearn for such a man, remembering always
for my husband, whose renown spreads through Hellas and the heart of Argos.”
345Discerning Telemachus then answered her face to face:
“Mother, why begrudge the faithful bard
delighting us in whatever way his mind is stirred? Bards
are not responsible—Zeus, perhaps, is responsible; he gives
to each bread-earning man whatever portion he chooses.
350No one should blame this singer for singing the Danaans' ruin.
For people prize that song the highest
which comes to its hearers as the newest.
Let your heart and spirit dare to listen.
Odysseus was not the only one who lost the day of return
355at Troy; many other men also perished.
But go back into the house and tend to your own work,
the loom and distaff, and order your attendant women
to set about their tasks. Authoritative speech is men's concern—every man's,
mine most of all; for authority in this house belongs to me.”
360Astonished, she went back into the house,
for she took her son's discerning speech to heart.
She climbed to the upper room with her attendant women,
and there wept for Odysseus, her dear husband, until bright-eyed Athena
cast sweet sleep upon her eyelids.
Commentary
Phemius’ song of the Achaeans’ grievous return reaches Penelope as inspired speech and personal pain. Telemachus defends the singer, invokes Zeus as a possible distributor of mortal portions, values the newest song, and then claims authoritative speech and household power in gendered terms.
1.325–344 Penelope’s response to Phemius distinguishes the public beauty of song from the private wound of this return-song. The bard sings the Achaeans’ grievous νόστος, and Penelope receives the song from above before descending with two attendants. She does not reject song as such: she names his many other enchanting themes and asks him to stop this one because it wears down her heart and renews memory of the husband whose κλέος is widespread.
1.345–355 Telemachus defends Phemius by relocating blame and by arguing that audiences prize the song that arrives as newest. He says singers are not αἴτιοι and tentatively assigns responsibility to Zeus, who gives a portion to each mortal. This claim echoes the book’s opening concern with blame but does not simply repeat Zeus’ earlier argument. The newest-song principle then makes reception and circulation part of song’s value even when the song causes pain.
1.356–364 Telemachus’ first strong household claim is gendered: he assigns textile labor and supervision to Penelope and μῦθος and κράτος to men, especially himself. The speech marks development because he claims authority in the οἶκος, but its content also reproduces a coercive distribution of voice and labor. Penelope is astonished and takes the discerning speech to heart, yet the narrator does not explicitly ratify every claim. Athena’s sleep ends the scene by acting upon Penelope rather than through Telemachus.
Telemachus confronts suitors 1.365–420
365μνηστῆρες δʼ ὁμάδησαν ἀνὰ μέγαρα σκιόεντα,
πάντες δʼ ἠρήσαντο παραὶ λεχέεσσι κλιθῆναι.
τοῖσι δὲ Τηλέμαχος πεπνυμένος ἤρχετο μύθων·
μητρὸς ἐμῆς μνηστῆρες ὑπέρβιον ὕβριν ἔχοντες,
νῦν μὲν δαινύμενοι τερπώμεθα, μηδὲ βοητὺς
370ἔστω, ἐπεὶ τόδε καλὸν ἀκουέμεν ἐστὶν ἀοιδοῦ
τοιοῦδʼ οἷος ὅδʼ ἐστί, θεοῖς ἐναλίγκιος αὐδήν.
ἠῶθεν δʼ ἀγορήνδε καθεζώμεσθα κιόντες
πάντες, ἵνʼ ὕμιν μῦθον ἀπηλεγέως ἀποείπω,
ἐξιέναι μεγάρων· ἄλλας δʼ ἀλεγύνετε δαῖτας,
375ὑμὰ κτήματʼ ἔδοντες, ἀμειβόμενοι κατὰ οἴκους.
εἰ δʼ ὕμιν δοκέει τόδε λωίτερον καὶ ἄμεινον
ἔμμεναι, ἀνδρὸς ἑνὸς βίοτον νήποινον ὀλέσθαι,
κείρετʼ· ἐγὼ δὲ θεοὺς ἐπιβώσομαι αἰὲν ἐόντας,
αἴ κέ ποθι Ζεὺς δῷσι παλίντιτα ἔργα γενέσθαι·
380νήποινοί κεν ἔπειτα δόμων ἔντοσθεν ὄλοισθε.
ὣς ἔφαθʼ, οἱ δʼ ἄρα πάντες ὀδὰξ ἐν χείλεσι φύντες
Τηλέμαχον θαύμαζον, ὃ θαρσαλέως ἀγόρευεν.
τὸν δʼ αὖτʼ Ἀντίνοος προσέφη, Εὐπείθεος υἱός·
Τηλέμαχʼ, ἦ μάλα δή σε διδάσκουσιν θεοὶ αὐτοὶ
385ὑψαγόρην τʼ ἔμεναι καὶ θαρσαλέως ἀγορεύειν·
μὴ σέ γʼ ἐν ἀμφιάλῳ Ἰθάκῃ βασιλῆα Κρονίων
ποιήσειεν, ὅ τοι γενεῇ πατρώιόν ἐστιν.
τὸν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
Ἀντίνοʼ, ἦ καί μοι νεμεσήσεαι ὅττι κεν εἴπω;
390καί κεν τοῦτʼ ἐθέλοιμι Διός γε διδόντος ἀρέσθαι.
ἦ φῂς τοῦτο κάκιστον ἐν ἀνθρώποισι τετύχθαι;
οὐ μὲν γάρ τι κακὸν βασιλευέμεν· αἶψά τέ οἱ δῶ
ἀφνειὸν πέλεται καὶ τιμηέστερος αὐτός.
ἀλλʼ ἦ τοι βασιλῆες Ἀχαιῶν εἰσὶ καὶ ἄλλοι
395πολλοὶ ἐν ἀμφιάλῳ Ἰθάκῃ, νέοι ἠδὲ παλαιοί,
τῶν κέν τις τόδʼ ἔχῃσιν, ἐπεὶ θάνε δῖος Ὀδυσσεύς·
αὐτὰρ ἐγὼν οἴκοιο ἄναξ ἔσομʼ ἡμετέροιο
καὶ δμώων, οὕς μοι ληίσσατο δῖος Ὀδυσσεύς.
τὸν δʼ αὖτʼ Εὐρύμαχος Πολύβου πάϊς ἀντίον ηὔδα·
400Τηλέμαχʼ, ἦ τοι ταῦτα θεῶν ἐν γούνασι κεῖται,
ὅς τις ἐν ἀμφιάλῳ Ἰθάκῃ βασιλεύσει Ἀχαιῶν·
κτήματα δʼ αὐτὸς ἔχοις καὶ δώμασιν οἷσιν ἀνάσσοις.
μὴ γὰρ ὅ γʼ ἔλθοι ἀνὴρ ὅς τίς σʼ ἀέκοντα βίηφιν
κτήματʼ ἀπορραίσει, Ἰθάκης ἔτι ναιετοώσης.
405ἀλλʼ ἐθέλω σε, φέριστε, περὶ ξείνοιο ἐρέσθαι,
ὁππόθεν οὗτος ἀνήρ, ποίης δʼ ἐξ εὔχεται εἶναι
γαίης, ποῦ δέ νύ οἱ γενεὴ καὶ πατρὶς ἄρουρα.
ἠέ τινʼ ἀγγελίην πατρὸς φέρει ἐρχομένοιο,
ἦ ἑὸν αὐτοῦ χρεῖος ἐελδόμενος τόδʼ ἱκάνει;
410οἷον ἀναΐξας ἄφαρ οἴχεται, οὐδʼ ὑπέμεινε
γνώμεναι· οὐ μὲν γάρ τι κακῷ εἰς ὦπα ἐῴκει.
τὸν δʼ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα·
Εὐρύμαχʼ, ἦ τοι νόστος ἀπώλετο πατρὸς ἐμοῖο·
οὔτʼ οὖν ἀγγελίῃ ἔτι πείθομαι, εἴ ποθεν ἔλθοι,
415οὔτε θεοπροπίης ἐμπάζομαι, ἥν τινα μήτηρ
ἐς μέγαρον καλέσασα θεοπρόπον ἐξερέηται.
ξεῖνος δʼ οὗτος ἐμὸς πατρώιος ἐκ Τάφου ἐστίν,
Μέντης δʼ Ἀγχιάλοιο δαΐφρονος εὔχεται εἶναι
υἱός, ἀτὰρ Ταφίοισι φιληρέτμοισιν ἀνάσσει.
420ὣς φάτο Τηλέμαχος, φρεσὶ δʼ ἀθανάτην θεὸν ἔγνω.
365The suitors raised an uproar through the shadowed hall,
and every one prayed to lie beside her in bed.
Discerning Telemachus began an authoritative address to them:
“Suitors of my mother, possessed by overmastering arrogance,
for now let us take our pleasure at the feast, with no shouting.
370It is a fine thing to listen to a bard
such as this one, with a voice like the gods.
At dawn let us all go sit in the assembly,
so I can declare my command to you without reserve:
leave my halls. Prepare other feasts,
375consume your own possessions, taking turns from house to house.
But if this seems to you a better, more profitable course—
to destroy one man's livelihood without repayment—
then devour it. But I will cry out to the gods who live forever,
in hope Zeus may grant that deeds of requital come to pass;
380then you would die inside this house, yourselves without repayment.”
So he spoke. They all bit down hard on their lips
and marveled at Telemachus, who had spoken so boldly.
Antinous, son of Eupeithes, answered him:
“Telemachus, the gods themselves must surely be teaching you
385to declaim from on high and speak so boldly.
May the son of Cronus never make you king
in sea-girt Ithaca, though it is ancestral in your line.”
Discerning Telemachus then answered him face to face:
“Antinous, will you resent me for what I am about to say?
390Yes, I would be willing to accept this too, if Zeus should grant it.
Do you say this is the worst fate that can befall a man?
There is no harm in kingship: his house quickly
grows wealthy, and he himself is held in higher honor.
Yet there are indeed other Achaean kings,
395many in sea-girt Ithaca, young and old;
let one of them hold the kingship, now godlike Odysseus is dead.
But I will be master of our own household
and of the enslaved people godlike Odysseus took as plunder for me.”
Eurymachus, son of Polybus, then answered him:
400“Telemachus, it lies upon the knees of the gods
who will rule the Achaeans in sea-girt Ithaca.
But may you keep your own property and rule your own halls.
May no man ever come to strip you by force, against your will,
of your possessions, while Ithaca is still inhabited.
405But now, my friend, I want to ask about the guest:
where is this man from? From what land does he claim
to come? Where are his family and native fields?
Has he brought some message that your father is coming,
or has he come here seeking something for himself?
410How suddenly he sprang away and left, without waiting
for us to learn who he was. His face did not seem ignoble.”
Discerning Telemachus then answered him face to face:
“Eurymachus, my father's return is lost.
I no longer believe any message, wherever it comes from,
415nor heed any prophecy my mother asks of a seer
she has summoned here into the hall.
This man is a guest-friend of my father's from Taphos.
He declares himself Mentes, son of wise Anchialus,
and rules the oar-loving Taphians.”
420So Telemachus spoke, though in his mind he knew the immortal goddess.
Commentary
Telemachus turns from private conversation to authoritative public address, orders an assembly, and makes the suitors’ consumption answerable to divine requital. Antinous raises the threat of kingship, while Telemachus distinguishes uncertain public rule from his claim to master his own household and people acquired by Odysseus as plunder.
1.367–380 Telemachus converts private grievance into public μῦθος and turns νήποινος against the suitors through threatened requital. He first controls the hall’s noise, praises the bard’s godlike voice, and announces an assembly. He then orders the suitors to eat their own possessions in reciprocal rotation. If they continue consuming one man’s livelihood without repayment, he will call upon the gods for παλίντιτα ἔργα, after which they may die in the house without repayment themselves.
1.383–398 The exchange separates Ithacan kingship from mastery of Odysseus’ household. Antinous treats Telemachus’ bold speech as a kingship threat and wishes Zeus never make him βασιλεύς, though kingship is ancestral in his line. Telemachus admits he would accept kingship but allows that another Achaean king may hold it. He then insists on being ἄναξ of his own οἶκος and of the δμῶες whom Odysseus took as plunder, making household authority explicit and ethically compromised.
1.399–420 Eurymachus verbally protects Telemachus’ property while redirecting attention to the guest, and Telemachus answers with a socially usable identity while retaining superior knowledge. Eurymachus leaves kingship to the gods and wishes that no one seize Telemachus’ possessions by force, a reassurance spoken inside the group consuming those possessions. Telemachus reports Mentes’ inherited guest identity and denies confidence in messages or prophecy, yet the narrator closes by saying he knew the immortal goddess in his mind. Public speech and inward knowledge have diverged.
Evening and inward preparation 1.421–444
421οἱ δʼ εἰς ὀρχηστύν τε καὶ ἱμερόεσσαν ἀοιδὴν
τρεψάμενοι τέρποντο, μένον δʼ ἐπὶ ἕσπερον ἐλθεῖν.
τοῖσι δὲ τερπομένοισι μέλας ἐπὶ ἕσπερος ἦλθε·
δὴ τότε κακκείοντες ἔβαν οἶκόνδε ἕκαστος.
425Τηλέμαχος δʼ, ὅθι οἱ θάλαμος περικαλλέος αὐλῆς
ὑψηλὸς δέδμητο περισκέπτῳ ἐνὶ χώρῳ,
ἔνθʼ ἔβη εἰς εὐνὴν πολλὰ φρεσὶ μερμηρίζων.
τῷ δʼ ἄρʼ ἅμʼ αἰθομένας δαΐδας φέρε κεδνὰ ἰδυῖα
Εὐρύκλειʼ, Ὦπος θυγάτηρ Πεισηνορίδαο,
430τήν ποτε Λαέρτης πρίατο κτεάτεσσιν ἑοῖσιν
πρωθήβην ἔτʼ ἐοῦσαν, ἐεικοσάβοια δʼ ἔδωκεν,
ἶσα δέ μιν κεδνῇ ἀλόχῳ τίεν ἐν μεγάροισιν,
εὐνῇ δʼ οὔ ποτʼ ἔμικτο, χόλον δʼ ἀλέεινε γυναικός·
ἥ οἱ ἅμʼ αἰθομένας δαΐδας φέρε, καί ἑ μάλιστα
435δμῳάων φιλέεσκε, καὶ ἔτρεφε τυτθὸν ἐόντα.
ὤιξεν δὲ θύρας θαλάμου πύκα ποιητοῖο,
ἕζετο δʼ ἐν λέκτρῳ, μαλακὸν δʼ ἔκδυνε χιτῶνα·
καὶ τὸν μὲν γραίης πυκιμηδέος ἔμβαλε χερσίν.
ἡ μὲν τὸν πτύξασα καὶ ἀσκήσασα χιτῶνα,
440πασσάλῳ ἀγκρεμάσασα παρὰ τρητοῖσι λέχεσσι
βῆ ῥʼ ἴμεν ἐκ θαλάμοιο, θύρην δʼ ἐπέρυσσε κορώνῃ
ἀργυρέῃ, ἐπὶ δὲ κληῖδʼ ἐτάνυσσεν ἱμάντι.
ἔνθʼ ὅ γε παννύχιος, κεκαλυμμένος οἰὸς ἀώτῳ,
βούλευε φρεσὶν ᾗσιν ὁδὸν τὴν πέφραδʼ Ἀθήνη.
421They turned again to dancing and alluring song,
taking pleasure as they waited for evening to come.
Black evening came upon them in their pleasure;
then each went home to lie down.
425Telemachus went where his chamber in the beautiful courtyard
had been built high, in a place with a commanding view.
There he went to bed, turning many things over in his mind.
Beside him, carrying blazing torches, went the loyal and knowing
Eurycleia, daughter of Ops, son of Peisenor,
430whom Laertes had once bought as an enslaved young woman with his own wealth;
she was still in her first youth, and he paid a price of twenty cattle.
In his halls he honored her equally with his faithful wife,
yet he never slept with her, avoiding his wife's anger.
She carried the blazing torches beside Telemachus. Of all
435the enslaved women, she loved him most and had nursed him as a little child.
She opened the doors of the strongly built chamber,
Telemachus sat down on the bed and took off his soft tunic,
then placed it in the hands of the shrewd old woman.
She folded and smoothed the tunic,
440then hung it from a peg beside the corded bed.
She left the chamber and pulled the door shut by its silver
handle, then drew the bolt home with its strap.
There all through the night, covered with a sheep's finest fleece,
he planned in his mind the journey Athena had shown him.
Commentary
The suitors return to pleasure and then disperse, while Telemachus withdraws to a high chamber and turns Athena’s route over in his mind. Eurycleia’s care is narrated together with purchase, price, exceptional honor, sexual abstention by Laertes, enslavement, and nursing affection, keeping intimacy and inequality visible at the close.
1.425–444 The book’s final journey is mental before it is geographic. Telemachus withdraws to a high, watchful chamber and lies awake πολλὰ φρεσὶ μερμηρίζων. The final line repeats inward planning: he considers in his φρένες the ὁδός Athena disclosed. The close converts divine instruction into sustained human deliberation without yet narrating departure.
1.430–435 Eurycleia’s exceptional honor and care do not erase her purchase, price, and enslaved status. Laertes buys her in first youth for twenty cattle, honors her like his wife, and does not sleep with her because he avoids his wife’s anger. She later loves and nurses Telemachus. The narrative places purchase, sexual power, household honor, labor, and affection in the same account; a responsible reading must preserve all of them.